女孩发现了一本名为《噩梦日记》的恐怖小说。当她开始阅读时，她发现自己置身于一个充满恐怖故事的世界，一个可怕的生物正在追赶她，意图杀死她。为了自救并重返人类世界，她必须与这本书分享她的噩梦。

这是发生在江户时代，一个名叫阳升城，为抵抗入侵者，而制造出雷神王奋战的故事.......（由吼兒编辑的舞台剧）。

Extremely autobiographical piece made during an intensely depressive period for the filmmaker after his divorce from Jane, his first wife, and separation from his five children. Brakhage calls it "a true, narrative, dramatic psychodrama". The film's background music is a piece which is a collage of brief phrases from various Stephen Foster songs whose common theme is loss. Brakhage scratches individual words from these songs on the film at intervals, and the shaky letters dance uncertainly across the frame. The primary visual theme is of the 55-year-old filmmaker himself brooding in a lonely apartment, sitting on the floor leaning against a wall, repeatedly rising naked from his bed and falling back. This is intercut with footage made years earlier, in the 70s, when his children were much smaller, as they played happily in the home they once shared. Even at his very lowest point, Brakhage continued to turn his life into art.

Extremely autobiographical piece made during an intensely depressive period for the filmmaker after his divorce from Jane, his first wife, and separation from his five children. Brakhage calls it "a true, narrative, dramatic psychodrama". The film's background music is a piece which is a collage of brief phrases from various Stephen Foster songs whose common theme is loss. Brakhage scratches individual words from these songs on the film at intervals, and the shaky letters dance uncertainly across the frame. The primary visual theme is of the 55-year-old filmmaker himself brooding in a lonely apartment, sitting on the floor leaning against a wall, repeatedly rising naked from his bed and falling back. This is intercut with footage made years earlier, in the 70s, when his children were much smaller, as they played happily in the home they once shared. Even at his very lowest point, Brakhage continued to turn his life into art.

该故事改编自同名漫画。十岁的杰克是个爱做白日梦的孩子，他发现自己能够进入梦境，拯救人们摆脱一个名为“夜音”的邪恶势力。如今，他必须掌握梦想世界的规则，增强自身对抗“夜音”的力量，否则“夜音”会让所有人陷入永眠。

改编自同名漫画，十岁的杰克是一个白日梦者，他知道他可以进入梦想，并拯救人们远离一个只称为夜音的邪恶。现在，他必须掌握梦想世界，才能使夜夜的力量足以让我们所有人永远入睡。

当身体被构建成科学技术、医疗、生产劳动等多个权力关系的场所，主体性迷失于生命政治的技术控制之时，我们如何实现身体伦理学与生物资本之间的和解？

一个东北野生剧团，以传统的戏剧生存，用直播的新方式谋生，他们在社会边缘活着，在生死场上游离，但没有挣扎，有的只是极其鲜活的生命力……