唐唐，白天他是男人，晚上他是女人，他出没于各种酒吧及夜总会，他以反串表演挣钱为生，他已经习惯了这种生活。后来，唐唐爱上了另一个男人小辉，可是不久，小辉抛弃了他，唐唐很痛苦。薰和莉莉是一对女同性恋，她们在酒吧偶然看到了唐唐的演出，并同时喜欢上了女装的唐唐……

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

在一片未被开发的森林深处，一位隐居的鸟类学家在他的红外相机拍摄的模糊视频中发现了一个野孩子，这些相机是他之前藏在树林中的。

Hero, is a polish former partisan and random unrelated scenes from his life of a realistic and surreal character are shown. Because of war his powerlessness, unbelief, self-irony, and difficulty in communicating are becoming apparent.

A behind the scenes look at ITV’s period drama series Downton Abbey, featuring interviews with the cast and [email protected]

Young Terry Lambert returns home from serving a prison term for a gang-rape he was forced to participate in. He seeks revenge on his lawyer and the girl who framed him. But his real problem is his overbearing mother, whose boarding house he resides in and who keeps bringing him glasses of...

一名神秘的教师来到了一座外省小镇的学校教书。但这名老师并没有老师的样子，他对事物的看法过于现代和自负。但整座小镇都很喜欢他，喜欢到超乎他的想象。

“Essay, a term from written literature: unity of science and art; unity of social and individual knowledge,” Harun Farocki wrote in a first draft of the project Erzählen. The film follows two people (played by Engström and Farocki) investigating their respective subjects: one is tracing the involvement of the German heavy industry in the rise of Nazi-Germany, the other is interested in the fate of Larissa Reissner, a young Soviet writer and revolutionary. Both of them struggle with the question of how to organize their research and find a narrative structure. Their paths cross, and the film turns into an essayistic interrogation of structuralist narratology.

《类型是Money》节目不仅仅传达财经知识，更试图通过直观、有趣的方式，剖析隐藏在社会趋势背后的“金钱逻辑”，让财经不再只是专业人士的专属领域，而成为大众日常生活的一部分。 　　节目由全能艺人权赫秀与JTBC资深新闻主播金夏恩共同主持。权赫秀因其综艺感与即兴能力在多个节目中备受好评，他在节目中担任“经济门外汉”视角，与专业人士互动，代表观众提出最朴素的问题。金夏恩曾主讲多个社会类深度报道节目，逻辑清晰、表达力强，负责节目中的新闻传达与核心分析解说，是节目的“专业担当”。另外每期节目都邀请财经顾问团，包括：经济学教授、市场分析师、金融博主、风险投资人等。根据每期不同的话题，邀请匹配的领域专家出场点评或参与辩论。在栏目设置上节目的多个板块可灵活切换话题方向，围绕事件核心构建内容：在“本周之财”板块，聚焦与事件相关的重大财经新闻，结合政策与市场反应分析影响；在“资金检查”板块如果国际事件带动某地商业热度（如展会、投资潮），节目组将亲赴现场调查；“老板直击”板块将采访受国际趋势影响明显的行业代表人物，呈现他们的应对之道；最后是“观点交锋”板块，就事件所引发的争议，如“高通胀是否会常态化”、“美元强势是否削弱韩元”等议题，邀请专家辩论，丰富信息维度。