堪萨斯州高弗城办了个选美擂台。夺魁的艾薇拉·普伦基特小姐跟着她娘奔赴好莱坞，商会还派了本地人埃尔默·J·巴茨先生当她的经理人。这巴茨先生对艾薇拉有意思，羞答答的姑娘也中意他，可普伦基特太太——那可是个厉害角色——压根瞧不上这倒霉蛋。西行的火车上，他们遇见了影坛红角儿拉里·米切尔，米切尔对艾薇拉青眼有加，一到片场就引荐她见米高梅公司的导演先生们。这边厢，巴茨先生既想捧红艾薇拉的场，又想当她的有情郎。高弗城这伙人里倒是真出了个明星，您猜是谁？咱们的俏艾薇拉最终又许了哪位郎君？

..at large under the sun… is a new short film, a lyrical post-apocalyptic diary movie for 2020 imbued with an irrepressible chthonic joyfulness that erupts from broken stone and broken birds. The soundtrack boasts an atmospheric sonic contribution by Declan Synnott.

The idea of making this film came from two separate stories from middle school: The first one was during a health inspection, a lunchbox was found behind the television shelf at a the corner of the classroom, and inside of it were some gross molded food; the other one, a story told by our maths teacher, that years ago a dead body was found in the gaps of two buildings on the hill at the back of the school, molded and green - apparently this guy was a thieve who went out at night but ended up getting stuck there. My middle school was built around a hill, which gives the campus an interesting look - it goes up to the middle of the hill, and the end of it borders a neighborhood, where some complex, weird paths and buildings interweave. It has a humid and neighborhoody(idk what this means but) smell, just like the rest part of the city - the Guangzhou (Canton) city. Deep in its core, especially the neighborhoods, space is randomly divided by the buildings and their gaps, weird and unplanned, narrow and mossy - seemingly filled with all the secrets and twisted stories. They become a component of the people there, or the people become a part of them, and are buried and hidden inside the gaps. The kid's story is a story of a hidden memory, a thought, or just that part of himself, haunting and never-ending. It is also that part of him he left behind - the him that is dead in the gap. He hears the story, he believes in it, he becomes the story, he gets something from himself, he puts the story back. My generation grew up in the last bit of the passing-away old Canton, before Cantonese got widely banned at school. So, it has to be in Cantonese,hahahahaha Also my elementary school also borders some neighborhood, and me and my friends had a "secret station" on the highest floor of the last building, the second floor of which connects to a building where people live. I always wanted to climb through the fence in between. NOW I DID IN MY FILM wow I wrote a lot. Thanks for reading.

铁工兄弟阿祈、阿钦和板模工昌仔、怪手阿全，几个怀抱发财梦的好友，在工地里搬演一场又一场荒谬搞笑的发财戏码，这些古怪梦想述说着这群人面对的各种困境。他们发梦、梦破、满腔热血再来一个，以噗咙共精神在尘土中不败向前。从这块地转那方围篱，帮人做工盖房，却只能望楼兴叹。有着各种人生难题的他们，努力用自己的方式活着，只是再怎么乐观，如果期待的一直事与愿违，还能怎么撑下去。

代号“传话人”的前职业杀手瑞安来到印尼的一座小镇补充物资，并偶然结识了善良的多尼一家，他在这个家里感受到了家庭的温暖与爱。然而，当地人口贩子们的出现打破了这一切，他们在街上肆意妄为，导致多尼受伤。瑞安无法容忍这种恶行，与他们展开了激烈的斗争。 不料，瑞安的行动被他的旧识们注意到，他们认出瑞安正是大老板李一直在追捕的敌人。李决定绑架多尼一家作为威胁，以此逼迫瑞安现身。瑞安陷入了绝境，他必须找到方法来解救多尼一家并保护自己。

代号“传话人”的前职业杀手瑞安来到印尼的一座小镇补充物资，并偶然结识了善良的多尼一家，他在这个家里感受到了家庭的温暖与爱。然而，当地人口贩子们的出现打破了这一切，他们在街上肆意妄为，导致多尼受伤。瑞安无法容忍这种恶行，与他们展开了激烈的斗争。 不料，瑞安的行动被他的旧识们注意到，他们认出瑞安正是大老板李一直在追捕的敌人。李决定绑架多尼一家作为威胁，以此逼迫瑞安现身。瑞安陷入了绝境，他必须找到方法来解救多尼一家并保护自己。

世界末日，两个饥饿的孩子找到了一具尸体······ 　　导演胡波在FIRST训练营时拍摄的一部短片，曾入围第71届洛迦诺国际电影节Sign Of Life竞赛单元。导演在16分钟的影像中倾注了自我的想象力，在贝拉塔尔指导下，完成了一次独特的拍摄练习。

世界末日，两个饥饿的孩子找到了一具尸体······ 　　导演胡波在FIRST训练营时拍摄的一部短片，曾入围第71届洛迦诺国际电影节Sign Of Life竞赛单元。导演在16分钟的影像中倾注了自我的想象力，在贝拉塔尔指导下，完成了一次独特的拍摄练习。

主人公仁藤俊美是一流大学毕业的银行精英，有着幸福美满的家庭。在某日下午，他以“想要有地方放书”为由，突然杀害了妻子和女儿。随着庭审的进行，仁藤…

Stellar cast confirmed for major new Steven Moffat drama Inside Man, for BBC One and Netflix 　　David Tennant (Des; Staged; Doctor Who), Dolly Wells (The Pursuit Of Love; Dracula; Can You Ever Forgive Me?) and Lydia West (It’s A Sin; Years And Years; Dracula) will lead the cast of a major new thriller from BAFTA and Emmy award-winning writer Steven Moffat (Dracula, Sherlock, Doctor Who), alongside Stanley Tucci (Feud; The King’s Man; Spotlight) in the title role of the Inside Man. 　　Produced by Hartswood Films for BBC One and Netflix, it will be directed by Paul McGuigan (Sherlock; Dracula; Film Stars Don’t Die In Liverpool). 　　The captivating four part mini-series follows a prisoner on death row in the US, a Vicar in a quiet English town, and a maths teacher trapped in a cellar, as they cross paths in the most unexpected way… 　　Husband and wife team Steven Moffat and Sue Vertue, executive producer for Hartswood Films, say: “We’re a bit stunned, and very excited, at the acting talent we’re managing to assemble for this show. Can’t wait to crawl out of our lockdown bunker and get to work.” 　　Piers Wenger, Director of BBC Drama, says: “BBC One viewers will already know the television magic created when Steven Moffat writes for David, Dolly and Lydia. With the fantastic Stanley Tucci alongside them as our Inside Man, everything is in place for a series that will have the nation gripped.” 　　Chris Sussman, UK Original Series, Netflix says: "We're delighted to team up with the BBC on another brilliant series from the ingenious mind of Steven Moffat. It's impossible to say too much about Inside Man without giving away spoilers - so let's just say the scripts are fiendishly clever, the cast is fantastic and at this point in time nobody but Steven knows how it's going to end. We're thrilled to continue our fruitful partnership with BBC One, BBC Studios and Hartswood Films and are excited about bringing this series to a global audience." 　　Caroline Stone, Director of Independent Drama at BBC Studios, says: “We are very excited to be working once again with Hartswood Films, the BBC and Netflix to bring another fantastic series from Steven Moffat to audiences around the world. Inside Man is set to be an unmissable drama with a hugely talented line-up both on and off screen. From the very successful partnerships we’ve had in the past with Netflix, we are optimistic it will be another hit globally.” 　　Inside Man is a 4x60 drama for BBC One and Netflix. It is created and written by Steven Moffat, directed by Paul McGuigan, with Alex Mercer as producer. Executive producers are Sue Vertue for Hartswood Films and Ben Irving for the BBC. Chris Sussman will oversee for Netflix. It was commissioned by Charlotte Moore, BBC Chief Content Officer, and Piers Wenger, Director of BBC Drama. BBC Studios are the international distributors and brokered the deal with Netflix. 　　The series will premiere on BBC One and BBC iPlayer in the UK and on Netflix outside of the UK and Ireland. Filming will take place later this year.