Accomplished novelist Richard Sykes struggles to come up with a concept for a new book while trying to resolve his troubled marriage to Haley. In the process, he seeks out friends and colleagues to assist him in overcoming his personal demons that may servr to make him or break him.

和一群职业单板滑雪选手一起踏上环球征途，历经俄罗斯和加拿大的街道、日本的密林、印度和阿拉斯加的峭壁、阿尔卑斯的山峦以及格陵兰的秘境。这不仅是一项运动，更是一次旅行和一种生活态度。

假期的之去岛上探访表妹仙儿，见仙儿只身打理一间花店，他便提议为仙儿送货到其客户家中，在途中与少女Pauline迎头相撞，的之因抱歉而送了Pauline一支玫瑰。Pauline来到小岛度假但却被一青年苦苦相缠，幸得的之解围，两人相约一起游玩，然而此事看在仙儿眼里感到不适，的之赴Pauline晚宴见仙儿追踪而至，慌忙拉着Pauline离开，两人在沙滩上度过了浪漫的一夜。

假期的之去岛上探访表妹仙儿，见仙儿只身打理一间花店，他便提议为仙儿送货到其客户家中，在途中与少女Pauline迎头相撞，的之因抱歉而送了Pauline一支玫瑰。Pauline来到小岛度假但却被一青年苦苦相缠，幸得的之解围，两人相约一起游玩，然而此事看在仙儿眼里感到不适，的之赴Pauline晚宴见仙儿追踪而至，慌忙拉着Pauline离开，两人在沙滩上度过了浪漫的一夜。

七年前，李明远为了妻子苏晚，甘愿做家庭煮夫放弃继承自家顶级产业与家里断了往来。七年后，母亲林静姝向儿子妥协准备让苏晚管理产业。于是，李明远带着女儿安安（聋哑）与林静姝一起坐上了高铁，想要给在这班列车上谈项目的苏晚一个惊喜。结果，上车就被乘客污蔑女儿是吵闹的熊孩子！随后一系列事故接踵而来。

Theodora, a time consumed professional crosses paths with Charlie, a writer, when she travels to his hometown for business just before Christmas. Both are taken by surprise when unexpected circumstances present themselves.

The film opens with Seoul’s “Freedom Center,” a formidable brutalist building that has become synonymous with South Korea’s anti-communist regime. Though largely abandoned today, its influence still endures. In democratic Korea, the civil war has morphed into a war of images, one that has forged an impregnable, unambiguous reality for its people. In this lyrical, insightful, and skillfully-edited essay, Kim Mooyoung analyzes a wealth of visual materials, intercutting newsreel footage with surprising, at times poignant, and often utterly absurd excerpts from South Korea’s distinguished film history, exposing the chasm between history and propaganda, and revealing how echoes of the past have been meticulously preserved and replicated in South Korea’s present. Accompanied by captivating commentary, all these elements fit together harmoniously, leaving us both astonished and unsettled by ideology’s terrifying ability to hit hardest when veiled.

The film opens with Seoul’s “Freedom Center,” a formidable brutalist building that has become synonymous with South Korea’s anti-communist regime. Though largely abandoned today, its influence still endures. In democratic Korea, the civil war has morphed into a war of images, one that has forged an impregnable, unambiguous reality for its people. In this lyrical, insightful, and skillfully-edited essay, Kim Mooyoung analyzes a wealth of visual materials, intercutting newsreel footage with surprising, at times poignant, and often utterly absurd excerpts from South Korea’s distinguished film history, exposing the chasm between history and propaganda, and revealing how echoes of the past have been meticulously preserved and replicated in South Korea’s present. Accompanied by captivating commentary, all these elements fit together harmoniously, leaving us both astonished and unsettled by ideology’s terrifying ability to hit hardest when veiled.

Akira's is a musician who's life is falling into a crack of drug addiction after his girlfriend Mari's suicide. Kana always loved Akira and tries to help him overcome Mari's death. Shinya is a friend who seeks the cause of Mari's suicide and ends up in conflict with Akira, who is now violent, unstable, and trying to break everything around him, including himself.