高阳和楚雄原本经营的公司是专做知识分享的视频，由于楚雄总是要“割韭菜”，唯利是图的行为让高阳结束了合伙关系，楚雄对此怀恨在心，打着高阳的名义骗取了林灿灿的费用，林灿灿就这样以客户身份，进入了高阳的视线……林灿灿的哥哥林景是个成功企业家，发现了真相之后，并没有急于让楚雄现出原形，因为他也想看看，高阳究竟会如何辅导自己这个不省心的妹妹，林灿灿被一个叫姜艺的健身博主耍得团团转，林景已经对妹妹束手无策了。姜艺在得知林灿灿富家女身份之后后悔莫及，为了挽回林灿灿，他病急乱投医，却并不知道自己找到的挽回大师，是说着夹子音的楚雄……

吃是永恒的消费需求。互联网时代到来，网生人群成为消费主力军，美食是一种态度、更是一种“情趣”将美食与美女完美结合、实现直播、卫视、TV、视频多形式播出与宣传。用网红聚焦人气，以美食承载效益。

吃是永恒的消费需求。互联网时代到来，网生人群成为消费主力军，美食是一种态度、更是一种“情趣”将美食与美女完美结合、实现直播、卫视、TV、视频多形式播出与宣传。用网红聚焦人气，以美食承载效益。

由于公司社长的权力骚扰，43 岁公司职员苫小牧变成了魔法少女，她将与每天快乐的魔法少女根室、离不开酒的村长晴耕等人一起生活在“魔法少女村”中。故事描绘了在这个充满疯狂与绝望的村庄里的魔法少女生活。

《过来抱抱我》讲述了因曾经的一起杀人案导致命运交错的一对男女间的故事，播出时间尚未确定。

一个男人发现他的妻子和他最好的朋友背叛了他，他杀死了他们两个，然后是自杀了。五十年后，他的鬼魂出没于同一栋公寓楼，他多次与搬进公寓的年轻女子发生性关系，让她们认为自己疯了，杀死了她们的男性追求者，并且也杀死了她们邻居的情人。

Julio feels that Gabriel is never satisfied, and Gabriel thinks Julio is too vague; maybe you shouldn’t work with your friends. They are carrying out research together for a film, a film to tell the true story of an American priest who went to live in the south of Chile after dropping the atomic bomb on Hiroshima. Their efforts take them down many forking paths, to Curepto and Licantén, Queens and Manhattan, Philadelphia and Iowa, through the many neighbourhoods of Santiago. We hear their thoughts in voiceover and see the places they pass by on screen, architectures, landscapes and facades strangely devoid of people, the locations of a film yet to take concrete form. For the priest’s story is full of holes and both men are helpless not to fill them, a constant flow of ideas triggered by everything they see, hear and think about along the way: empty billboards, Mapuche chieftains, films and novels of a dizzying number of genres, Cold War tensions and all the things they touched. Is the film about the journey or the destination, or are they, like everything else here, just two sides of the same coin? A backdrop is no longer a backdrop once the writing’s on the wall.

Julio feels that Gabriel is never satisfied, and Gabriel thinks Julio is too vague; maybe you shouldn’t work with your friends. They are carrying out research together for a film, a film to tell the true story of an American priest who went to live in the south of Chile after dropping the atomic bomb on Hiroshima. Their efforts take them down many forking paths, to Curepto and Licantén, Queens and Manhattan, Philadelphia and Iowa, through the many neighbourhoods of Santiago. We hear their thoughts in voiceover and see the places they pass by on screen, architectures, landscapes and facades strangely devoid of people, the locations of a film yet to take concrete form. For the priest’s story is full of holes and both men are helpless not to fill them, a constant flow of ideas triggered by everything they see, hear and think about along the way: empty billboards, Mapuche chieftains, films and novels of a dizzying number of genres, Cold War tensions and all the things they touched. Is the film about the journey or the destination, or are they, like everything else here, just two sides of the same coin? A backdrop is no longer a backdrop once the writing’s on the wall.