20世纪90年代初的俄罗斯，在后苏联时代的混乱局势中，才华横溢的年轻人瓦迪姆·巴拉诺夫规划着自己的人生道路。他先是一名艺术家，后来成为真人秀制作人，最终成了一位崛起中的克格勃特工——弗拉基米尔·普京的舆论操控者。身处权力核心，巴拉诺夫塑造着新俄罗斯，模糊了真相与谎言、信仰与操控之间的界限。唯有富有魅力的克塞尼亚不受他掌控，诱惑着他脱离这场危险的游戏。多年后，隐于沉默、笼罩在神秘之中的巴拉诺夫终于开口，揭露了他协助建立的政权所隐藏的黑暗秘密。

The story opens in Russia, in the early 1990’s, in the aftermath of the USSR’s collapse. In a new world that promises freedom and flirts with chaos, a young artist-turned-TV producer, Vadim Baranov, unexpectedly becomes the spin doctor of a promising member of the FSB (ex-KGB), Vladimir Putin.

Documentary which tells the extraordinary unknown story of how the Beatles helped to destroy the USSR. 　　In August 1962, director Leslie Woodhead made a two-minute film in Liverpool's Cavern Club with a raw and unrecorded group of rockers called the Beatles. He arranged their first live TV appearances on a local show in Manchester and watched as the Fab Four phenomenon swept the world. 　　Twenty-five years later while making films in Russia, Woodhead became aware of how, even though they were never able to play in the Soviet Union, the Beatles' legend had soaked into the lives of a generation of kids. This film meets the Soviet Beatles generation and hears their stories about how the Fab Four changed their lives, including Putin's deputy premier Sergei Ivanov, who explains how the Beatles helped him learn English and showed him another life. 　　The Soviet authorities were alarmed by the seditious potential of rock and roll, with the Beatles a special target and denounced as 'bugs' in official papers. Their smuggled records were destroyed and their music was banned, but the myth blossomed as bootlegs and photos were covertly traded and even rented amongst fans. 　　Soon there were thousands of rock bands across the USSR, trying to make music with crude home-made guitars. Speakers on lampposts installed to broadcast propaganda were grabbed by rock hopefuls, while reports that an electric pickup could be cannibalised from a telephone led to phone boxes being raided and disabled. 　　Millions of young people fell in love with the Beatles and the culture of the Cold War enemy, and defected emotionally from the Soviet system. The Beatles prepared the cultural way for the fall of the Berlin Wall and ultimately helped to wash away the foundations of that system.

Documentary which tells the extraordinary unknown story of how the Beatles helped to destroy the USSR. 　　In August 1962, director Leslie Woodhead made a two-minute film in Liverpool's Cavern Club with a raw and unrecorded group of rockers called the Beatles. He arranged their first live TV appearances on a local show in Manchester and watched as the Fab Four phenomenon swept the world. 　　Twenty-five years later while making films in Russia, Woodhead became aware of how, even though they were never able to play in the Soviet Union, the Beatles' legend had soaked into the lives of a generation of kids. This film meets the Soviet Beatles generation and hears their stories about how the Fab Four changed their lives, including Putin's deputy premier Sergei Ivanov, who explains how the Beatles helped him learn English and showed him another life. 　　The Soviet authorities were alarmed by the seditious potential of rock and roll, with the Beatles a special target and denounced as 'bugs' in official papers. Their smuggled records were destroyed and their music was banned, but the myth blossomed as bootlegs and photos were covertly traded and even rented amongst fans. 　　Soon there were thousands of rock bands across the USSR, trying to make music with crude home-made guitars. Speakers on lampposts installed to broadcast propaganda were grabbed by rock hopefuls, while reports that an electric pickup could be cannibalised from a telephone led to phone boxes being raided and disabled. 　　Millions of young people fell in love with the Beatles and the culture of the Cold War enemy, and defected emotionally from the Soviet system. The Beatles prepared the cultural way for the fall of the Berlin Wall and ultimately helped to wash away the foundations of that system.

What began as a traditional documentary about the legendary band King Crimson as it turned 50, mutated into an exploration of time, death, family, and the transcendent power of music to change lives; but with jokes.

What began as a traditional documentary about the legendary band King Crimson as it turned 50, mutated into an exploration of time, death, family, and the transcendent power of music to change lives; but with jokes.

色情物品抑或是艺术品？奥地利画家埃贡‧席勒的裸体画在前年于伦敦和柏林车站宣传时，惨遭「打码」，维也纳观光局讽刺地在那些画作写上「对不起，一百年后的今天，仍是太大胆」席勒画作到底有多大胆？斜躺的女人、纠缠的两个女人等作品，都因为过于露骨，让席勒被捕入狱。而提携席勒的正是奥地利艺坛巨人：古斯塔夫‧克林姆，他的经典之作以唯美魅惑众生：镶满金箔的《吻》，绘画花草地上的缠绵爱侣，是震撼的浪漫。当年师徒两人探索情慾与死亡，颠覆维也纳的保守派，克林姆的艾蒂儿肖像一号、朱蒂丝I中的女性眼波流转如华丽的爱神。在维也纳美景宫、利奥波德美术馆及维也纳艺术史博物馆尽览两位大师的画作，见证如何挑战道德规范。

根据德国古典史诗《尼贝龙根之歌》改编。本片共两部，第一部的副标题是《西格弗里德》或《西格弗里德之死》，又译《斩龙遇仙》；第二部《克伦希尔德的复仇》。第一部剧情：库山王子西格弗里德从传说中得知，如果能用丛林内的巨龙血液沐浴，就能全身刀剑不入，乃立刻启程斩龙取血。不料飘来一片树叶 贴在他的背上挡住了龙血。他自恃刀剑不入，乃出兵讨伐矮人国，夺取隐身头巾和尼伯龙根的国宝。后来，他更凭这两样法宝之助打败冰岛女王的武士，跟王妹克伦希尔德结婚。武士哈根获悉，将长矛对准被树叶贴住而未沾龙血的背部猛掷，西格弗里德应声倒地。第二部描述西格弗里德死后，克伦希尔德嫁给了匈奴国王伊泽尔，生下一个孩子。她邀请她的兄弟前来参加派对，并鼓励伊泽尔向杀死她前夫西格弗里德的凶手哈根报仇。不料哈根得到她兄弟们的保护，于是她必须为逼迫自己的兄弟交出哈根而展开一场激战。

根据德国古典史诗《尼贝龙根之歌》改编。本片共两部，第一部的副标题是《西格弗里德》或《西格弗里德之死》，又译《斩龙遇仙》；第二部《克伦希尔德的复仇》。第一部剧情：库山王子西格弗里德从传说中得知，如果能用丛林内的巨龙血液沐浴，就能全身刀剑不入，乃立刻启程斩龙取血。不料飘来一片树叶 贴在他的背上挡住了龙血。他自恃刀剑不入，乃出兵讨伐矮人国，夺取隐身头巾和尼伯龙根的国宝。后来，他更凭这两样法宝之助打败冰岛女王的武士，跟王妹克伦希尔德结婚。武士哈根获悉，将长矛对准被树叶贴住而未沾龙血的背部猛掷，西格弗里德应声倒地。第二部描述西格弗里德死后，克伦希尔德嫁给了匈奴国王伊泽尔，生下一个孩子。她邀请她的兄弟前来参加派对，并鼓励伊泽尔向杀死她前夫西格弗里德的凶手哈根报仇。不料哈根得到她兄弟们的保护，于是她必须为逼迫自己的兄弟交出哈根而展开一场激战。

Mario (Tognazzi), a rich and eccentric war hero befriends Marco (Dewaere), a loner with a sailboat and takes him home to meet his estranged wife Cleofe (Lia Tanzi Gabriella) and sexually repressed sister in law Matilde (Muti). Mario confesses his love for Matilde and so ensues a love triangle.