1901:- Poor but intelligent Emily Fox Seton accepts a marriage proposal from the older Lord James Walderhurst,a widower pushed into providing an heir by his haughty aunt Maria,Emily's employer. It is an arrangement for them both - in James' case to stop the family home passing to James' cousin Alec Osborn and his Anglo-Indian wife Hester. However affection soon grows between m.yakubd.cc them but James is posted to India with his regiment and the Osborns come to stay with Emily,telling her James sent them to look after her. But they have lied and Alec's alarming mood swings brought on by illness threatens Emily's pregnancy and drives the staff away. Soon Emily realises that the couple is up to no good.

许清宜熬夜看小说后猝死穿书了，成了小说《如意娇妾》里男主谢淮安早死的原配。为了躲开必死的命运，许清宜成亲当天，拒绝嫁给婚后会宠妾灭妻的男主谢淮安，自请改嫁给谢淮安昏迷不醒的兄长谢韫之。就算谢韫之现在是植物人又如何？总比渣男强！更何况谢韫之文武全才，貌似潘安，且不久之后，就会醒来，先婚后爱的幸福生活正在向许清宜招手……

上一世，侯府主母苏清欢，温婉贤淑，尽心尽力地孝顺宋母，更将丈夫的妹妹宋梦璃视为亲生妹妹。然而，命运弄人，宋梦璃不幸被一伙匪徒劫走，生死未卜。匪徒点名要让宋世才亲自前去赎人，否则便撕票。可此时，宋世才的青梅竹马林瑶，却正值治腿的关键时期，声称自己无法自理，需要宋世才的陪伴与照料。宋世才竟真的信以为真，日夜守候在林瑶身边，对妹妹的安危置若罔闻。殊不知，林瑶这一切都是假装残疾、卖惨博取同情的戏码。而苏清欢，为了救出宋梦璃，不惜放下尊严，当众跪在林瑶家门口，恳求林瑶让宋世才前去救人。最终，苏清欢才将自己的丈夫从林瑶身边请回，及时救出了宋梦璃，保住了妹妹的名声，却也让自己心如死灰，对这段婚姻彻底失望。

前世，状元儿子非一个商户女子不娶，从此不问仕途，宁愿辅佐对方专心经商。侯门主母苏含君拼命想将鬼迷心窍的儿子拉回正途，却被传与儿媳争宠，成了全京城闻名的恶婆婆。重生后，苏含君再也不想做那个辛劳还落不到半点好的婆婆，她决然放弃自己的儿子。

芭芭拉·卡维特（朱迪·丹奇）在伦敦一家名声极糟的公立中学当历史老师。光看她的形象就让人联想到卡通片里的恶老师：衣着保守、不苟言笑、行为严谨、对不听话的学生奉行铁拳政策，自然也是个缺乏感情滋润的老姑娘，这样的老师多半在生活中都有让人想象不到的一面。卡维特老师虽然朋友不多却是能引导人倾诉心声还会替人保密的高手。　　新来的艺术老师示芭·哈特（凯特·布兰切特）年轻漂亮、活泼聪明，仿佛吹进学校的一股春风，这股春风也撩动起芭芭拉对友谊的渴望。两个好像来自不同星球的女人竟很快成了无所不谈的好朋友，示芭在和芭芭拉的交往中也发现她非但不沉闷还有自己一套独特的幽默感。而越是和示芭深交芭芭拉越是禁不住想把她当作人生唯一知己。可是示芭幸福的家庭、可爱的子女还有被示芭的魅力吸引而围在她身边的朋友们都是芭芭拉的障碍，友谊的失败夹杂着妒忌，芭芭拉萌生出一个复仇计划。　　原来内心不羁的示芭暗地里与学校一个15岁的男学生搞师生恋，这段不伦关系被芭芭拉撞破后成了她威胁示芭的筹码：即使不能留住示芭的友情，她也要示芭失去所有沦落到她正身处的孤独深渊里。

1960年的夏天，社会学家埃德加·莫兰和让·鲁什对巴黎年轻人的日常生活进行调查，了解他们对幸福的理解。这部论述电影连续几个月跟踪调查的进行，也记录了主人公们的变化。调查中被采访的人最后在影片第一次放映的时候聚集在一起观看进行讨论，有人的赞同，有的人驳斥。两位导演通过这部真实电影，经历了既极具挑战又充满乐趣的体验。 　　"In the summer of 1960, Jean Rouch and Edgar Morin investigated the everyday life of people living in Paris. ""Are you happy? How do you live?"" These are some of questions they asked young people on the street in an attempt to understand their idea of happiness. 　　From manual labourers, students, to a couple of office workers, the different protagonists reveal themselves in conversation, unconcerned about the presence of the camera. With no script, and no professional actors, this film sets out to frame the limits of cinematographic truth." 　　1961 戛纳国际电影节 国际影评人奖

1960年的夏天，社会学家埃德加·莫兰和让·鲁什对巴黎年轻人的日常生活进行调查，了解他们对幸福的理解。这部论述电影连续几个月跟踪调查的进行，也记录了主人公们的变化。调查中被采访的人最后在影片第一次放映的时候聚集在一起观看进行讨论，有人的赞同，有的人驳斥。两位导演通过这部真实电影，经历了既极具挑战又充满乐趣的体验。 　　"In the summer of 1960, Jean Rouch and Edgar Morin investigated the everyday life of people living in Paris. ""Are you happy? How do you live?"" These are some of questions they asked young people on the street in an attempt to understand their idea of happiness. 　　From manual labourers, students, to a couple of office workers, the different protagonists reveal themselves in conversation, unconcerned about the presence of the camera. With no script, and no professional actors, this film sets out to frame the limits of cinematographic truth." 　　1961 戛纳国际电影节 国际影评人奖

1960年的夏天，社会学家埃德加·莫兰和让·鲁什对巴黎年轻人的日常生活进行调查，了解他们对幸福的理解。这部论述电影连续几个月跟踪调查的进行，也记录了主人公们的变化。调查中被采访的人最后在影片第一次放映的时候聚集在一起观看进行讨论，有人的赞同，有的人驳斥。两位导演通过这部真实电影，经历了既极具挑战又充满乐趣的体验。 　　"In the summer of 1960, Jean Rouch and Edgar Morin investigated the everyday life of people living in Paris. ""Are you happy? How do you live?"" These are some of questions they asked young people on the street in an attempt to understand their idea of happiness. 　　From manual labourers, students, to a couple of office workers, the different protagonists reveal themselves in conversation, unconcerned about the presence of the camera. With no script, and no professional actors, this film sets out to frame the limits of cinematographic truth." 　　1961 戛纳国际电影节 国际影评人奖

Pragraph 175是指德国法律里监禁男同性恋者发生性行为的条例。从1933年至1945年间，共有超过10万名同性恋者被指控触犯此条例，而被关进集中营。其间6万人先后死掉，至今仍然在世的不超过10人。导演花了3年的时间筹备，千方百计找到其中5人讲述这段肝肠寸断的前尘往事，他们是在纳粹的统治下得以幸存的同性恋者，他们忍受了无法用语言来表达的恐惧煎熬，通过这些幸存的男男女女的陈述，大屠杀中从未开启的可怕一页呈现在我们的面前。