In his interview on Facet Video's DVD of Diary of a Suicide (Le journal d'un suicidé), Serbian director Stanislav Stanojevic mentions a French arts body that dispenses funds for creative filmmaking, and remarks that Luis Buñuel received more money than he did! This early 70s art film depends for its reputation on a quote by François Truffaut, who may have not seen the film, but had high praise for its screenplay. 　　Diary of a Suicide plays very much like a brief episode in a Buñuel film, but padded to feature length and communicating little beyond a vague nihilism. Busy actor Sami Frey is a handsome young man on a pleasure cruise on the east coast of Spain. He flirts with an attractive fellow passenger (Delphine Seyrig). Neither is given a name. No matter how much the man coaxes, the woman refuses to remove her sunglasses. They visit a church in Barcelona but mostly talk on board ship while watching seagulls. 　　The smiling woman encourages the young man to entertain her with a beautiful story. He responds with several morbid, interlinked anecdotes. A man (Bernard Haller) stands before a mirror, unable to make himself smile. Another man faces a firing squad. Anarchist lovers (Marie-France Pisier & Roland Bertin) fail to carry out an assassination. Wounded, she wants to die but is given a life sentence. Her jailer (Sacha Pitoëff) cannot sleep because he was brain-damaged in a war. That infirmity allows him to watch his prisoner around the clock. The jailer explains that his mind holds only one memory, of a beautiful woman he once knew. Should he forget her as well, the jailer reasons, his life will no longer have a purpose. 　　The female cruise passenger seems pleased by the young man's efforts to seduce her, but she has withheld a wicked surprise. 　　Unfortunately, Diary of a Suicide is a weak and uninvolving slice of mannered filmmaking. Scenes with the two main actors seem arbitrary and haphazard. Many of their encounters are staged against blank walls, and some dialogue scenes avoid showing lips, as in the cheapest of post-dubbed low-budget productions. Except for a few color inserts, all of the shipboard scenes are in B&W. Some of the young man's stories are tinted in various hues. The compositions are rarely framed wider than a medium shot, producing a feeling of claustrophobia. 　　With its nameless lovers and stories within stories, director Stanojevic's puzzle picture is more than a little reminiscent of Alan Resnais' Last Year at Marienbad, minus that film's elegance and compelling dreamlike surface. Little tension develops between the shipboard reality and the man's bizarre stories. A melancholy singer performing aboard the ship appears to represent the mystery woman of the jailer's tale. The singer's actor-husband dresses similarly to the jailer, and carries out the jailer's suicide as part of his act. With the exception of Sacha Pitoëff's morose jailer, none of the story characters connect with the audience. The gaunt, sad jailer truly looks like a man haunted by his loss of memory. 　　Stanislav Stanojevic's main coup for his first film is the gathering of an impressive cast. He's secured the services of Seyrig and Pitoëff, two of the stars of Last Year at Marienbad. Sami Frey and Marie-France Pisier have appeared in films by Agnès Varda, Georges Franju, William Klein, Jean-Luc Godard, H.G. Clouzot, François Truffaut, Alain Robbe-Grillet, Luis Buñuel and Jacques Rivette. 　　Director Stanojevic made two more features blending political themes with aspects of the fantastic. 1979's Subversion is about a country ruled by a paralyzed, blind president and his corrupt daughter. Diary of a Suicide has images of soldiers used as cannon fodder and anarchists dedicated to an assassination, but makes no real political statement. Its final twist is indeed a surprise, but an almost pointless one. 　　Facets Video's DVD of Diary of a Suicide is an acceptable flat transfer with English subtitles. For an extra we're given a lengthy video interview with the director. Stanojevic doesn't discuss Diary at length, preferring to give an unfocused talk about film funding and filmmaking in general.

A young man named Rick regularly gets drunk three sheets and seduces women, one after another. But this was not always the case. Once he had a family, rather beloved wife Elke and he was a sailor and had all the chances to become the captain of the ship. One day he was sent to the semi-annual cruise and Elke left alone. When he returned after a long absence, Rick learns that his wife has become a drug addict and a prostitute. Having found it, he realized that all was lost, and all life is too loses meaning for him, but then "rescue" comes the wife of his best friend Doreen, who tries to seduce him and make her lover. Having been refused, vindictive woman who brought Elke to such a state in the absence of her husband, decides to take revenge on cruel Rica. She finds a young girl like an ideal Rica, pays her money and asks that she "fell in love" him in himself, and then violently thrown. But events unfold in such a way that almost all the characters will regret their actions, and not all will survive until the finals ...

曾在江湖上掀起腥风血雨的妖僧观天，转世重生苏家的嫡脉长孙苏云端。为恢复前世功力，从小开始修炼‘闭口禅’。 三岁那年，苏云端迟迟不会说话，被当成先天聋哑并与母亲一同赶出苏家，任其自生自灭。七年后，母亲病死。苏云端闭口禅即将修成之际，却被苏家召回，只因三日后镇南王寿宴必须全族到齐。苏云端决意为母亲讨回公道，回归苏家。回归当天，苏云端展露自身才华的冰山一角，被家主苏宏业认定为百年不出麒麟子，苏家向上的崛起之机。寿宴上，被当成哑巴十年的苏云端开口，以惊世之才折服大夏文坛泰斗。凭一己之力将苏家捧到九天之上！翻手为云覆手为雨！只为让苏家所有人去他母亲坟前磕头，说一声：苏家有眼无珠！

蜀山宗门的修仙者叶月心，在渡劫飞升的时候遭遇意外，失去记忆，和凡人结婚生子，却因此触犯天条，遭受天罚，导致孩子先天早衰短命，活不过十八岁。师尊告知叶月心，要救孩子，除非叶月心修成真仙，才能逆天改命，叶月心无奈抛下孩子，独自修仙，吃尽苦头，孩子在凡间也历尽苦难，九死一生，最终叶月心历劫归来，在危难下救下自己的孩子！最终，叶月心舍弃仙道逍遥，也要和自己的孩子人间团圆，一家人最后幸福快乐的生活在一起！

Michael Regardie is a lonely, delusional and sick religious zealot of his own invented faith -a faith that justifies hideous rituals of murder, rape and sexual torture. Absolution from his ..

Newspaper editor Arthur Sherwood is on a hunting trip when he accidentally stumbles upon a nudist camp in the woods. He is very much shocked by this and decides to send reporter Stacy Taylor to the camp so she can write an expose on the camp and have it shut down. However, much to her surprise, Stacy finds that she enjoys the nudist lifestyle and writes some very positive articles on her experiences, which doesn't sit well with Arthur. Arthur then decides to join the camp himself and write his own story.

在这个动画日记中充满对生活的记忆，既有惊奇的事物，也有精神错乱的痕迹。

离婚后的奥尔加带着女儿搬到了一栋新房子，开始了新的生活。起初，她们并没有察觉到房子里发生的怪事，直到奥尔加在阁楼上发现了一个连环杀手的日记，这一发现危及到她和她身边之人的性命。

离婚后的奥尔加带着女儿搬到了一栋新房子，开始了新的生活。起初，她们并没有察觉到房子里发生的怪事，直到奥尔加在阁楼上发现了一个连环杀手的日记，这一发现危及到她和她身边之人的性命。

Experimental animated short film by Kaori Oda, which in turn is made up of three short films. 　　Fear + Energy (2006) 　　Confrontation + Run (2008) 　　A Life + Question (2010)