We live in a post-optic world. Human vision is decentralized as (sole) base for knowledge production to make room for the nonhuman (machines, animals, plants). Yet, our worldview is based on optical information (“seeing is believing”!) and our visual culture leans heavily on old habits: affirming the human spectrum as the norm, celebrating the indexical qualities of the image. The post-optic, as Carolyn L. Kane coins it, is an extension ànd a challenge of vision rooted in optics. It's through algorithmic imagery that we gain the ability to see beyond our own visual limits. This expansion of perception allows us to step beyond a human-centric viewpoint to embrace wavelengths visible to machines and other species. One of the most vivid examples of this pos-optic or algorithmic realm is the use of digital infrared technology. It transcodes invisible data into our visible world, expanding our visual territory. In contexts such as military strategies and facial recognition, digital infrared serves not only to make the invisible visible, but also to guide decision-making processes, silently participating in the invisible conversation that shapes our world. The memetic relationship of the optical world doesn’t exist in the post-optic; the relationship between the real world and its representation is constantly shaped by data and algorithmic processes. Digital infrared and ultraviolet images act as conduits, offering us reinterpretations of an unseen universe. The post-optic invites us to expand our parameters of normality and opens doors to the extrasensory. It can contribute to a shared and interconnected reality that fosters interactions between all entities - be they machines, humans or other entities. 　　In this video I investigate the possibilities of a shared, inclusive timespace by exploring visual realms that are invisible to the (human) naked eye, but can be seen by machines and animals. Leveraging technology’s ability to re-imagine, boundaries are slowly shifting between human and nature. Norms are challenged in the close-ups of flesh-like trees, blood-like mountain streams and cyborg-humans. An ultra-soundscape accompanies an ongoing conversation with ChatGPT. (Martine Stig)

凭借电影《蜂鸟》获得全世界好评的金宝拉导演的下部作品拍摄SF电影《Spectrum》。《Spectrum》改编自同名短篇小说，原作是讲述外星生命体和人类之间的感觉和语言、沟通的科幻小说。

凭借电影《蜂鸟》获得全世界好评的金宝拉导演的下部作品拍摄SF电影《Spectrum》。《Spectrum》改编自同名短篇小说，原作是讲述外星生命体和人类之间的感觉和语言、沟通的科幻小说。

A woman, married to an artist, starts a relationship with one of her students, who has already has a mistress of his own. The two rivals meet and come to an understanding. Paul Verhoeven’s student film debut is viewed as a mixture of the styles of Alfred Hitchcock and Ingmar Bergman.

北大微电影

加岛龙斗是个不起眼的边缘人。当然16年来都没交过女朋友。而龙斗憧憬的对象，白河月爱（露娜）是全学年最正的美少女辣妹，恋爱经验也很丰富。龙斗本来觉得能够在远处欣赏她就足够了……两人却意外开始交往了！？恋爱经验零的边缘人和经验丰富的辣妹，居住的世界完全不同的两人所编织出的尽管大相迳庭、却纯真又写实、令人心跳不已的极致青春恋爱故事。

导演亲自扮演一位电影导演，他辛苦工作收入菲薄，而且还无法满足自己的妻子。影片中夫妻俩在打架、交谈、修补关系，再谈话、接着打架。

有才华的分析家安德烈-雷宾在联邦安全局打击有组织犯罪和腐败的部门工作。他即将退休，这样他终于可以休息，并有更多时间与他的妻子、成年女儿和心爱的狗在一起。突然，前中央情报局官员多诺万来到瑞宾身边。25年前，他把非法情报员Rybin介绍到俄罗斯，现在他要求履行他的义务。然而，Rybin明白，俄罗斯已经成为他自己的，现在是她，而不是遥远的美国，才是他的祖国，必须得到保护和保障。@游目骋观影

有才华的分析家安德烈-雷宾在联邦安全局打击有组织犯罪和腐败的部门工作。他即将退休，这样他终于可以休息，并有更多时间与他的妻子、成年女儿和心爱的狗在一起。突然，前中央情报局官员多诺万来到瑞宾身边。25年前，他把非法情报员Rybin介绍到俄罗斯，现在他要求履行他的义务。然而，Rybin明白，俄罗斯已经成为他自己的，现在是她，而不是遥远的美国，才是他的祖国，必须得到保护和保障。@游目骋观影

由木村文乃、青木崇高主演的WOWOW连续剧《水晶的跳动 杀人分析班》将于11月13日开始播出，共5集。本剧根据麻见和史的《杀人分析班》系列改编，是去年播出的剧集《石之茧》的续集。 　　在《石之茧》中，女主角、搜查一课刑警如月塔子与连环杀人犯托勒密斗智斗勇，在破案过程中经受了不少身心创伤，在第二部中如月也将继续与搭档鹰野秀昭一起面对新的变态杀人案件。 　　《水晶的跳动》是原作系列中案件最为大胆复杂和有冲击力的故事。某一天，在一间被染成血红色的房间里发生了变态杀人事件。在调查的过程中，如月和鹰野所处的附近竟然发生了爆炸，他们将面临从未有过的危机。 　　对于能够出演下续集，木村文乃感到十分开心，“希望能把如月演得更有人情味儿。这次的故事紧迫感从头贯穿至尾，但这并不是一个单纯的刑侦故事，而是很扎实地展现了人们的生活。”