安家大小姐安澜被继妹算计，替嫁给了江州最有名的花花公子陈砚，婚礼当天就被放了鸽子，眼看就要成为全城的笑柄，安澜追去了他们赛车的地方，赢得了比赛，利用赌约将陈砚带回去顺利完婚。 对于这个突然冒出来的妻子，陈砚一边抗拒着，一边又不自觉地被吸引，两人在你来我往的日常争斗中渐渐认可了彼此...

When the eldest grandson of Mr. Kang (Choi Seong-ho), a prominent local figure in the village of Suri in Hwanghae-do, becomes afflicted with a mysterious, life-threatening illness, the entire household is plunged in anxiety. The imminent death of the direct heir to the family name is a serious matter indeed, since the Kangs have a history of seeing their sons die young a fact that has resulted in a household teaming with widows. The family matriarch (Hwang Jung-seun) calls in the most famous shamans and has them perform healing rituals, but the illness shows no sign of improving. The family steward recommends that they bring in Ok-hwa (Yoo Ji-in), who is renowned for her extraordinary spiritual powers. While she is performing the ritual, a large snake drops down from the eaves of the house and causes a commotion. Amazingly, the incident brings about a dramatic improvement in the condition of Mr. Kang's grandson. The household buzzes with glad excitement, with everyone clinging to Ok-hwa and asking her to cure the disease outright. But Ok-hwa searches all around as if possessed by a spirit and discovers a sinister-looking gourd bottle buried deep in the ground in the pine forest. This bottle hides a bloody secret. 　　Some twenty years ago, there was, in the Kang family, a young widow by the name of Lee (Kim Yun-kyeong). Bound by strict moral codes, Lee was living a lonely life of enforced celibacy. She had taken to stabbing her thigh with a small silver knife every night in order to suppress her frustrated desires, but the wound became infected and she came on the verge of death. According to family tradition, the Kangs removed Lee to an isolated hut (called pi-makin Korean), and left her there to await her own death. The family matriarch, wishing to grant her daughter-in-law one final wish, arranged for her to spend a night with the hut keeper, Sam-dol (Nam Koong-won). Through Sam-dol's devoted care, Lee miraculously recovered and the two developed deep feelings for each other. The matriarch welcomed her daughter-in-law's recovery at first, but became enraged when she found out about Lee's adulterous relationship with Sam-dol. As punishment, the Kang family secretly murdered both Sam-dol and Lee. 　　Ok-hwa, who is in fact Sam-dol's daughter, was merely pretending to be a shaman in order to exact revenge for her father. Possessed by a real spirit, she attempts to kill Mr. Kang inside the hut but lets him go unscathed. She enters the hut, sets it on fire, and dies in the flames.

When the eldest grandson of Mr. Kang (Choi Seong-ho), a prominent local figure in the village of Suri in Hwanghae-do, becomes afflicted with a mysterious, life-threatening illness, the entire household is plunged in anxiety. The imminent death of the direct heir to the family name is a serious matter indeed, since the Kangs have a history of seeing their sons die young a fact that has resulted in a household teaming with widows. The family matriarch (Hwang Jung-seun) calls in the most famous shamans and has them perform healing rituals, but the illness shows no sign of improving. The family steward recommends that they bring in Ok-hwa (Yoo Ji-in), who is renowned for her extraordinary spiritual powers. While she is performing the ritual, a large snake drops down from the eaves of the house and causes a commotion. Amazingly, the incident brings about a dramatic improvement in the condition of Mr. Kang's grandson. The household buzzes with glad excitement, with everyone clinging to Ok-hwa and asking her to cure the disease outright. But Ok-hwa searches all around as if possessed by a spirit and discovers a sinister-looking gourd bottle buried deep in the ground in the pine forest. This bottle hides a bloody secret. 　　Some twenty years ago, there was, in the Kang family, a young widow by the name of Lee (Kim Yun-kyeong). Bound by strict moral codes, Lee was living a lonely life of enforced celibacy. She had taken to stabbing her thigh with a small silver knife every night in order to suppress her frustrated desires, but the wound became infected and she came on the verge of death. According to family tradition, the Kangs removed Lee to an isolated hut (called pi-makin Korean), and left her there to await her own death. The family matriarch, wishing to grant her daughter-in-law one final wish, arranged for her to spend a night with the hut keeper, Sam-dol (Nam Koong-won). Through Sam-dol's devoted care, Lee miraculously recovered and the two developed deep feelings for each other. The matriarch welcomed her daughter-in-law's recovery at first, but became enraged when she found out about Lee's adulterous relationship with Sam-dol. As punishment, the Kang family secretly murdered both Sam-dol and Lee. 　　Ok-hwa, who is in fact Sam-dol's daughter, was merely pretending to be a shaman in order to exact revenge for her father. Possessed by a real spirit, she attempts to kill Mr. Kang inside the hut but lets him go unscathed. She enters the hut, sets it on fire, and dies in the flames.

该剧改编自谈天音的小说《昆山玉之前传》。合浦采珠奴端午（赵露思 饰）历经万难逃出吃人的珠场，邂逅了西域商人燕子京（刘宇宁 饰）和谦谦君子张晋然（唐晓天 饰）。她加入燕氏商队，一路摸爬滚打，璀璨的珠宝世界仿佛近在咫尺。然而西北之行，她却发现了自己的身世之密，更卷入了燕子京的 复仇谜局，至亲皆死，至爱背离。端午改名苏幕遮勇闯扬州，宁可万劫不复也要追寻真相。然她终心如明镜，不被仇恨裹挟，一手缔造明镜台，联合张晋然昭雪旧案。原打算独自背负污名和仇恨的燕子京最终亦缓解心结，与她共对疾风骤雨。尘埃落定，苏幕遮在赛宝会上勇攀珠宝艺术高峰，众多原本屈从于命运的女子也因她而焕然新生。

该剧改编自谈天音的小说《昆山玉之前传》。合浦采珠奴端午（赵露思 饰）历经万难逃出吃人的珠场，邂逅了西域商人燕子京（刘宇宁 饰）和谦谦君子张晋然（唐晓天 饰）。她加入燕氏商队，一路摸爬滚打，璀璨的珠宝世界仿佛近在咫尺。然而西北之行，她却发现了自己的身世之密，更卷入了燕子京的 复仇谜局，至亲皆死，至爱背离。端午改名苏幕遮勇闯扬州，宁可万劫不复也要追寻真相。然她终心如明镜，不被仇恨裹挟，一手缔造明镜台，联合张晋然昭雪旧案。原打算独自背负污名和仇恨的燕子京最终亦缓解心结，与她共对疾风骤雨。尘埃落定，苏幕遮在赛宝会上勇攀珠宝艺术高峰，众多原本屈从于命运的女子也因她而焕然新生。

讲述 大卫·鲍伊（David Bowie） 最后的创作篇章，探索他在生命最后十年中的艺术性“复活”与非凡创造力，并最终汇聚于专辑《Blackstar》的诞生。 　　本片恰逢大卫·鲍伊逝世十周年，将揭示他如何将生命的最后一章转化为一次重生——并以那张既幽暗又具有变革意义的《Blackstar》作为终点。这张专辑重新定义了他的艺术遗产，也为他的生命、死亡以及创造力的神秘力量提供了一个深刻的隐喻。影片追溯了鲍伊从1990年代职业生涯所面临的挑战出发，到千禧年前后在格拉斯顿伯里音乐节献上最具传奇色彩的压轴演出，再到创作《Blackstar》——这位世界最伟大艺术家之一的“最后一口气”，在他去世前仅两天发行。借此，鲍伊将自己牢牢铭刻进历史：既如拉撒路般自死而生，又如一颗充满谜团的星辰熊熊燃烧——既是终结，也是开端。

Lumière Film Catalog no. 222 　　Filmed by Constant Girel