沙漠被一台机器拟人化，它被重新唤醒来保卫被压迫的人民

我一直以来都将父亲封闭在我的世界之外，想通过摄影机打破我们之间的缝隙。透过摄影机，我第一次清晰地看到了我和父亲这么多年的相处。虽然通过这次的拍摄我仍然还没有学会和父亲对话，但至少摄影机让我看到了我自己，我知道了下一步我要往哪走。

Tscherkassky concentrates on central motifs from Sergio Leone’s classic The Good, the Bad and the Ugly, zeroing in on Eli Wallach stumbling across a vast cemetery and the anti-hero’s head as he dangles from the gallows. Tscherkassky intercuts the latter image with countdown leader, ironically delaying the saving bullet shot by Clint Eastwood. Hereby the very film tears and suddenly descends into pure, soundless whiteness. Only by way of its defects is the medium of film made tangible. The flaws in the system – blisters, scratches, distortions and cracks – overwhelm and overlay the narrative, shatter the illusion and give rise to a richly ambiguous, new story. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1241/14625

Tscherkassky concentrates on central motifs from Sergio Leone’s classic The Good, the Bad and the Ugly, zeroing in on Eli Wallach stumbling across a vast cemetery and the anti-hero’s head as he dangles from the gallows. Tscherkassky intercuts the latter image with countdown leader, ironically delaying the saving bullet shot by Clint Eastwood. Hereby the very film tears and suddenly descends into pure, soundless whiteness. Only by way of its defects is the medium of film made tangible. The flaws in the system – blisters, scratches, distortions and cracks – overwhelm and overlay the narrative, shatter the illusion and give rise to a richly ambiguous, new story. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1241/14625

荒寂的公路上，一对青年男女绑缚着彼此，骑着一辆摩托奔向远方。他们看起来是如此登对，但却有着禁忌的关系和黑暗的过去。男孩秀则（小谷健仁 饰）亲手杀害了母亲雪子，带着这个患有自闭症的美丽叔母平井妙子（不二子 饰）绝路逃亡。他们逃到了妙子的母亲，也就是秀则母亲（吉村実子 饰）的住处，然而这禁忌的关系如何会得到认同。次日，秀则和妙子再次上路，行至远离都市的丛林中。在这个靠近人类本源的地方，他们释放了所有的原欲，尽情享受肉体的欢愉，却也将彼此引向绝望的不归路…… 　　本片采用16毫米摄像机拍摄，全片同期录音，并且舍弃配乐。

荒寂的公路上，一对青年男女绑缚着彼此，骑着一辆摩托奔向远方。他们看起来是如此登对，但却有着禁忌的关系和黑暗的过去。男孩秀则（小谷健仁 饰）亲手杀害了母亲雪子，带着这个患有自闭症的美丽叔母平井妙子（不二子 饰）绝路逃亡。他们逃到了妙子的母亲，也就是秀则母亲（吉村実子 饰）的住处，然而这禁忌的关系如何会得到认同。次日，秀则和妙子再次上路，行至远离都市的丛林中。在这个靠近人类本源的地方，他们释放了所有的原欲，尽情享受肉体的欢愉，却也将彼此引向绝望的不归路…… 　　本片采用16毫米摄像机拍摄，全片同期录音，并且舍弃配乐。

这部纪录片通过记录武汉的32岁盲医按摩师小谭的部分人生经历、日常生活和工作状态，突出了他坚强、独立且有趣的性格特点，并展现了一个当今社会中盲人按摩师群体的缩影。

消失十二年的林晓回家，质问哥哥林深卖老宅，索要母亲遗物遭拒。争执中，她发现林深藏抗癌药，戴母亲戒指。妹妹苏晴透露，林深患肺癌十二年，隐瞒是怕影响她。林深坦言卖老宅是想让她恨自己，以便坚强活下去。林晓发现儿时纸条与彩虹窗草图，得知哥哥曾追她的大巴三公里。林深病危，遗嘱赠其所有，还备了生日惊喜。林深离世后，林晓收到他留的手串，决心带着爱活下去。

풋풋한 설렘이 느껴지는 것은 여고생의 이야기이기 때문만은 아니다. 이제 우리의 관계는 연애라고 명명하기 전, 상대방 주위를 맴돌며 혼자 감당해야 하는 망설임, 질투, 제어할 수 없는 미소로 돌아간다. 좋아하기 때문에 이 모든 것은 기쁨이고, 아직 상대방의 마음을 알 수 없기 때문에 풋풋한 설렘이다. ‘내가 널 좋아한다’ 또는 ‘우리는 이제 연인이다’라고 말할 수 있게 되기 이전의 감성을 잘 담아낸 작품이다.