志輝在那個晚上對老婆痛下殺手，才知道日子原來可以那麼快樂，不用再聽老婆碎念，得到了夢寐以求的平靜。他告訴親友，老婆去遠方渡假了，直到他收到老婆寄來的明信片。怎麼回事？他不是殺了她嗎？還是她變成厲鬼要來討命了？

志輝在那個晚上對老婆痛下殺手，才知道日子原來可以那麼快樂，不用再聽老婆碎念，得到了夢寐以求的平靜。他告訴親友，老婆去遠方渡假了，直到他收到老婆寄來的明信片。怎麼回事？他不是殺了她嗎？還是她變成厲鬼要來討命了？

周弘持单程证从中国大陆来港，与同乡姐妹陈宝莲运用天赋本钱，颠倒众生，更挤身名流社会，结识富商李某，将情欲奉献，未几又邂逅英俊少年何英伟，双方情头意合，正筹备婚礼期间，前度男友欧瑞伟突然出现，苦苦痴缠，致使这个来自大陆的少女自苦海浮出求生，又坠入这茫茫欲海浮沉挣扎。

在一切崩塌的地方，還能綻放著的物件是什麼。在無法簡化的存在，在不斷湧現的當下，有什麼東西，是能夠繼續在支離破碎的時間和空間中持續存在呢 ?

一隻街頭攝影師老鼠遇見了一隻鐘表中的布谷鳥，他們互相幫助，尋找自己的歸屬感並實現各自的夢想。

刑警大队队长齐宝根因1988年金额巨大的抢劫杀人案,为守护真相与正义，不惜长期蛰伏,半生只做一件事，与把嫌疑人沈卫东开展了一场长达二十 　　年的“猫鼠游戏”的信念追逐。

刑警大队队长齐宝根因1988年金额巨大的抢劫杀人案,为守护真相与正义，不惜长期蛰伏,半生只做一件事，与把嫌疑人沈卫东开展了一场长达二十 　　年的“猫鼠游戏”的信念追逐。

http://www.youtube.com/watch?v=hUcvhGJFexc 　　7 min

Film's title roughly translates as "window lookers, garbage, etc." Kren juxtaposes blocks of images in montage sections cut to different rhythms and speeds. The "window lookers" - old people who rest elbows on pillows at windows - view the activities on the streets below: this action begins and ends the film and is repeated within the work many times. There are also sections depicting debris and broken glass, pedestrians, and positive and negative images of the moon. Splice marks, especially during the window scenes, are apparent, punctuating the silent work and reminding us of the film. While we may make associations among the image clusters, there is no narrative per se, and the rapid cutting purposefully undercuts any emotional expressiveness the material might contain.

When a child gets hold of a loaded handgun, someone often dies. Last year, 24,000 Americans lost their lives to handguns...and 3,600 of them were children. This profoundly disturbing documentary tells the stories of five handguns that killed five children--and how their deaths might have been prevented.