In honor of the sci-fi franchise’s 55th anniversary this year and produced by The Nacelle Company, the project will feature interviews with cast, crew and experts as it explores pivotal moments in the franchise’s history, from its inception at Lucille Ball’s production company Desilu to recent film and television adaptations.

玛丽亚是一个迷人的派对女孩，她以别人的钱为生。有一次在阿联酋，她和一个亿万富翁的妻子去了一家夜总会，派对失控了，现在玛丽亚面临牢狱之灾，危险人物追杀她，她的账户被封锁。她不得不逃到俄罗斯，但她在家里也不安全--女孩在一个修道院的围墙内避难。@游目骋观影

《WIN : WHO IS NEXT》是韩国YG娱乐公司为选拔新男团成员而进行的放送节目。A队与B队的11名YG练习生们怀揣着无关认知度、实力等因素取胜的强烈意志。练习生中由Super Star K出身的姜胜允、K-pop star出身的李胜勋等组成的A队与MC梦“Indian boy"中活跃的12 岁小不点儿rapper B.I和K-pop star出身的具俊熙等B队，6人的小档案、简历与实力都予以公开。在K-pop star节目中当评委时一向温和的杨贤硕社长在放送中对练习生们的失误以及问题等都严厉地给予毒舌点评，而为了选拔YG新团成员，平时很难在放送中看到的YG众艺人PSY、BIGBANG、2NE1等的采访也在节目中播出。

bigbang出道前120天全纪录。

beast出道实录。

纪录片《国宝“出道”夜》于5月1日-5月3日，播出六集。每集聚焦一类文物，文物们化身“出道选手”，以第一人称讲述自己的传奇经历，用造型、技艺与背后的文明故事展开竞演角逐，争取“成团”荣耀。它们不再是静默的历史印记，而是跨越千年的文化表达者，让历史的高光时刻与当下年轻观众产生情感共鸣。

In the early days of the sound era, Mexican movie industry was still suffering the consequences of the Mexican Revolution. As the political climate was very unstable, very few movies were made in the 20s and only in the 30s the young Mexican film industry was able to grow up. Director Fernando De Fuentes was one of the most important filmmakers of that difficult period and a pioneer who set the basis for many of the characteristics of Mexican cinema. "El Fantasma del Convento", one of the two first horror movies made in the country (first one was "La Llorona" a year earlier), is a terrific Gothic horror that showcases his natural talent for storytelling and his great understanding of cinema as a visual art. 　　The film is the story of Alfonso (Enrique del Campo), his best friend Eduardo (Carlos Villatoro) and Eduardo's wife Cristina (Marta Roel); three friends who on a field trip get lost in the forest by night. They find a monk who offers to take them to the ancient monastery where his Order lives. At the monastery, strange things begin to happen as the haunting atmosphere and the mystery surrounding the monastery's inhabitants seem to play hideous tricks on the group's minds, particularly Alfonso's as his hidden affair with Eduardo's wife and the guilt he feels for betraying his best friend will come at play in a nightmarish night. 　　"El Fantasma del Convento" is a very atmospheric movie that combines the influence of Universal Studios' Gothic horror films of the time with the very rich tradition of Mexican ghost stories to create an original creepy story of mystery and horror. Co-written with Juan Bustillo Oro (who would also become a legendary filmmaker on his own right), the plot is more a character study than a horror film, and most (if not all) of the scares and suspense is based on the characters' psychology and the relationships between them. The bizarre events happening in the monastery are just the catalyst (or metaphor) for Alfonso's descent to hell and back. 　　Visually, the film showcases not only the afore mentioned influenced of Universal Studio's horror films, but also the big influence that Russian filmmaker Sergei Eisenstein left in Mexico after his stay in the country. While the plot is mostly character-driven (with some lengthy monologues), the camera-work is surprisingly dynamic for its time, and the ominous and claustrophobic imagery builds up a haunting atmosphere of dread that has its peak in the overtly surreal climax of the film. De Fuentes makes a great use of shadows as well as of his primitive special effects to create a powerful film of a supernatural beauty. 　　The acting is kind of a mixed bag, as while the three main characters are very well portrayed, the supporting ones seem to be played by actors without real training. Enrique Del Campo is quite effective as Alfonso, the brave and extroverted young man trapped in a love triangle with the his best friend's wife. He is very convincing and carries the film with power and dignity. Marta Roel as Cristina is also very good as the tempting Cristina, more than happy with the idea of abandoning her shy and coward husband for his brave friend. Finally, Carlos Villatoro gives a fine performance as Eduardo, the most introverted of the group and unaware of his wife's unfaithfulness. 　　For a film of its time, "El Fantasma del Convento" is a remarkably good film with a well-written story and excellent cinematography. While its low-budget is evident, director De Fuentes makes the most of what he has and is successful in his venture. The film's main problem is in the way the actors playing the monks deliver their lines, as most of them (with the exception of Paco Martínez as the Father superior) seem to be reading the lines from cue cards. Also, the film's ending may feel weak after the very powerful climax, however, it was an appropriate ending for its time and while a bit disappointing, it doesn't hurt the overall result. 　　Along with "La Llorona", "El Fantasma Del Convento" gave a Mexican face to the horror genre and while still took many years for the genre to develop in Mexico, they were of great importance for future filmmakers. While he is probably more remembered for his later work, Fernando De Fuentes constant exploration of many diverse themes makes him the most important of the pioneers of the early days of Mexican film-making.

From a schoolboy’s crush to a middle-aged bachelor’s office romance, four love stories spanning age, religion and status unfold in a small Indian town.

昨年末に「NHK紅白歌合戦」に初出場するなど、大躍進を遂げた日向坂46のデビュー1年目に完全密着。日々拡大するグループの人気。その裏側に隠れたメンバー一人ひとりの苦悩。自分たちだけの名前を手に入れてからもなお、常に危機感を持ち、「日向坂46」としての魅力を探し求める姿を 描きます。先輩グループ・欅坂46の存在感に圧倒されながら、自分たちのアイデンティティを模索し続けた「けやき坂46」としての3年間。改名という大きな変化をきっかけに、最大風速で2度目のスタートを切った日向坂46。しかしその裏側で、メンバーたちは大きな壁を乗り越えようと必死になっていました。輝きと苦悩が交錯する彼女たちの記録を、ぜひ劇場でご覧ください。制作は、ドキュメンタリー番組「セルフ Documentary of 日向坂46」で日々の活動に密着してきたチームが担当。

苏小念与裴靳言触电穿书，女主成为女帝，系统提示，二人需逆转死亡结局，否则将无法回到现实。两人联手，智斗权臣外敌，苏小念成长为明主，带领朝堂走向繁荣，过程中揭露裴靳言为她百世轮回的深情，最终破灭诅咒，重返现代。