你的一生中有过一个让自己心跳加速的人吗？

你的一生中有过一个让自己心跳加速的人吗？　　故事里抑郁不得志的中年龙套演员陈诗杰在一次心脏病发后意外发现，只要自己心跳加速到160，就可以穿越…

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

两个男人为他们富有的女性客人担当管家，并尽力完成客人的任何要求，包括满足她们的慾望…

故事讲述了女主角闵慧阴差阳错与男主角辛旗相知相爱，却因一场误会两人不欢而散。 多年后，闵慧与辛旗重逢，发现心动只是爱情的开始，两个人在职场上、生活中上演了一幕幕甜虐情深。

故事讲述了女主角闵慧阴差阳错与男主角辛旗相知相爱，却因一场误会两人不欢而散。 多年后，闵慧与辛旗重逢，发现心动只是爱情的开始，两个人在职场上、生活中上演了一幕幕甜虐情深。

故事讲述了女主角闵慧阴差阳错与男主角辛旗相知相爱，却因一场误会两人不欢而散。 多年后，闵慧与辛旗重逢，发现心动只是爱情的开始，两个人在职场上、生活中上演了一幕幕甜虐情深。

故事讲述了女主角闵慧阴差阳错与男主角辛旗相知相爱，却因一场误会两人不欢而散。 多年后，闵慧与辛旗重逢，发现心动只是爱情的开始，两个人在职场上、生活中上演了一幕幕甜虐情深。

故事讲述了女主角闵慧阴差阳错与男主角辛旗相知相爱，却因一场误会两人不欢而散。 多年后，闵慧与辛旗重逢，发现心动只是爱情的开始，两个人在职场上、生活中上演了一幕幕甜虐情深。