影片以当代新加坡社会为背景，讲述了一个中学男教师（林友明主演）和一个男学生（由本片导演之一的罗子涵主演）之间的爱情故事和结局。男学生的母亲则是片中的另一个主要角色。影片呈现了三个人之间的人际关系和情感矛盾。爱白网据新加坡媒体报道，《单》片中有对同性爱的大胆呈现。 　　片长约70分钟的《单》中几乎没有人物对白，观众可在剧中人物的沉默中得出自己的感受和评判。《单》的主要电影创作人员和演员都是新加坡本地人。

林正昆是一个品学兼优的小伙子，一直暗恋着同镇的萱萱。然而，爱情之花在这个平凡小镇上绽放的同时，心中的怨恨却在悄然生长。在正月十五的夜晚，街头锣鼓喧天，炮炸寒单爷的仪式现场人潮涌动。寒单爷的肉身阿义站在神轿上，威风凛凛地接受人们投掷的鞭炮轰炸，忽然间，成堆的爆竹被引爆，震耳欲聋，尖叫声不断。这场意外不仅带走了萱萱的生命，也让阿义受伤，正昆也突然选择放弃了学业。

林正昆是一个品学兼优的小伙子，一直暗恋着同镇的萱萱。然而，爱情之花在这个平凡小镇上绽放的同时，心中的怨恨却在悄然生长。在正月十五的夜晚，街头锣鼓喧天，炮炸寒单爷的仪式现场人潮涌动。寒单爷的肉身阿义站在神轿上，威风凛凛地接受人们投掷的鞭炮轰炸，忽然间，成堆的爆竹被引爆，震耳欲聋，尖叫声不断。这场意外不仅带走了萱萱的生命，也让阿义受伤，正昆也突然选择放弃了学业。

正月十五，夜晚的街头锣鼓喧天，炮炸寒单爷现场挤满了人潮，肉身寒单阿义（郑人硕 饰）站在神轿上，威风凛凛地接受信徒丢上鞭炮轰炸。忽然间，成堆的炸药被引爆，震耳欲聋，尖叫声不断…… 意外造成阿义女友萱萱（林予晞 饰）的死亡，不忍心看保住性命却丧失一切的阿义堕落社会边缘，正昆（胡宇威 饰）毅然放弃成为教师的机会挺身相助，用尽力气将阿义拉离地狱的深渊。 歃血为盟的兄弟二人，一同经营“昆仪回收场”刻苦耐劳地生活着，却怎知当年意外的真相曝光之后，从此两人在情义的天平两端生死挣扎，炸在身上的纹身之罪，是否能抵消深藏的锥心之痛？

正月十五，夜晚的街头锣鼓喧天，炮炸寒单爷现场挤满了人潮，肉身寒单阿义（郑人硕 饰）站在神轿上，威风凛凛地接受信徒丢上鞭炮轰炸。忽然间，成堆的炸药被引爆，震耳欲聋，尖叫声不断…… 意外造成阿义女友萱萱（林予晞 饰）的死亡，不忍心看保住性命却丧失一切的阿义堕落社会边缘，正昆（胡宇威 饰）毅然放弃成为教师的机会挺身相助，用尽力气将阿义拉离地狱的深渊。 歃血为盟的兄弟二人，一同经营“昆仪回收场”刻苦耐劳地生活着，却怎知当年意外的真相曝光之后，从此两人在情义的天平两端生死挣扎，炸在身上的纹身之罪，是否能抵消深藏的锥心之痛？

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

暂无简介

暂无简介

“单读•访谈”包括“访问未来（Talking Future）”和“年轻思考者(Young Thinker)”两个部分，都是由著名作家许知远主持的高端访谈。我们采访各个领域的佼佼者，了解他们的精神世界，探索变革世界的积极力量。