Daring Daylight Burglary (1903) was a fast-paced crime thriller that was the first of many chase films with which the Sheffield Photo Company established an international reputation. 　　Compared with other British films of the period, the pacing is unusually rapid and the narrative is surprisingly sophisticated - particularly its use of a revenge motive (the policeman avenging his badly injured comrade), which viewers of just about any current action thriller will immediately recognise as a key ingredient of the genre. 　　Admittedly, this in itself is not much of an advance on William Haggar's Desperate Poaching Affray (made the same year), but this and other elements, such as the use of a wide range of contrasting locations, show that director Frank Mottershaw was keen to make his film as visually and dramatically appealing as he could given the limitations of the basic story. 　　While R.W.Paul was making use of the jump cut as the main focus of films like Extraordinary Cab Accident (1903), here it's just one technique among many, as the policeman is quickly substituted by a dummy as he's hurled off the roof by the burglar. Camera placement and editing are consistently intelligent, with Mottershaw often cutting on action to ensure maximum dramatic impact. 　　The film was shot in three days at a cost of £25, and the British rights were sold to the Charles Urban Company for £50. It was enormously successful both in Britain and abroad: between 500 and 600 copies were sold, including an American order for 100 copies (it was extensively pirated in the US). It was also a major influence on Edwin S Porter's classic The Great Train Robbery (1903), the film said to have originated the American action movie.

Daring Daylight Burglary (1903) was a fast-paced crime thriller that was the first of many chase films with which the Sheffield Photo Company established an international reputation. 　　Compared with other British films of the period, the pacing is unusually rapid and the narrative is surprisingly sophisticated - particularly its use of a revenge motive (the policeman avenging his badly injured comrade), which viewers of just about any current action thriller will immediately recognise as a key ingredient of the genre. 　　Admittedly, this in itself is not much of an advance on William Haggar's Desperate Poaching Affray (made the same year), but this and other elements, such as the use of a wide range of contrasting locations, show that director Frank Mottershaw was keen to make his film as visually and dramatically appealing as he could given the limitations of the basic story. 　　While R.W.Paul was making use of the jump cut as the main focus of films like Extraordinary Cab Accident (1903), here it's just one technique among many, as the policeman is quickly substituted by a dummy as he's hurled off the roof by the burglar. Camera placement and editing are consistently intelligent, with Mottershaw often cutting on action to ensure maximum dramatic impact. 　　The film was shot in three days at a cost of £25, and the British rights were sold to the Charles Urban Company for £50. It was enormously successful both in Britain and abroad: between 500 and 600 copies were sold, including an American order for 100 copies (it was extensively pirated in the US). It was also a major influence on Edwin S Porter's classic The Great Train Robbery (1903), the film said to have originated the American action movie.

Several young girls were killed. Policeman Matthaei travels to the region where it happened and searches a child that looks similar to the ones that were murdered. He finds one and stays with her and her mother, not telling them that he is waiting for the killer to start his bloody work one more time ...

Several young girls were killed. Policeman Matthaei travels to the region where it happened and searches a child that looks similar to the ones that were murdered. He finds one and stays with her and her mother, not telling them that he is waiting for the killer to start his bloody work one more time ...

《城市裏的光天化日》是圍繞著「我」每次回母校香港城市大學的定點觀察。這份影像日記在聖誕節當天開展，為期三個月。 　　後來，「我」始終沒有把關鍵幀寫進日記。 　　日常生活中潛移默化的暴力經常被忽視且無人言說。影片以閉路電視畫面為媒介，呈現個人視覺日記，模糊了公共監視和私人反思之間的界線。

杰夫主谋一项雄心勃勃的计划，盗取堆放在伦敦交易所的银行地下储藏室数百万的现金，布莱克伍德等四人组成劫匪。他们的计划开始后，他们绑架20个人质并和警方对峙两个半小时之后，他们乘坐飞机离开，并盗得700万现金。

职业罪犯小吉尔伯特·加尔文(杜哈明饰)从美国监狱逃出并越过边境进入加拿大，在加拿大，他化名为罗伯特·怀特曼，有了新的身份。在坠入爱河并结婚后，他声称接受了一份旅行安全顾问的工作，但他大胆的犯罪行为仍在继续。在他向终身黑帮成员汤米(吉布森)寻求投资后，他的事业变得更加复杂，他卷入了加拿大历史上最大的抢劫案，这使他成为跨国追捕的核心人物。

本片是关于年轻漂亮的雅埃莉的故事。她生活在死海边的一个小镇上，职业是照顾皮肤病人。她的房子很小，有两个小卧室，其中一个属于她不在家的母亲，已经空了很久。只是就在此时，野蛮的盗贼侵入了这个房子。门被打开了，但生活却无法继续下去了。由于本来就无所谓，她自己也成为了女盗贼。这个启示将引导她救赎她的灵魂、她的思想、她的渴望和她成长的能力。