该剧是一部浪漫爱情剧，讲述因为误会而分别的两个男女，在十年里相互单恋上对方的故事。将描写如同青春的小确幸般的趣味与感动。由《我的ID是江南美人…

《知遇之城》是由腾讯新闻立春工作室、邦视传媒联合出品的音乐MV创旅真人秀节目。节目会邀请8位音乐制作人，分别前往长沙、上海、西安、成都、合肥等八座具有不同情绪主题的城市，开启一场探寻城市声音的创作之旅。他们会从散布在城市中的声音胶囊里，聆听来自这座城市普通人的爱恨故事，凭借内心的共鸣，挑选一个最想倾听的对象并找到他，将其作为自己的知遇对象，记录并倾听素人内心深处的故事。随后，音乐人会选择创作或改编一首歌曲，把个人感悟融入创作，吟唱一首触动心灵的音乐作品。

电影《相遇之家》(导演:车正允/制作:固执工作室/基地开垦)讲述了出道15年的女狱警泰泽与负责收容者的女儿见面后发生的故事。 宋智孝在片中饰演女狱警"泰哲"。

《知遇之城》节目是腾讯新闻立春工作室、邦视传媒联合出品的音乐MV创旅真人秀节目。节目将邀请8位音乐制作人分别前往长沙、上海、西安、成都、合肥等八个拥有不同情绪主题的城市展开一场知遇城市声音的创作旅行。他们将从散落在城市里的声音胶囊中听到来自一座城市普通人的爱恨故事，依照内心共鸣，从中选择一个最想倾听的对象寻找到他，作为自己的知遇对象，记录并倾听素人心底的故事。然后音乐人选择创作或改编一手歌曲，将个人感受融于创作，吟唱一首知遇心灵的音乐作品。

一场浪漫的舞会上，平凡的小伙诺亚（亚当•德维恩 Adam DeVine 饰）邂逅了美丽的女孩艾薇（亚历珊德拉•达达里奥 Alexandra Daddario 饰）。无论是外貌还是个性，艾薇显然都是诺亚心目中的理想型，两人之间的关系在短短一晚的时间里急速的升温，然而，就在即将到达顶点之时，艾薇却拒绝了诺亚的求爱，并且明确的表示，两人只是普通的朋友关系。在接下来的三年内，这种朋友关系没有任何进一步发展的可能，这让诺亚百思不得其解，不知道自己究竟是哪里做错了。 　　一次偶然中，诺亚意外的获得了时间旅行的能力，他决定返回三年前那个决定性的邂逅之夜，一次又一次的，诺亚发誓一定要捕获艾薇的芳心。

一场浪漫的舞会上，平凡的小伙诺亚（亚当•德维恩 Adam DeVine 饰）邂逅了美丽的女孩艾薇（亚历珊德拉•达达里奥 Alexandra Daddario 饰）。无论是外貌还是个性，艾薇显然都是诺亚心目中的理想型，两人之间的关系在短短一晚的时间里急速的升温，然而，就在即将到达顶点之时，艾薇却拒绝了诺亚的求爱，并且明确的表示，两人只是普通的朋友关系。在接下来的三年内，这种朋友关系没有任何进一步发展的可能，这让诺亚百思不得其解，不知道自己究竟是哪里做错了。 　　一次偶然中，诺亚意外的获得了时间旅行的能力，他决定返回三年前那个决定性的邂逅之夜，一次又一次的，诺亚发誓一定要捕获艾薇的芳心。

Follows a teenage boy that goes looking for his new friend on the hot streets of an eerie city and gets into a sensual journey, where nature around him becomes exotic and the exotic becomes erotic.

Follows a teenage boy that goes looking for his new friend on the hot streets of an eerie city and gets into a sensual journey, where nature around him becomes exotic and the exotic becomes erotic.

DESEO looked very promising. A movie about the political situation by the end of WWII and also a forbidden love story between a married communist woman and a NAZI sympathizing in a very convoluted Spain; but the movie is unable to get the point almost completely. This is really a pity, because movies about WWII are generally no more than war scenes and NAZIS portrait as psychopaths but rarely mentions the reasons why many countries were allied or passive with Germany (even USA before Pearl Harbor). 　　In 1945; a woman belonging to a communist family fallen from grace, find a job in the house of a very seductive Argentinean magnate who is secretive helping important members of the NAZI regime escape to Argentina under protection of General Peron (and also General Franco) governments. The woman has several reasons to hate the fascism; her husband is in prison for political reasons, his father was killed in front of his family by the FALANGE (Franco's army), his mother is paraplegic because of that and they lost everything their had and living in absolutely misery. For all these reasons, the temptation of an elegant world, fancy clothes and good sex seems quite logical, even when she had to betray her own ideas and husband. 　　The story looks very good, but the development is poor and flipping from the light social history to the soap opera model. The beginning showing misery and desperation and the seductive tycoon, are well conceived albeit slow moving. But after that, things never really get convincing. The political situation is described using a few dialogs. The obsessive love story loose credibility every second. Sex scenes are as hot as candle six feet away. Moments like the notice of Hitler's dead are so bad acted that they should be left in the cutting room. 　　The cast composed of very important and well-known Spanish and Argentinean actor's fails almost completely. Leonardo Sbaraglia starts very seductive, but when things get dramatic he is unable to deliver. Leonor Watling has a one facial expression character; even when she looks very nice and unprotected, is hard to believe somebody could get so obsessed about her. Cecilia Roth is a caricature, absolutely miscast. Norma Leandro unnecessary as Sbaraglia mother and head of the organization. Sarda, Cava and Alterio are the only ones able to get some credibility in their small parts. 　　It is really sad, because with all the misses, there are a few intelligent details. The story never tries to create a heroine out of Watling role. The fears and persecution of communist under Franco regime are very well described and touching, as is the misery those peoples were condemned. 　　In sum, if you do not know history or if you are looking for something trying to show history realistic, take a look otherwise do not loose your time, read a book about the subject.

DESEO looked very promising. A movie about the political situation by the end of WWII and also a forbidden love story between a married communist woman and a NAZI sympathizing in a very convoluted Spain; but the movie is unable to get the point almost completely. This is really a pity, because movies about WWII are generally no more than war scenes and NAZIS portrait as psychopaths but rarely mentions the reasons why many countries were allied or passive with Germany (even USA before Pearl Harbor). 　　In 1945; a woman belonging to a communist family fallen from grace, find a job in the house of a very seductive Argentinean magnate who is secretive helping important members of the NAZI regime escape to Argentina under protection of General Peron (and also General Franco) governments. The woman has several reasons to hate the fascism; her husband is in prison for political reasons, his father was killed in front of his family by the FALANGE (Franco's army), his mother is paraplegic because of that and they lost everything their had and living in absolutely misery. For all these reasons, the temptation of an elegant world, fancy clothes and good sex seems quite logical, even when she had to betray her own ideas and husband. 　　The story looks very good, but the development is poor and flipping from the light social history to the soap opera model. The beginning showing misery and desperation and the seductive tycoon, are well conceived albeit slow moving. But after that, things never really get convincing. The political situation is described using a few dialogs. The obsessive love story loose credibility every second. Sex scenes are as hot as candle six feet away. Moments like the notice of Hitler's dead are so bad acted that they should be left in the cutting room. 　　The cast composed of very important and well-known Spanish and Argentinean actor's fails almost completely. Leonardo Sbaraglia starts very seductive, but when things get dramatic he is unable to deliver. Leonor Watling has a one facial expression character; even when she looks very nice and unprotected, is hard to believe somebody could get so obsessed about her. Cecilia Roth is a caricature, absolutely miscast. Norma Leandro unnecessary as Sbaraglia mother and head of the organization. Sarda, Cava and Alterio are the only ones able to get some credibility in their small parts. 　　It is really sad, because with all the misses, there are a few intelligent details. The story never tries to create a heroine out of Watling role. The fears and persecution of communist under Franco regime are very well described and touching, as is the misery those peoples were condemned. 　　In sum, if you do not know history or if you are looking for something trying to show history realistic, take a look otherwise do not loose your time, read a book about the subject.