这部纪录片探讨了高速增长的国家债务将会给美国和它的公民带来什么样的影响。永远扩张的政府机构和军队、永无休止的国际竞赛以及过分增加的福利计划，使得美国目前支付着大量的资金以保证这些项目的正常运转。当战后出生的婴儿潮一代退休并开始获取高额的社会保障金时，美国经济将会陷入到一个大灾难中。

这部纪录片探讨了高速增长的国家债务将会给美国和它的公民带来什么样的影响。永远扩张的政府机构和军队、永无休止的国际竞赛以及过分增加的福利计划，使得美国目前支付着大量的资金以保证这些项目的正常运转。当战后出生的婴儿潮一代退休并开始获取高额的社会保障金时，美国经济将会陷入到一个大灾难中。

소매치기로 살아가던 혜빈은 어느날 석광의 도박판에 끼게 되고 그날이 오히려 자신의 삶에 더 어두운 날들의 시작이란 것을 전혀 깨닫지 못하고 있다 　　먹히고 먹는 그 도박판에서 마지막까지 살아남는자는 누구일까? 모든게임이 끝난후 혜빈은 석광의 돈을 가로채 달아나 버린다

Life and Debt is a feature-length documentary which addresses the impact of the International Monetary Fund, the World Bank, the Inter-American Development Bank and current globalization policies on a developing country such as Jamaica. 　　http://www.lifeanddebt.org/

「我们感谢华盛顿邮报、纽约时报、时代周刊和其他大出版社的主管们，谢谢你们参加我们的会议，并在差不多四十年的时间里信守诺言，为我们分散注意力，如果在公开的情况下成为公众的焦点，那么我们制定给这个世界的那些计划将不可能实施。但是，现在的世界已经变得更加成熟，并且已经准备好向一个世界政府迈进了。一个由智力精英和世界银行家连手统治的、超越国度的主权，无疑比过去几个世纪里各个国家自制的制度更加可取。」 　　－戴维．洛克菲勒　1991年在一个三边委员会会议上的一段演说 　　“We are grateful to the Washington Post, the New York Times, Time magazine and other great publications whose directors have attended our meetings and respected the promises of discretion for almost forty years. It would have been impossible for us to develop our plan for the world if we had been subject to the bright lights of publicity during those years. But, the world is now more sophisticated and prepared to march towards a world-government. The supranational sovereignty of an intellectual elite and world bankers is surely preferable to the National auto-determination practiced in past centuries.” 　　~ David Rockefeller in an address to Trilateral Commission meeting, 1991 　　. 　　http://www.bibliotecapleyades.net/sociopolitica/atlantean_conspiracy/atlantean_conspiracy16.htm 　　http://www.moneyasdebt.net/

소매치기로 살아가던 혜빈은 어느날 석광의 도박판에 끼게 되고 그날이 오히려 자신의 삶에 더 어두운 날들의 시작이란 것을 전혀 깨닫지 못하고 있다 　　먹히고 먹는 그 도박판에서 마지막까지 살아남는자는 누구일까? 모든게임이 끝난후 혜빈은 석광의 돈을 가로채 달아나 버린다

The follow-up to the original "Money as Debt", which explained the origins of the modern day "fractional reserve system" and modern banking. This follow-up focuses on more modern-day banking and the effect the money supply has on the economy. Produced in 2008 and released in 2009, you will be amazed at just how well this film predicted our current (2011) financial crisis. 　　Both films may sound incredibly dull, but the producers explain things using simple cartoon characters and animated diagrams to keep you interested. While the quality of the static cartoons and animation in both films is quite poor, you don't watch a film like this expecting Fantasia. 　　If you are into history & politics, you will find this sequel almost as fascinating as the first. My only criticism: This sequel does repeat the myth that "it took World War II to finally pull us out of the Great Depression"... a surprising economic blunder for such a detailed film (if war provides such an economic boom, explain the fact the wars in Iraq and Afghanistan have had a devastating economic effect on the U.S. today?) But once you get past that huge blunder, the remainder is quite accurate. 　　Fascinating to the point of horrifying, "Money as Debt II" is nearly every bit as good as the original.

这是《债务货币（Money As Debt / 钱就是债）》的第三部曲，保持原有的一贯论调，从一开始分析问题的本质，从最基本最简化的问题着手，慢慢纳入现实世界中的变因，再重新分析原问题，找出新的问题，不断的往核心之处挖掘，试图找出货币在我们世界上的特殊状况。在这部同时也讨论到目前炙手可热的话题，也就是回归金本位或是银本位，甚至是任何硬商品本位的问题，让我们来看看这影片，并思考，要如何解决目前货币滥发的问题根源。 》

To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)

本片讲述了主人公刘梓豪因为不懂得包容他人与公司同事相处不融洽导致工作不顺心，也因为这样的个性失去了爱情，生动的教育了现代年轻人在于朋友同事相处时应该学会体谅他人，对待爱人也应该相亲相爱，树立一种正确的价值观。