在封建时代的末期。女人早年大部分时间都在监狱里度过，被她父亲的政治对手监禁。当她44岁被释放时，她家族的权力斗争继续困扰着她的生活和她所爱的男人..

在封建时代的末期。女人早年大部分时间都在监狱里度过，被她父亲的政治对手监禁。当她44岁被释放时，她家族的权力斗争继续困扰着她的生活和她所爱的男人..

1947. On a beach in Normandy, Madeleine, a waitress and young mother, meets François, a wealthy, and cultivated student. They hit it off immediately, as though it were fate. But as their destinies intertwine, it’s obvious what Madeline wants to leave behind, while the world that Francois is running from is only slowly revealed.

1947. On a beach in Normandy, Madeleine, a waitress and young mother, meets François, a wealthy, and cultivated student. They hit it off immediately, as though it were fate. But as their destinies intertwine, it’s obvious what Madeline wants to leave behind, while the world that Francois is running from is only slowly revealed.

A remarkable and brilliant documentary, with superb photographs of nature in a beautiful landscape. Arne Sucksdorff is a swedish director important in the post-World War II revival of the Swedish cinema because of his internationally acclaimed sensitivity in photographing nature. His patiently photographed flowers, insects, birds, and animals are composed into films in which the rhythm of nature is dominant and man is only one of nature's creatures. 　　Sucksdorff studied natural sciences and then turned to painting at the Reihmann Art School in Berlin, but his main interest was photography. After his first short film, Augustirapsodi (1939), won national awards, he was offered a contract by Svensk Filmindustri (1939–1953), Sweden's leading studio. 　　Sucksdorff's early shorts were marked by the love of nature that had been traditionally characteristic of the finest Swedish silent films. Outstanding among them were: Trut (1944 "The Gull"), an account of a Baltic seabird community with the gull as the villain; Skuggor over snon (1945 "Shadows over the Snow"), about a bear hunt through the forest; Manniskor i stad (1946 "The Rhythm of the City"), won the Academy Award for best short subject; En kloven varld (1948 "A Divided World"); Uppbrott (1948 "The Open Road"), and Vinden och floden (1950 "The Wind and the River"), filmed in India. 　　Sucksdorff wrote, directed, edited, and produced his first feature-length film, Det stora aventyret (1953 "The Great Adventure"), the story of life on a Swedish farm, using no professional actors. It further enhanced his reputation, as did such later features as En djungelsaga (1957 "The Flute and the Arrow"), Pojken i tradet (1961 "The Boy in the Tree"), and Mitt hem ar Copacabana (1965 "My Home Is Copacabana").

A ten-minute study of wild animal life in a Swedish forest; stoat, fox, hare, and owl, who stalk and savage one another, are photographed with extraordinary vividness and intimacy. It is perhaps the most striking of Sucksdorff's animal studies, in spite of an abrupt introduction and ending.

本片原为上下集电视剧。科莱特是法国20世纪最著名的女小说家。本片是为了纪念她逝世50周年而拍摄的，细致地描述了这位文坛奇女子在生活和爱情道路上所经历的重重风波，特别讲到她不顾家庭的反对，委身嫁给了与父亲同时代的小说家威利，但不如意的婚姻使她决定从文学写作中寻找生活的希望和寄托，最终成就了一位成功的小说家。 　　影片非常生动地再现了科莱特的生平，将这个柔弱女子如何从家庭的困惑中挣扎，如何在写作的天地中得到满足，又如何发展成一个追求爱情自主的女权主义者的过程描写得具体而感人，是部扎实的人物传记电影。女主角是法国著名演员路易·特林提格南特和本片女导演所生的女儿，她塑造的科莱特层次分明，但遗憾的是在本片拍竣后，她竟然被男友殴打致死，成为欧美影坛一桩轰动的新闻，更为本片的女权色调添上了一丝悲凉而深沉的续笔。

本片原为上下集电视剧。科莱特是法国20世纪最著名的女小说家。本片是为了纪念她逝世50周年而拍摄的，细致地描述了这位文坛奇女子在生活和爱情道路上所经历的重重风波，特别讲到她不顾家庭的反对，委身嫁给了与父亲同时代的小说家威利，但不如意的婚姻使她决定从文学写作中寻找生活的希望和寄托，最终成就了一位成功的小说家。 　　影片非常生动地再现了科莱特的生平，将这个柔弱女子如何从家庭的困惑中挣扎，如何在写作的天地中得到满足，又如何发展成一个追求爱情自主的女权主义者的过程描写得具体而感人，是部扎实的人物传记电影。女主角是法国著名演员路易·特林提格南特和本片女导演所生的女儿，她塑造的科莱特层次分明，但遗憾的是在本片拍竣后，她竟然被男友殴打致死，成为欧美影坛一桩轰动的新闻，更为本片的女权色调添上了一丝悲凉而深沉的续笔。