郑晋康，83岁，未婚无子女。影片用摄像机记录了他对前半生跌宕起伏的口述和如今安老院孤独生活的状态。 　　出生百万富豪家族，当年上海滩上的小K，从小出入跑马厅、舞厅等上流社会场所，人生前20年生活在纨绔子弟的富足之中；1950年开始人生命运急转直下，接连的政治运动和莫须有的罪名，把他打成了反革命并两次入狱几十年；晚年的他偏安小镇双林，独居安老院，因脾气乖戾不愿与他人同住，执意独居太平间。安老院孤独生活的间隙，老人坐在床头滔滔讲述故去的声色犬马和落难后的牢狱之艰。 　　片尾，面对镜头，老人慷慨地讲出他已将自己的后事托付给上海的老朋友。 　　他高唱着《满江红》，脑海中依旧萦绕着那句让他悔恨终身的诗句：“莫等闲，白了少年头，空悲切”。 　　Zheng Jingkang is 83 years old and single with no child. This film has two parts, one that records the narration of his first half life full of quirky twists and the other that describes his lonely life in QingEn residential care home. 　　Zheng Jingkang was born in a millionaire family and often patronized the horse gambling racing and dancing clubs. So he lived a comfortable life when he was young. But since 1950s, successive political movements and unwarranted charge turned him into a counter-revolutionist and he was put into the prison twice for several decades. In his old age, he lived in a residential care home in Shuangling Town. Being bad-tempered, he insists on living alone in the reposing room. He tells of his past entertainments and prison life at leisure while sitting on the bed. 　　At the ending，he tells us that he has asked one friend of his to take care of his funeral affairs. 　　He sings The Rive All Red loudly, with the haunting line that gives him a lifelong regret, Do not let it slip away; When a young man’s head turns grey, Regret will be too late.

The son of a schlager singer wants to sing the song his own way.

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

颜茸茸从小因为脸上的胎记而自卑，大学就被家里人逼迫打工赚钱 养家，却在打工期间遭遇危险， 被司家继承人所救。颜茸茸意外怀 孕，被司家继承人带走， 两人日久生情，还意外揭开了颜茸茸身世 之谜……

颜茸茸从小因为脸上的胎记而自卑，大学就被家里人逼迫打工赚钱 养家，却在打工期间遭遇危险， 被司家继承人所救。颜茸茸意外怀 孕，被司家继承人带走， 两人日久生情，还意外揭开了颜茸茸身世 之谜……

觉晓 （ 王子文 饰）自幼被母亲遗弃，由小姨抚养长大，戴春 （ 尹昉 饰）年少时遭受父亲的家暴，也历经了与母亲的悲痛分别，原生家庭带来的创伤让两人变得脆弱又敏感，承受着常人无法想象的心理负担。在觉晓人生最艰难的低潮点，戴春的出现像一抹阳光冲破了黑暗。封闭的环境里，两人从相识到相爱，用爱情编织幸福的可能，也将对方从沉重的迷雾中拯救出来。随着美好生活的继续，现实的考验也向他们的爱情暗袭而来，他们需要相互抚慰，一起成为彼此眼中最好的那个人 。

在觉晓人生最艰难的低潮点，戴春的出现像一抹阳光冲破了黑暗。封闭的环境里，两人从相识到相爱，用爱情编织幸福的可能，也将对方从沉重的迷雾中拯救出来。随着美好生活的继续，现实的考验也向他们的爱情暗袭而来，他们还能成为彼此眼中最好的那个人吗？