Filmed with a Bolex camera, Unstable Rocks offers a meditative exploration of the Portuguese landscape, where geology, animals, and human presence seamlessly merge. Shifting between black and white and colour, the film lingers on rocks, animals, religious imagery, and quiet, everyday moments. The rhythmic pace invites contemplation of time, the landscape, and the subtle traces left behind by both human presence and the natural world.

Filmed with a Bolex camera, Unstable Rocks offers a meditative exploration of the Portuguese landscape, where geology, animals, and human presence seamlessly merge. Shifting between black and white and colour, the film lingers on rocks, animals, religious imagery, and quiet, everyday moments. The rhythmic pace invites contemplation of time, the landscape, and the subtle traces left behind by both human presence and the natural world.

地球有释放极端灾害的能力，火山、地震、飓风和洪水都有着极大的破坏力。我们也许认为已经见过大自然母亲最无情的一面了，但随着科学家的进一步探索，我们发现过去有着更极端的灾害事件。火山的威力足以杀死数百万人，使建筑土崩瓦解。飓风在温暖的海面上积聚力量，能够跨越数百公里，成为了“死亡”和“毁灭”的代名词。水是生命之源，但水也拥有毁灭的力量，那种力量叫——洪水。这些强大的急流每年可夺走大约两万五千人的生命。但这还不是最可怕的，据说在久远的年代，大自然显示过更大的威力。

Picture three places. 1. A workshop in Germany where we follow the making of a prosthetic hand. 2. A traditional glove-making workshop in Millau, in the south of France. 3. A jeans factory in Istanbul, illustrating large-scale industrial production. A succession of three workplaces, but with a common viewpoint and subject: the relationship between the hand and the machine, the work and the material, all of them patiently and rigorously observed. Daniel Eisenberg scrutinises these interactions and gestures meticulously, and he pays close attention to each action involved and to the time required for each operation, from the starting point to the finished forms. With this film, Eisenberg continues the work he started with his previous one, The Unstable Object (FID 2011), in which he also used a triangular structure to compare the work in a high-tech car factory in Dresden, then in an antiquated clock repair shop in Chicago, and finally in a cymbal factory in Istanbul. From one production site to the next, the film focuses on hands, bodies, images: reconstructed bodies, modelled bodies, dressed bodies. And on the social body as well – either collective bodies at work, or their images, shaped by the very objects which are being produced. The patience of an attentive camera and the fascinating rhythm of this choreography let the gestures fully unfold. The geography of production modes also shapes the story it underlies, like the globalisation of exchanges. And what is also paramount here is that the time it takes to make the objects seems to mirror the experience of the viewer watching the film, like an echo between absorbed gazes, theirs like ours. A nice piece of actual work from the gaze and the mind about the ever so unstable object that is work. 　　源自：https://fidmarseille.org/en/film/the-unstable-object-ii/

灿宇几乎和妻子的姐姐上床。儘管理性知道不该如此，他的脑海却总是想起她。两人的关系又渐渐变得複杂起来…

MAKERS: Women Who Make America tells the remarkable story of the most sweeping social revolution in American history, as women have asserted their rights to a full and fair share of political power, economic opportunity, and personal autonomy. It’s a revolution that has unfolded in public and private, in courts and Congress, in the boardroom and the bedroom, changing not only what the world expects from women, but what women expect from themselves. MAKERS brings this story to life with priceless archival treasures and poignant, often funny interviews with those who led the fight, those who opposed it, and those first generations to benefit from its success. Trailblazing women like Hillary Rodham Clinton, Ellen DeGeneres and Oprah Winfrey share their memories, as do countless women who challenged the status quo in industries from coal-mining to medicine. MAKERS captures with music, humor, and the voices of the women who lived through these turbulent times the dizzying joy, aching frustration and ultimate triumph of a movement that turned America upside-down.

曾经互为恋人的六位青年男女，抱着与前任和解或告别的目的来到节目中，参与为期两周的集体生活，与相同境遇的同龄人交流彼此对于爱情、婚姻、生活的认知，重新审视自己与前任的关系。 　　三对昔日情侣再见面，开启合宿生活，他们会擦出怎样的火花？ 　　是再，见前任？还是再见前任？ 　　当代青年情感图鉴真人秀节目

《做朋友也没关系》芒果TV会员定制的一档纯素人情感治愈观察真人秀节目，曾经互为恋人的六位青年男女，抱着与前任和解或告别的目的来到节目中，参与为期两周的集体生活，与相同境遇的同龄人交流彼此对于爱情、婚姻、生活的认知，重新审视自己与前任的关系。

《做朋友也没关系》芒果TV会员定制的一档纯素人情感治愈观察真人秀节目，曾经互为恋人的六位青年男女，抱着与前任和解或告别的目的来到节目中，参与为期两周的集体生活，与相同境遇的同龄人交流彼此对于爱情、婚姻、生活的认知，重新审视自己与前任的关系。

《万物滋养》系列纪录片以平等的态度，微观的视角揭开为人体带来无限生机的“植物食材”的故事：探寻其生长的天地、讲述其生命历程，并展示出中国人“天地共生，万物滋养”的滋补哲学和健康观。《万物滋养》系列纪录片选取国内六种典型环境（海洋、江河、丛林、田野、高山、草原）中具有代表性的滋补性食材，以它们为主角来构建本系列片内容。 《万物滋养》系列纪录片将用镜头向观众展示中国的自然之美和风物之美，展现中国人特有的滋补哲学和滋补智慧，带领观众进入食材的原产地，探寻种植人与滋补食材之间的动人故事。