一个破产的年轻人为避开社交互的隐居客户找一份替身工作。与此同时，他和一个在酒吧认识的同事擦出了浪漫的火花。但是当他的客户开始干涉他的私人生活时会发生什么呢？ 　　A broke young man takes a job as a stand-in for his reclusive client, who avoids social interactions. Meanwhile, he sparks a romance with a coworker he meets at a bar. But what happens when his client starts meddling in his personal life?

哈姆先生决定将自己的心脏摘除，以摆脱复杂的情感困扰。医生向他保证，在当今这个时代，这种手术已不再是个问题。

哈姆先生决定将自己的心脏摘除，以摆脱复杂的情感困扰。医生向他保证，在当今这个时代，这种手术已不再是个问题。

Rémy and Sandra can’t have children on account of their suffering from “Past Lovers Syndrome”. There’s only one road to recovery: they must sleep with all of their exes one more time.

Rémy and Sandra can’t have children on account of their suffering from “Past Lovers Syndrome”. There’s only one road to recovery: they must sleep with all of their exes one more time.

원인을 알 수 없는 통증으로 이름 없는 질병을 앓고 있는 여성들이 있다. 그녀들의 육체적·정신적·사회적 고통이 여러 텍스트에서 인용된 언어를 거쳐 내레이션으로 이야기된다. 작가는 그 내레이션이 리서치를 하는 과정에서 마주쳐 “주워 모은 문장들로 만들어진 구조물”이라고 밝힌다. 　　- 　　원인을 알 수 없는 통증을 유발하여 인간을 병들게 하는 익명의 질환을 추적한 <네임리스 신드롬>은 젊은 작가들을 발굴, 지원하기 위해 기획된 미술관 ‘리움’이 ‘아트 스펙트럼’에서 전시되어 올해의 작가상을 수상한 작품이다. 서사의 구성은 5개의 소제목이 붙은 챕터들로 이루어지는데, 개별 챕터들은 앞의 것이 뒤에 오는 것을 불러내거나, 이어받고, 또는 벗어나는 인상을 준다. 모든 인물들은 여성이고, 그 중 한 명이 나레이터 역할을 맡아 해설과 주석, 질문을 던지며, 작가의 조사와 인터뷰에 기초한 재연 장면들이 포함되어 있다. 전편을 주재하는 시청각적 모티프는 반사와 반영이라고 할 수 있는데, 거울과 창문, 물의 표면 위에서 이미지들이 서로를 비추고 반영하거나 마주본다. 인과의 논리로부터 벗어나 물리적, 사회적, 정치적으로 고통 받아온 여성들에 대한 메타포를 텍스트와 이미지의 플레이를 통해 형상화한 작품이다. (제14회 DMZ국제다큐멘터리영화제) 　　There are women who suffer from an unnamed disease with an unknown cause. Their physical, mental, and social suffering is narrated through the language cited in various texts. The author reveals that the narration is a “structure made of picked up sentences” that he encountered during the research process. - <Nameless Syndrome>, which traces an anonymous disease that causes unexplained pain and makes humans sick, is an art museum designed to discover and support young artists. Works that won the Writer's Award. The composition of the narrative consists of five sub-titled chapters, each of which gives the impression that the preceding invokes, succeeds, or escapes the following. All characters are female, and one of them takes on the role of the narrator, providing commentary, commentary, and questions, and contains reenactments based on the author's research and interviews. The audiovisual motifs that preside over the first film are reflection and reflection. On the surface of mirrors, windows, and water, the images reflect, reflect, or face each other. It is a work that embodies the metaphor of women who have suffered physically, socially and politically through the play of texts and images, away from the logic of causality. (The 14th DMZ International Documentary Film Festival) 　　CHA Jeamin 　　Using filmed footage rather than synthetic images, she asks questions about the potential and powerlessness of visual arts and documentaries. It approaches the reality of individuals through field research and interviews, and pays attention to how society seeps into their lives.

원인을 알 수 없는 통증으로 이름 없는 질병을 앓고 있는 여성들이 있다. 그녀들의 육체적·정신적·사회적 고통이 여러 텍스트에서 인용된 언어를 거쳐 내레이션으로 이야기된다. 작가는 그 내레이션이 리서치를 하는 과정에서 마주쳐 “주워 모은 문장들로 만들어진 구조물”이라고 밝힌다. 　　- 　　원인을 알 수 없는 통증을 유발하여 인간을 병들게 하는 익명의 질환을 추적한 <네임리스 신드롬>은 젊은 작가들을 발굴, 지원하기 위해 기획된 미술관 ‘리움’이 ‘아트 스펙트럼’에서 전시되어 올해의 작가상을 수상한 작품이다. 서사의 구성은 5개의 소제목이 붙은 챕터들로 이루어지는데, 개별 챕터들은 앞의 것이 뒤에 오는 것을 불러내거나, 이어받고, 또는 벗어나는 인상을 준다. 모든 인물들은 여성이고, 그 중 한 명이 나레이터 역할을 맡아 해설과 주석, 질문을 던지며, 작가의 조사와 인터뷰에 기초한 재연 장면들이 포함되어 있다. 전편을 주재하는 시청각적 모티프는 반사와 반영이라고 할 수 있는데, 거울과 창문, 물의 표면 위에서 이미지들이 서로를 비추고 반영하거나 마주본다. 인과의 논리로부터 벗어나 물리적, 사회적, 정치적으로 고통 받아온 여성들에 대한 메타포를 텍스트와 이미지의 플레이를 통해 형상화한 작품이다. (제14회 DMZ국제다큐멘터리영화제) 　　There are women who suffer from an unnamed disease with an unknown cause. Their physical, mental, and social suffering is narrated through the language cited in various texts. The author reveals that the narration is a “structure made of picked up sentences” that he encountered during the research process. - <Nameless Syndrome>, which traces an anonymous disease that causes unexplained pain and makes humans sick, is an art museum designed to discover and support young artists. Works that won the Writer's Award. The composition of the narrative consists of five sub-titled chapters, each of which gives the impression that the preceding invokes, succeeds, or escapes the following. All characters are female, and one of them takes on the role of the narrator, providing commentary, commentary, and questions, and contains reenactments based on the author's research and interviews. The audiovisual motifs that preside over the first film are reflection and reflection. On the surface of mirrors, windows, and water, the images reflect, reflect, or face each other. It is a work that embodies the metaphor of women who have suffered physically, socially and politically through the play of texts and images, away from the logic of causality. (The 14th DMZ International Documentary Film Festival) 　　CHA Jeamin 　　Using filmed footage rather than synthetic images, she asks questions about the potential and powerlessness of visual arts and documentaries. It approaches the reality of individuals through field research and interviews, and pays attention to how society seeps into their lives.

当凝视发生时，被观看者是被视线照亮着的。医学凝视下的身体、观看机制中的自我监管……故事中，在累加的目光的规训下，主角畏光的疾病作为符号被症候化；由凝视而生的创伤在一个个日常场景中复现，最终在朦胧的火光下，在暗涌的家庭记忆里，在与自然物的温和对望中，渐渐被抚平了。

One of last year’s great festival successes is an eminently observed psychological drama from a small theatre in Ukraine, where a group of untrained actors come together to interpret scenes from Shakespeare and heal their inner wounds. 　　A few months before Russia’s invasion, a group of young people gather on the boards to rehearse a play that interweaves Shakespeare’s tragedy of Hamlet with the actors’ own turbulent reality in a country that has been under attack since 2014. And like Hamlet, Jaroslav, Kateryna, Rodion, Oksana and Roman are also grappling with their own traumas and existential questions. From war experiences on the frontline in Donbas to a conservative society’s rejection of one’s sexuality. But on stage, their inner lives can find outlet in a healing process that offers some unexpected breakthroughs until the Russian invasion. 　　源自：https://cphdox.dk/film/the-hamlet-syndrome/

One of last year’s great festival successes is an eminently observed psychological drama from a small theatre in Ukraine, where a group of untrained actors come together to interpret scenes from Shakespeare and heal their inner wounds. 　　A few months before Russia’s invasion, a group of young people gather on the boards to rehearse a play that interweaves Shakespeare’s tragedy of Hamlet with the actors’ own turbulent reality in a country that has been under attack since 2014. And like Hamlet, Jaroslav, Kateryna, Rodion, Oksana and Roman are also grappling with their own traumas and existential questions. From war experiences on the frontline in Donbas to a conservative society’s rejection of one’s sexuality. But on stage, their inner lives can find outlet in a healing process that offers some unexpected breakthroughs until the Russian invasion. 　　源自：https://cphdox.dk/film/the-hamlet-syndrome/