当身体被构建成科学技术、医疗、生产劳动等多个权力关系的场所，主体性迷失于生命政治的技术控制之时，我们如何实现身体伦理学与生物资本之间的和解？

当身体被构建成科学技术、医疗、生产劳动等多个权力关系的场所，主体性迷失于生命政治的技术控制之时，我们如何实现身体伦理学与生物资本之间的和解？

玛丽是一位美丽而孤独的十六岁少女，居住在丹麦一个偏僻的海边渔村。她的母亲患上了重病，终日坐在轮椅上，神志不清。玛丽的父亲托尔依靠经营一间小型的杂货店来养活全家。从表面上来看，日子过得很寻常，然而玛丽却怀疑在她母亲患病的背后有着不可告人的秘密。via.张咏轩

玛丽是一位美丽而孤独的十六岁少女，居住在丹麦一个偏僻的海边渔村。她的母亲患上了重病，终日坐在轮椅上，神志不清。玛丽的父亲托尔依靠经营一间小型的杂货店来养活全家。从表面上来看，日子过得很寻常，然而玛丽却怀疑在她母亲患病的背后有着不可告人的秘密。via.张咏轩

该故事改编自同名漫画。十岁的杰克是个爱做白日梦的孩子，他发现自己能够进入梦境，拯救人们摆脱一个名为“夜音”的邪恶势力。如今，他必须掌握梦想世界的规则，增强自身对抗“夜音”的力量，否则“夜音”会让所有人陷入永眠。

改编自同名漫画，十岁的杰克是一个白日梦者，他知道他可以进入梦想，并拯救人们远离一个只称为夜音的邪恶。现在，他必须掌握梦想世界，才能使夜夜的力量足以让我们所有人永远入睡。

Extremely autobiographical piece made during an intensely depressive period for the filmmaker after his divorce from Jane, his first wife, and separation from his five children. Brakhage calls it "a true, narrative, dramatic psychodrama". The film's background music is a piece which is a collage of brief phrases from various Stephen Foster songs whose common theme is loss. Brakhage scratches individual words from these songs on the film at intervals, and the shaky letters dance uncertainly across the frame. The primary visual theme is of the 55-year-old filmmaker himself brooding in a lonely apartment, sitting on the floor leaning against a wall, repeatedly rising naked from his bed and falling back. This is intercut with footage made years earlier, in the 70s, when his children were much smaller, as they played happily in the home they once shared. Even at his very lowest point, Brakhage continued to turn his life into art.

Extremely autobiographical piece made during an intensely depressive period for the filmmaker after his divorce from Jane, his first wife, and separation from his five children. Brakhage calls it "a true, narrative, dramatic psychodrama". The film's background music is a piece which is a collage of brief phrases from various Stephen Foster songs whose common theme is loss. Brakhage scratches individual words from these songs on the film at intervals, and the shaky letters dance uncertainly across the frame. The primary visual theme is of the 55-year-old filmmaker himself brooding in a lonely apartment, sitting on the floor leaning against a wall, repeatedly rising naked from his bed and falling back. This is intercut with footage made years earlier, in the 70s, when his children were much smaller, as they played happily in the home they once shared. Even at his very lowest point, Brakhage continued to turn his life into art.