公司小透明程序员沈知薇，暗夜里化身IT开发女强人，用网络虚拟身份和暗恋的冷酷霸总蔺思城谈天说地，没想到被蔺总识破真身后却得到了男神的求婚!但沈知薇与霸总男神的同居生活根本不像想象中甜蜜，原来暗夜中的男神才会展现不为人知的危险面……

公司小透明程序员沈知薇，暗夜里化身IT开发女强人，用网络虚拟身份和暗恋的冷酷霸总蔺思城谈天说地，没想到被蔺总识破真身后却得到了男神的求婚!但沈知薇与霸总男神的同居生活根本不像想象中甜蜜，原来暗夜中的男神才会展现不为人知的危险面……

1940年初上海，作家鲍先生的普通生活被突如其来的一声巨响打破了，住在他楼上的汪伪政府要员丁某死于爆炸。由于住在租区边界，多方势力混杂，日军一直等待契机能够名正言顺的进驻此地，此时正是最好机会。野心勃勃的特高课少佐辻政信亲自坐镇调查并将大楼封锁，切断一切物资供给。在被包围封锁了三天之后，饥肠辘辘的作家鲍先生决定孤注一掷，他找到了信少佐并编了一个故事来解释爆炸案从而获得了一顿丰盛的食物充饥。可惜信少佐并未被鲍先生简单而站不住脚的故事所欺骗，他开始仔细地敲鲍先生的故事，将所有漏洞都抛在了鲍先生面前。鲍先生不断地填补谎言，危机时急中生智开始用自己的小说剧情来编造完整的线索，正当他以为自己成功脱身时，少佐再次将他的故事戳穿，并施以酷刑。此时鲍先生才意识到原来自己早就和爆炸案脱不了干系，而这一切似乎都和自己曾经写的一篇小说有关。再次面对面在桌前坐下，奄奄一息的作家和野心勃勃的少佐在这场博弈中，终于开始向对方发起最后的攻击。

1940年初上海，作家鲍先生的普通生活被突如其来的一声巨响打破了，住在他楼上的汪伪政府要员丁某死于爆炸。由于住在租区边界，多方势力混杂，日军一直等待契机能够名正言顺的进驻此地，此时正是最好机会。野心勃勃的特高课少佐辻政信亲自坐镇调查并将大楼封锁，切断一切物资供给。在被包围封锁了三天之后，饥肠辘辘的作家鲍先生决定孤注一掷，他找到了信少佐并编了一个故事来解释爆炸案从而获得了一顿丰盛的食物充饥。可惜信少佐并未被鲍先生简单而站不住脚的故事所欺骗，他开始仔细地敲鲍先生的故事，将所有漏洞都抛在了鲍先生面前。鲍先生不断地填补谎言，危机时急中生智开始用自己的小说剧情来编造完整的线索，正当他以为自己成功脱身时，少佐再次将他的故事戳穿，并施以酷刑。此时鲍先生才意识到原来自己早就和爆炸案脱不了干系，而这一切似乎都和自己曾经写的一篇小说有关。再次面对面在桌前坐下，奄奄一息的作家和野心勃勃的少佐在这场博弈中，终于开始向对方发起最后的攻击。

故事发生在一座海滨城市，红梅是一名澡堂女工。她跟大多数的外来打工者一样为了生活，为了孩子有更好的教育来到这座城市打工，与同样来到这座城市打工的粱舟相识，两人在此地组成了临时家庭。 　　他们在一个被政府征收了的筒子楼里生活,日子虽平淡却能互相取暖。然而王伟的突然出 现，打破他们原本和谐的一切......

故事发生在一座海滨城市，红梅是一名澡堂女工。她跟大多数的外来打工者一样为了生活，为了孩子有更好的教育来到这座城市打工，与同样来到这座城市打工的粱舟相识，两人在此地组成了临时家庭。 　　他们在一个被政府征收了的筒子楼里生活,日子虽平淡却能互相取暖。然而王伟的突然出 现，打破他们原本和谐的一切......

进城打工不久的黄牧春与男友吴浩意外怀上身孕，因生活无定数，不知前路何如，仓促决定对男友隐瞒，埋下了私自打胎的想法。雨季将至，潮湿闷热的重庆城，生灵浮躁难安.......

进城打工不久的黄牧春与男友吴浩意外怀上身孕，因生活无定数，不知前路何如，仓促决定对男友隐瞒，埋下了私自打胎的想法。雨季将至，潮湿闷热的重庆城，生灵浮躁难安.......

Since the death of Jesus, Mary Magdalene has withdrawn from the world. Her hair has turned white, she eats berries, drinks rain water and sleeps among the trees. Alone in the heart of the forest, she remembers her lost love. She looks for a way to find him. 　　—— 　　Under the rain, in the wind or in the mist, through forests and caves, little by little, one shot after the other, a deep mystery unfurls. A mystery which is as thick as the cloak that covers Mary Magdalene. Not Mary the great sinner nor the redeemed soul, but the great lover who stays loyal until the end to her passion for Christ. Is this the passion of a believer in God ? Or the one of a lover for a man ? Every cell of her body remembers their radiant encounter which has, since it happened, illuminated every single moment of her life. 　　Damien Manivel's cinematic creation wraps a nebulous aura around its viewers. It is as ascetic in the way it treats its subject as it is sensual in the way it makes us see things. It is particularly attentive to the bodies and to the materiality of space and time, which both carries and passes through every living creature. This dusky movie propels us into a primitive mystique which has nothing to do with candles, thuribles and « Our Father Who art in heaven » prayers, and in which nature and hallucinated visions make human faith go back to its original paganism. The filmmaker and his actress Elsa Wolliaston, whose expressivity is stunning, succeed in transfiguring the character of Mary Magdalene. Together they climb up the steep slopes of Love and Faith in beauty.

Since the death of Jesus, Mary Magdalene has withdrawn from the world. Her hair has turned white, she eats berries, drinks rain water and sleeps among the trees. Alone in the heart of the forest, she remembers her lost love. She looks for a way to find him. 　　—— 　　Under the rain, in the wind or in the mist, through forests and caves, little by little, one shot after the other, a deep mystery unfurls. A mystery which is as thick as the cloak that covers Mary Magdalene. Not Mary the great sinner nor the redeemed soul, but the great lover who stays loyal until the end to her passion for Christ. Is this the passion of a believer in God ? Or the one of a lover for a man ? Every cell of her body remembers their radiant encounter which has, since it happened, illuminated every single moment of her life. 　　Damien Manivel's cinematic creation wraps a nebulous aura around its viewers. It is as ascetic in the way it treats its subject as it is sensual in the way it makes us see things. It is particularly attentive to the bodies and to the materiality of space and time, which both carries and passes through every living creature. This dusky movie propels us into a primitive mystique which has nothing to do with candles, thuribles and « Our Father Who art in heaven » prayers, and in which nature and hallucinated visions make human faith go back to its original paganism. The filmmaker and his actress Elsa Wolliaston, whose expressivity is stunning, succeed in transfiguring the character of Mary Magdalene. Together they climb up the steep slopes of Love and Faith in beauty.