影片讲述理想主义的汤老师在流沙堆积的小岛上经营有机农场，多年运营农场使他面临困境和失败。小余追随汤老师扎根有机农场，在山中隐居的母亲下山到农场小住，等待女儿小余在冬至那天和她一起回老家。母亲的目光让女儿意识到生命中无法回避的创伤。此时农场正在经历运营方式转型一场暴风改变了每个人。通过对土地的凝视与深思，影片探讨着人与土地的密切关系。

理想主义的汤老师在流沙堆积的小岛上经营有机农场，多年运营农场使他面临困境和失败。小余追随汤老师扎根有机农场，在山中隐居的母亲下山到农场小住，等待女儿小余在冬至那天和她一起回老家。母亲的目光让女儿意识到生命中无法回避的创伤。此时农场正在经历运营方式转型，一场暴风改变了每个人。

圣诞节后，破裂的家庭关系迫使内莉越来越沉溺于自己的想像世 界。成人之间那个充满冲突而不可理解的宇宙开始逐渐侵入小内莉 的梦幻仙境。 　　After Christmas holidays, ruffled family relations push Nellie deeper and deeper into her own imaginary world. The incompre- hensible universe of adult conflicts starts to merge with little Nellie’s wonderland.

Cannes Film Festival 　　Year Result Award Category/Recipient(s) 　　1963 Won Best Screenplay 　　Dumitru Carabat 　　Henri Colpi 　　Yves Jamiaque 　　Nominated Golden Palm 　　Henri Colpi 　　An ex-convict struggles to survive by brute force alone in a turn-of-the-century slum in Bucharest. Codine (Alexandre Virgil Platon) is the thug who served 10 years for murdering a friend. He returns home to his miserly mother, whose penny-pinching ways infuriate her son. A young boy looks up to Codine, and through the man's eyes he sees the economic and social injustices from an adult perspective. When Codine kills another man who violated his trust, his mother becomes more unhinged and paranoid. Thinking her son will steal her hoarded money, she plots to kill her only son. The impressionable child watches in horror and amazement at the cruel machinations of the adult work that surrounds him.

故事发生在京都太秦，演员香美山（福本清三 饰）演了一辈子剑戟片，是专职饰演被杀死角色的“被杀役”，他一辈子勤勤恳恳兢兢业业，靠着努力和汗水，获得了同行和后辈们的尊重与信赖。然而香美山明白，剑戟片的没落之势早已经不可抵挡，喜爱和欣赏它的人越来越少，心中因此怀着满满的孤寂。 　　某日，一位名叫伊贺五月（山本千寻 饰）的年轻女演员找到了香美山，希望他能够成为她的武术指导，被五月的热情和真诚打动，香美山答应了她的请求，就这样，两人成为了师徒。在香美山巧妙的调教之下，五月的演技突飞猛进，很快得到了观众的喜爱，职业前景一片光明。而落寞的香美山，则决定返回家乡，了此残生。

故事发生在异常寒冷的西伯利亚，原藏（役所广司 饰）是生活在那里的一名猎人，凭借着高超的打猎技术，原藏很快就在当地得到了很高的名望，也深受当地居民和同行们的信任。其实，原藏要在这里吃苦受罪的唯一目的就是为了赚钱，他的心上人被母亲卖到了妓院成为了一名艺伎，原藏打算攒够了钱就回到日本为她赎身。 　　哪知道当原藏重新站在日本的土地上时，心上人已经成为了别人的妻子，再无牵挂的原藏选择回到西伯利亚，在那里，他认识了俄国人阿尔塞米（尼基塔·米哈尔科夫 Nikita Mikhalkov 饰），两人之间结下了坚实的友谊。一天，阿尔塞米救下了一只狼狗，这只狼和狗杂交生下的物种既保留了狼的野性，也感染了狗的忠心，成为了原藏的好帮手。

2001年戛纳电影节影评人周单元最佳影片奖 　　2001年东京国际电影节最佳导演奖、评审团奖 　　神学院学生赛耶德·哈桑即将升职做牧师，偏偏在就职典礼之前他的礼服被一个小男孩偷去了。于是他追踪到一个边远的郊区，那里的居民生活贫苦，从未见过牧师，对此知之甚少。最后，赛耶德学会了重要的一课：在宗教教义与艰难的生活现实生活存在着鸿沟，而这样的差异需要用情感去填补。雷萨-米尔卡瑞米导演在东京国际电影节致词时特别强调，他想告诉大家其实伊斯兰教是很爱好和平的宗教，而且也反对恐怖主义，并不是一种带暴力色彩的宗教。 　　与我们同根同种的亚洲人拍的这片子里，处处使我觉得亲切熟稔。年轻人憨憨而不知所措的表情、学校长者官腔却不乏真情的训导、暗淡而陈旧的店铺、城市角落里最卑微的人群、缓慢的生活，这一切都像是我们自己在成长路上所经历所看见过的。 　　他们多诚实，伊朗的贫困与落后历历地显现出来。可我敢说，这片子能打动的绝不止我一个人，也不止我们这些亚洲人。描绘贫穷而非展示贫穷，坦陈伤口而非哀矜伤口，伊朗的导演实在胜过我们某些所谓著名导演太多。

The Sylvester Stallone vehicle Rambo III (1988), is both a superficial commentary on the failure of war to resolve differences and a surreal interpretation of American exceptionalism through the actions of the individual. Although set in Afghanistan, with the hero besting a Russian army, the film was shot in the Israeli desert, with the involvement of the country’s military. Filmmaker Daniel Mann employs a variety of approaches to unpack what was to most audiences a brainless shoot ‘em-up, but to Mann is a work of many meanings.Daniel Mann 　　Interspersed with the reading of letters Mann wrote the Hollywood star, Under the Blue Sun contrasts Rambo’s exploits with the ways the media in our reality constructs narratives around conflict. Through Mann's investigation, he encounters Bashir, a Palestinian Bedouin and self-taught artist who worked on the Rambo III. Bashir's experience as an indigenous individual stripped of tribal land in Israel, serves as a powerful reflection not only of colonial politics but also of how these dynamics are perpetuated and amplified in mass productions. Mann’s film delicately unveils interconnected narratives that define the geopolitical, physical and environmental landscape of Israel/Palestine. The result is an intelligent and discursive exploration of propaganda, war and colonialism that manages to avoid falling into the trap of militancy, and ultimately leaves us wondering if we truly need another Rambo in this world.

Two brothers rob a bank and take a young girl hostage. They find out that the girl is a nudist, so they force her to take them to a nudist colony so they can hide out.