犯罪/惊悚

犯罪/惊悚

This movie is a new age Oedipus story, where the protagonist, András in his twenties, has always been only the second in his mother's heart after his younger brother. The lack of love has influenced András's whole life. The mother, who lives alone in a rural, crumbly house, suffers from loneliness. After her former surgery, in which she lost half of her breast, she thinks her femininity vanished. András has been living away from her mother for a long time. He decided to go back to his mother to finally fill in the empty space inside himself with the never acquired love of the mother. Based on the novel of Tamás Jónás.

This movie is a new age Oedipus story, where the protagonist, András in his twenties, has always been only the second in his mother's heart after his younger brother. The lack of love has influenced András's whole life. The mother, who lives alone in a rural, crumbly house, suffers from loneliness. After her former surgery, in which she lost half of her breast, she thinks her femininity vanished. András has been living away from her mother for a long time. He decided to go back to his mother to finally fill in the empty space inside himself with the never acquired love of the mother. Based on the novel of Tamás Jónás.

暂无剧情简介

一个年轻的寡妇阿里阿德涅最近嫁给了企业家奥雷利奥的米纳迪。新家庭有两个孩子：夏洛特是阿里阿德涅的女儿，古斯塔沃是奥雷利奥的儿子。Carlotta与亨利有关系，但往往是继父并引诱他。然而，古斯塔沃更喜欢与马里奥的关系…

一个年轻的寡妇阿里阿德涅最近嫁给了企业家奥雷利奥的米纳迪。新家庭有两个孩子：夏洛特是阿里阿德涅的女儿，古斯塔沃是奥雷利奥的儿子。Carlotta与亨利有关系，但往往是继父并引诱他。然而，古斯塔沃更喜欢与马里奥的关系…

“Mama has two phone numbers. We do not talk about immigration on her Obama phone. For that we use the other number with no data plan.” Living in the United States illegally for over 20 years, Miko Revereza takes the Amtrak train from Los Angeles to New York in this critical moment of hostility against migrants in the country he has come to know as home. The journey seems daring, perhaps reckless, yet urgent and necessary. 　　Conversations with his mother and his own ruminating thoughts reveal the pains his family has been through since their decision to leave the Philippines when he was a young boy. The ‘land of freedom’ viewed from the train is constantly obstructed by the smeared windows and the electric poles that zip in and out of sight. As the train slows down and a border patrol nears the vehicle, the fragility of his status becomes uncomfortably clear.

“我没死”是一个身份模糊的年轻人对情人发出的呼唤，他不满足于自己的生活，羡慕一名成熟男人的风度、事业、妻子，于是在这个男人奇异死亡后，年轻人占有了他的灵魂乃至爱情。本片看似“奇幻”，实则残酷刻骨，光天化日下的亲情仇恨和三角爱欲纠缠在导演哲学家式的讲述下平添了几分离奇。曾出演过《低俗小说》的葡萄牙美女玛丽亚·德·梅黛洛在片中与帅气小生麦赫迪·德比（《继子》）共同演绎赤裸叛逆的一见钟情。

“我没死”是一个身份模糊的年轻人对情人发出的呼唤，他不满足于自己的生活，羡慕一名成熟男人的风度、事业、妻子，于是在这个男人奇异死亡后，年轻人占有了他的灵魂乃至爱情。本片看似“奇幻”，实则残酷刻骨，光天化日下的亲情仇恨和三角爱欲纠缠在导演哲学家式的讲述下平添了几分离奇。曾出演过《低俗小说》的葡萄牙美女玛丽亚·德·梅黛洛在片中与帅气小生麦赫迪·德比（《继子》）共同演绎赤裸叛逆的一见钟情。