From the balcony of his family’s apartment in Aleppo’s Midan district, Avo Kaprealian began chronicling daily life on the streets, capturing the sense of foreboding rapidly approaching with the violent conflict engulfing the country. Once in a while, the father breaks his silence to reprimand his son for endangering the entire family. In contrast, the mother avails herself to the camera, recounting events and divulging emotion without reserve. Midan’s residents are mainly descendants of survivors of the Armenian genocide, who fled their homes in modern-day Turkey to settle in Aleppo. As the armed conflict hits their street, Kaprealian’s lens turns inward to record the family’s quotidian life and how they cope with shelling, snipers and power cuts. For Armenian-Syrians, whose memory is deeply etched with the tragedy of forced exile, the prospect of leaving their homes and lives behind to escape death echoes like an ancestral trauma being relived. Kaprealian invokes the history of cinema to incarnate his family’s agonising present and transforms an archive of the imaginary into one of lived experience, stitching together ruptures in modern history and providing condolence for grief. berlinale 2016

故事发生在一间和医院并设的大学，恬淡自在的校园内，散落在研究室、医务室、舞台、咖啡馆、草坪等各个角落的青春男女享受着平凡而温暖的午后时光。他们中间有偷偷溜出医院的女孩，有四处寻找妹妹的可疑男子，有将都市传说改编成说唱歌曲学生，有身陷三角关系不得不去面对未婚妻和旧日恋人情欲战争的男人，有从属于某偶像组合的现役大学生……18个男男女女相继登场，在镜头前展现着各自的喜乐人生。 　　可就在此时，这些人一个接一个痛苦死去。仿佛都市传说成为了现实：一种恐怖的杀人病毒正在城市乃至全世界肆意蔓延。世界末日完全没有预兆地突然降临……

A portrait of the life, culture and food surrounding the lovers of Polka music. The title is taken from an old Polka standard. Stars of the Polka world are highlighted.

A portrait of the life, culture and food surrounding the lovers of Polka music. The title is taken from an old Polka standard. Stars of the Polka world are highlighted.

这是一档全新的综艺节目，由担任MC的菊池风磨和长谷川忍挑战各种“有趣之事”，旨在逗笑嘉宾。节目每次都会邀请顶尖女演员作为女性观众的代表，由她们来评判两人的企划是否“有趣”！菊池和长谷川曾在《艺能人认真思考！惊吓GP》（富士电视台系/每周六19点至20点播出）中共同出演，该节目系列企划“猜拳：不可能”里，两人毫无顾忌的争吵交流，以及摆脱尴尬任务并完成的样子成为话题。此外，菊池首部冠名综艺《菊池风磨的不可原谅TV》（富士电视台/2022年3月）以他的名言“不可原谅！”为节目主题，他与助手长谷川默契的互动在SNS上引发了“两人默契度太高了！”“想看两人的常驻节目！”等热烈反响。

この番組は、MCを務める菊池風磨と長谷川忍が、ゲストを笑わせるべく、やってみたら“オモシロいコト”に挑戦していく新バラエティー。ゲストには女性視聴者の代弁者として毎回、トップ女優を招き、2人の企画が“オモシロい”のかを判定していく！ 菊池と長谷川は『芸能人が本気で考えた！ドッキリGP』＜フジテレビ系／毎週（土）19時～20時放送中＞で共演し、同番組のシリーズ企画「ジャンケン：インポッシブル」では2人の歯に衣着せぬケンカやりとりや、恥ずかしいミッションを振り切って遂行する様子が話題に。そして、本人の名セリフ「許せない！」を番組のテーマに据えた菊池初の単独冠バラエティー『菊池風磨の許せないTV』＜フジテレビ／2022年3月＞で見せた、アシスタント・長谷川との息の合ったやりとりにSNSでは「相性が最高すぎる！」「2人のレギュラー番組が見たい！」と大きな反響...

出生在一个被黑手党控制的小城里，一名愤怒的年轻女子决意向拆散和囚禁她家人的邪恶力量复仇。

钟灿（金柱赫 饰）和妻子妍红（孙艺珍 饰）结婚多年，膝下有一可爱的女儿，两人男才女貌，在外人眼中是如同神仙眷侣一般的存在。钟灿涉足政坛，事业小有成就，同僚们都知道，他将有极大的可能成为下一任的国会议员。 　　某一日，厄运降临到了这个幸福的家庭之中，女儿无故失踪下落不明，留下难以解释的模糊线索，令警方毫无头绪。让妍红感到不可思议的是，对于女儿的失踪，钟灿似乎并没有那么焦急，他脑中所想的，只有如何在下一场竞选中取得胜利，夫妻两人之间的感情因此而产生裂痕。无奈之下，妍红只得强打起精神，她知道，女儿所能依靠的只有自己。

一名受人尊敬的主播（高庚杓 饰）突然在播报时失去自我约束力，此举吸引了一名电视台编剧（姜汉娜 饰）的注意，并邀请他上自己的综艺节目。

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.