顾若在与前男友分手后，邂逅了阳光帅气的林白，此时的顾若刚上任公司负责人，正处于事业奋斗期，而林白还处于就业还是考研的人生选择路口。顾若向林白勇敢示爱，而林白面对事业成功的顾若有些胆怯，不敢坦露自己的真心，顾若被其拒绝后，也十分洒脱，没有选择纠缠，而是把林白当成自己的学弟，耐心教导他，面对他的疑惑也是贴心为他解答，努力做他人生道路上的引路人，顾若一边做好自己的工作，一边将自己的经验全部不吝啬的传递给他，俩人也越来越默契。对于继续学习还是工作，林白陷入里纠结...

《偶然的煮意》是一档原创经营体验类真人秀。带着开菜馆的夙愿，相声演员孙越邀请四名好友（大能、孙怡、管栎、孙芮），共同前往山东威海，用招待朋友的心经营起大柿子家常小馆。在偶然的主意下，开启一段鸡飞狗跳又随性温暖的小馆时光。《偶然的煮意》希望通过记录和呈现发生在这家充满烟火气的温馨小馆里的故事，借助嘉宾和素人客人们的视角，传递豁达、自然的生活态度。

一名兽医心不甘情不愿地从大城市搬到乡下。他在那里遇见一位女警，她是小镇里的人气王却怀着一个秘密。

一名兽医心不甘情不愿地从大城市搬到乡下。他在那里遇见一位女警，她是小镇里的人气王却怀着一个秘密。

One of the best films from the entire '60s. A small masterpiece, almost unknown because it was Petrlic's first and only film he ever did before he went on teaching and writing about Cinema in Zagreb as a professor. I watched this film the other night at Zagreb Film Festival for the first time in my life, and went completely crazy about it. It's Chabrol, Godard, Bresson, Cassavetes, Lester, Pannebaker... in a quiet, subtle, almost childish situations and resolutions within it, but yet it's incredibly clever, true to life, warm. It's "off-beat" completely, which is strange considering the year of the film (no one in former Yugoslavia did a similar film to this date). It's like a Jarmusch film, but 15 years before Stranger Than Paradise. 　　Two friends are wandering in Zagreb, chasing girls, go to shows, at the river, working together, laughing, fighting. Nothing happens really story-wised, but every second something happens between the people in the scene, with jazz, or piano, or city traffic, or complete silence in the background. Some sort of inner magic just goes from one scene into the other and the ending is hilariously unexpected, human and innocent. Very touching film about young urban people with a loving dose of the old Zagreb's spirit, back in the days that seems much simpler, but it really was completely the same as today or as anywhere else for that matter, under condition of a good feeling.

《偶然的煮意》是一档零压经营体验类真人秀，节目打破传统经营类综艺模式，通过嘉宾们对于城市文化的体验，探寻人间烟火的美好与温暖，用美食与闲琐家事抚慰人心！

One of the best films from the entire '60s. A small masterpiece, almost unknown because it was Petrlic's first and only film he ever did before he went on teaching and writing about Cinema in Zagreb as a professor. I watched this film the other night at Zagreb Film Festival for the first time in my life, and went completely crazy about it. It's Chabrol, Godard, Bresson, Cassavetes, Lester, Pannebaker... in a quiet, subtle, almost childish situations and resolutions within it, but yet it's incredibly clever, true to life, warm. It's "off-beat" completely, which is strange considering the year of the film (no one in former Yugoslavia did a similar film to this date). It's like a Jarmusch film, but 15 years before Stranger Than Paradise. 　　Two friends are wandering in Zagreb, chasing girls, go to shows, at the river, working together, laughing, fighting. Nothing happens really story-wised, but every second something happens between the people in the scene, with jazz, or piano, or city traffic, or complete silence in the background. Some sort of inner magic just goes from one scene into the other and the ending is hilariously unexpected, human and innocent. Very touching film about young urban people with a loving dose of the old Zagreb's spirit, back in the days that seems much simpler, but it really was completely the same as today or as anywhere else for that matter, under condition of a good feeling.