凹凸世界的创世神是一位很肆意随性的神明。他创造的世界生而不平等，只有参加凹凸大赛才有机会改变命运。参赛者将得到系统赐予的“特殊能力”，并锻炼运用各自的能力不断闯关战斗。只要能在凹凸大赛中获得最终的胜利，那么就能得到一切，并赐予你与“七神使”一样代神统治世界的权力。然而，这些都只是虚伪的表象……

TRANSMITZVAH is a love story between siblings. They exhibit their wounds, exchange the pieces of each other’s puzzle, and complete (or start) the process of reaffirming their own identity. Rubén –the Singmans’ youngest son– challenges tradition by deciding to have a Bat Mitzvah instead of a Bar Mitzvah. Twenty years later, Rubén –now MUMY SINGER– returns to their hometown as a famous Yiddish singing star. After a sad event in the family, MUMY loses her voice and, with the help of her brother EDUARDO, tries to complete the path to adult life. A comedy with a jolly, playful, and musical dialogue about MUMY SINGER, and her trip to the past to make herself up, avoiding shortcuts and labels. The journey to who we really are can’t be avoided and must necessarily be taken.

讲述年少时期因为令人伤痛的恶缘而分离的两个男女，在长大后以目中无人的超级甲方topstar和卑躬屈膝又势力的超级乙方纪录片导演再次相遇后刻薄又凄美的爱情故事。 剧中，金宇彬变身俘虏女星芳心的知名歌手，而秀智饰演纪录片的知名制作人，两人儿时结下不解之缘，至长大后再重逢。

讲述年少时期因为令人伤痛的恶缘而分离的两个男女，在长大后以目中无人的超级甲方topstar和卑躬屈膝又势利的超级乙方纪录片导演再次相遇后刻薄又凄美的爱情故事。 剧中，金宇彬变身俘虏女星芳心的知名歌手，而秀智饰演纪录片的知名制作人，两人儿时结下不解之缘，至长大后再重逢。

凹凸世界的创世神是一位肆意随性的神明，他创造了充斥不平等的世界，却也赐予世人改变命运的机会——只需参加“凹凸大赛”，利用系统赋予的“特殊能力”，通过一轮又一轮的残酷考验，争取最终的胜利！ 如今，停办百年的大赛再度开启。我们的主角——金，为了改变登格鲁星的命运，找回姐姐，决定参赛……

凹凸世界的创世神是一位肆意随性的神明，他创造了充斥不平等的世界，却也赐予世人改变命运的机会——只需参加“凹凸大赛”，利用系统赋予的“特殊能力”，通过一轮又一轮的残酷考验，争取最终的胜利！如今，停办百年的大赛再度开启。我们的主角——金，为了改变登格鲁星的命运，找回姐姐，决定参赛……

A young test subject named Chell awakes from a stasis in the Aperture Science Research Facility by a mysterious voice. Asked to perform certain "tests", Chell makes her way through various rooms and test chambers using the Aperture Science Handheld Portal Device, or the "Portal Gun". The tests challenge her wit and her skill and she is able to overcome various obstacles. In one test, she is asked to use a cube known as the Companion Cube to solve the tests. During the test, Chell grew attached to it but was asked to burn it in the end in order to progress. This proved to be a tough feat for Chell. Later, she learns she is being tested by a demonic robot with evil intentions who killed everyone in the facility using a deadly neurotoxin. After nearly being baked into a cake, Chell manages to escape and she works her way through various office rooms to find her mysterious perpetrator, GLaDOS (Genetic Life and Disk Operating System). After a violent battle in which Chell burns the morality cores put on GLaDOS, the super computer is defeated and Chell goes unconscious due to a violent explosion. Years pass, and Chell wakes up again and is greeted by Wheatley, who is a morality core. He isn't exactly the smartest of all the cores. He goes with her as they plan to escape the facility, which has fallen into complete disrepair. However, during their journey, Wheatley wakes GLaDOS who devises revenge. She makes Chell test once again with the "Portal Gun" and she destroys Wheatley, or so she thought. Wheatley came back to save the day and rescued Chell from the test chambers as they fled out of her reach in the older areas of Aperture. After devising a plan to foil her plans, Wheatley and Chell confront GLaDOS and eventually win by taking her out of control of the facility and putting Wheatley in charge. Little did she know, he was just as corrupt as she was and he sends Chell and GLaDOS in the form of a potato battery into the depths of Aperture down an elevator shaft. Down there, Chell learns about Old Aperture in the 1960's, 70's, and 80's up until Cave Johnson's, the owner, death. GLaDOS also learns as her previous life as Caroline, or Cave's wife. They work their way back up to the top levels and fight Wheatley and ultimately regain control of the facility. Pleased with Chell, GLaDOS decides to let her go free and sends her up to a corn field in the middle of nowhere where she is reunited with the Companion Cube.

In the very near future, teleportation is commonplace and is used for intercity travel, having completely supplanted commercial aviation. Karan Varma, an IT employee, is returning to Pune from a business trip in Delhi. He gets into the departure booth in Delhi but never reaches Pune. His pregnant wife, Riya, must now fight the system to get him back. From dealing with lawyers to receiving threats and being publicly shamed by the media, she goes through an excruciating struggle but to no avail. In the end, she is presented with an offer: she can either receive an imperfect, 83% accurate clone of her husband or a large sum of money that will ensure a safe future for her child. 　　“The idea of this film came about when I was watching a video about teleportation on Youtube. It wasn’t too big a leap to imagine a future where such a technology becomes commonplace and then something goes wrong with it. But the motivation to place it within the structure of a satire stemmed from the way our interactions with technology have created a new kind of bureaucratic hell for us in the present. We have given up all of our data to tech giants and they know more about us than we even know about ourselves. It is only a matter of time before our bodies become nothing more than data as well. We live in a completely unbalanced system where the consumer is at the mercy of the corporation and has lost all of his agency. This film is a comment on our current relation with technology viewed through the lens of a sci-fi premise.”

《传送门》沿着西班牙加的斯省的瓜达莱特河展开，呈现了一部隐藏着其他景观的景观目录。这是一部跨维度门户（和明信片）的集合，实拍与动画相融合，创造出一个充满不可能的动植物群的世界。

《传送门》沿着西班牙加的斯省的瓜达莱特河展开，呈现了一部隐藏着其他景观的景观目录。这是一部跨维度门户（和明信片）的集合，实拍与动画相融合，创造出一个充满不可能的动植物群的世界。