A remarkable and brilliant documentary, with superb photographs of nature in a beautiful landscape. Arne Sucksdorff is a swedish director important in the post-World War II revival of the Swedish cinema because of his internationally acclaimed sensitivity in photographing nature. His patiently photographed flowers, insects, birds, and animals are composed into films in which the rhythm of nature is dominant and man is only one of nature's creatures. 　　Sucksdorff studied natural sciences and then turned to painting at the Reihmann Art School in Berlin, but his main interest was photography. After his first short film, Augustirapsodi (1939), won national awards, he was offered a contract by Svensk Filmindustri (1939–1953), Sweden's leading studio. 　　Sucksdorff's early shorts were marked by the love of nature that had been traditionally characteristic of the finest Swedish silent films. Outstanding among them were: Trut (1944 "The Gull"), an account of a Baltic seabird community with the gull as the villain; Skuggor over snon (1945 "Shadows over the Snow"), about a bear hunt through the forest; Manniskor i stad (1946 "The Rhythm of the City"), won the Academy Award for best short subject; En kloven varld (1948 "A Divided World"); Uppbrott (1948 "The Open Road"), and Vinden och floden (1950 "The Wind and the River"), filmed in India. 　　Sucksdorff wrote, directed, edited, and produced his first feature-length film, Det stora aventyret (1953 "The Great Adventure"), the story of life on a Swedish farm, using no professional actors. It further enhanced his reputation, as did such later features as En djungelsaga (1957 "The Flute and the Arrow"), Pojken i tradet (1961 "The Boy in the Tree"), and Mitt hem ar Copacabana (1965 "My Home Is Copacabana").

A ten-minute study of wild animal life in a Swedish forest; stoat, fox, hare, and owl, who stalk and savage one another, are photographed with extraordinary vividness and intimacy. It is perhaps the most striking of Sucksdorff's animal studies, in spite of an abrupt introduction and ending.

该剧改编自Peony (พีโอนี)的同名小说，讲述了商业精英Phraenarin为获得公司继承权，与父亲挚友的女儿Khemjira结婚，二人从相互对抗逐渐发展为相爱的情感故事。

暂无剧情简介

电影讲述了一对犹太恋人，在集中营被拆散后，女子遭到纳粹军官的**。（军官的演员是个有着冰蓝眼睛的英俊男人，不仅眼神冷酷，声音也冷酷，简直要把人冻到冰窟里。）不过，也许是真的产生了某种感情，纳粹军官渐渐变得不那么残忍了，丢弃集中营时要进行屠杀，军官只救了这名女子。 　　战争结束后，女子独自抚养着和军官的孩子，那个年轻的孩子，有着温和俊美的脸庞，和稍带孩子气的嗓音。女子的恋人找到了她，这对情侣拒绝指证仍然堂皇地活着的纳粹军官，为了孩子。

电影讲述了一对犹太恋人，在集中营被拆散后，女子遭到纳粹军官的**。（军官的演员是个有着冰蓝眼睛的英俊男人，不仅眼神冷酷，声音也冷酷，简直要把人冻到冰窟里。）不过，也许是真的产生了某种感情，纳粹军官渐渐变得不那么残忍了，丢弃集中营时要进行屠杀，军官只救了这名女子。 　　战争结束后，女子独自抚养着和军官的孩子，那个年轻的孩子，有着温和俊美的脸庞，和稍带孩子气的嗓音。女子的恋人找到了她，这对情侣拒绝指证仍然堂皇地活着的纳粹军官，为了孩子。

在封建时代的末期。女人早年大部分时间都在监狱里度过，被她父亲的政治对手监禁。当她44岁被释放时，她家族的权力斗争继续困扰着她的生活和她所爱的男人..

在封建时代的末期。女人早年大部分时间都在监狱里度过，被她父亲的政治对手监禁。当她44岁被释放时，她家族的权力斗争继续困扰着她的生活和她所爱的男人..

故事 　　Dahye myeonghwan结婚和蜜月从公路逃跑。无法承受裸体摄影师myeonghwan的极端滥用将达到julhaengrang。然而dahye了解，目前在命中和运行交通事故myeonghwan袭击将继续跟踪dahye。然后，他遇到了达伊·纳姆Gungjun的激进学生在事情myeonghwan库几乎抓住了，但逃脱一劫。Dahye终于给了一个进军德古拉的近出不来城堡觉得dongbyeongsangryeon ohgoya如德古拉城堡myeonghwan还通过余吨放下侦探社的联系人...