公元前219年，中国出现一暴君秦始皇，他听说蓬莱有位神仙懂长生不老之术，便派大臣领术士远渡重洋，请求神仙赐他不死。神仙知秦始皇残暴，不肯答应，结果被术士困进一葫芦内。经年后，渔民葛大和在捕鱼时偶然在一大鱼腹中发现葫芦，于是放出神仙。神仙送了永取不竭的钱袋给大和，大和却不满足，反要求长生不老，神仙警戒他将来定必后悔……

叶凡在昆仑镇妖三百年，人间只过去三年，得知妖皇即将入世，为镇压妖皇，离开昆仑回到人间。大夏大长老秦东来派孙女秦梦瑶来接叶凡，在途中秦梦瑶质疑叶凡的实力，却差点被一辆失控的大巴车撞到，叶凡出手，轻松逼停大巴车，震惊秦梦瑶。 叶凡迫切的想要见到曾经收养他的姐姐叶知晓，而叶知晓的丈夫沈青因为欠了凌家少爷凌天泽的赌债被抓，没钱还债，只能那妻子叶知晓与女儿沈思思还债......

天才少年李问禅在昆仑山闭关修炼三百年，距离飞升成仙只差临门一脚，原来是因为尘缘未了，于是李问禅决定回到人间，了却那一段无疾而终的情劫,岂料这段情劫充满阻碍，到处是无知的纨绔打压妨碍。李问禅冲冠一怒为红��

《两宋沉浮三百年》是通过截取北宋时期那些家喻户晓的传奇人物最为闪耀的一段人生经历，讲述那些大家既熟悉又陌生的精彩故事，揭示隐藏在历史深处、鲜为人知的秘密，生动还原那些宏大历史叙事背后的人物与事件，让我们看到那个时期的历史断面，呈现给观众一个更加真实，立体的大宋王朝，也让我们更加了解，两宋三百年沉浮，到底发生了什么？本片大量采用AI置景技术，前期出图4500多张，并手绘动图500个左右，经筛选后平均每集70张左右的使用量，并把它与现实空间做完美的契合，以此形成梦幻般的历史场景，为历史题材纪录片带来新的视听感受。

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

【垃圾】是一齣發生在一個香港老社區的迷你「公路電影」。 　　「社區 」(Community) 是一個奇怪的詞，它不像「家庭」般溫暖，但對一些人來說，像故事中的角色，他們並沒有一個模範的家，然而在這個晚上，他們「有著」彼此。 　　七十多歲的笑姨，在家中再次受到兒子無情無理的恐嚇虐待。忍養一生，她決定把一早就應拎掉的梳化推出家外，獨自步行到垃圾站。在夜半的街角，笑姨碰上認識了卅多年的老街坊堂哥。 　　這一個夜，二人行行停停，推著破舊沉重的梳化，走過夜靜的老街、便利店、公園、天橋底、垃圾站......；路上遇見不同的人、物、以及孤獨的風景......。這段路，看出二人與家人的問題，也看到了那血濃於水的羈絆；老朋友的相助，給悲傷的笑姨帶來了點點溫暖和生氣；可是，殘忍的現實卻仍舊荒涼重復。 　　隨着燈光、場景、聲音、剪接，觀眾彷如置身其中，和兩個主角一起在炎熱的夜空中，在香港的老社區遊走。透過溫婉溫和的視角，感受他們的疲憊、失望、關注、擔憂、無奈與及「放下」......。 　　老和死之間，還隔著一段人生。

16mm胶片拍摄。姐姐前来告知自己多年未见的弟弟关于母亲的丧事，家庭中积压多年的情绪在暗中发泄出来。

腕っ節が強く地元では向かうところ敵なしの青年・本堂ケント（ELLY）は勢いで上京するも何もかもが順調に進まず、さらにもめ事を起こしたことで仕事先からも追われてしまう。地元に戻った彼は、高校時代に付き合っていた女性が、夫の借金によってトラブルに巻き込まれていることを知る。夫の行方を捜しに東京に戻ったケントは闇金に殴り込みをかけるが、そこは元暴走族が仕切る地下組織に関わる店だった。