一个神秘的民族，他们对金钱的渴望远胜过对于权力的追逐。他们是天生的商人。他们不从事生产，却是贸易古道上的财富拥有者。他们跨越河流、高山、沙漠，既要面对恶劣的自然环境，也要提防贪婪的盗贼，一次旅程有可能九死一生。最终，他们成为了贸易古道上的王者。通过他们的驼队，相距千里的人们的味蕾品尝到了新的味道，美人在打扮的时候多了许多选择，艺术家对美有了新的认知，思想者偶遇了来自远方新的思想。他们就是粟特人，一个已经在今日无从寻觅的民族。他们在历史宏大叙事中永远不曾露面，但若要提到丝绸之路，无人可以忽略粟特人的存在。粟特人到底是谁，他们到底是如何崛起的呢？又是因为何种原因悄声无息的消失的呢？

克里夫·欧文饰演一名作家，其创作遇到到瓶颈，江郎才尽，而朱丽叶·比诺什饰演一名画家，同样郁郁不得志，两个人在一所学校里相逢了。分别教写作与绘画的他们展开了一场关于文字和图画谁更有力量的辩论之战。然而在针锋相对的背后，一段不同寻常的恋情也正在酝酿。

The project seeks to reflect about the image, and its contemplative experience from the factors of time, color and movement. We focus our view on the human-landscape relationship, facing it in two temporal dimensions: the geological and human. This definition synthesize well the will of the project: “The landscape are layers of time condensed into an image”. We seek to merge different temporal layers into a single image, proposing two exploration lines: emphasize the ephemeral and fleeting passage of man over the territory; and invite to a leisurely contemplation showing the poetry and mystery of the movements of landscape.

The project seeks to reflect about the image, and its contemplative experience from the factors of time, color and movement. We focus our view on the human-landscape relationship, facing it in two temporal dimensions: the geological and human. This definition synthesize well the will of the project: “The landscape are layers of time condensed into an image”. We seek to merge different temporal layers into a single image, proposing two exploration lines: emphasize the ephemeral and fleeting passage of man over the territory; and invite to a leisurely contemplation showing the poetry and mystery of the movements of landscape.

捕猎海豹是传统因纽特人生活的一个重要部分，但一直以来饱受争议。而现在，新一代因纽特人，通过社会媒体，用自己的幽默和正义向世界发出新的声音。展现当代因纽特人为经济的可持续发展做出的努力。 　　Seal hunting, an important part of traditional Inuit's life, has been a controversial topic. But now, with their humor and righteousness, the new generation of Inuit is making a new sound to the world via social media, showing the efforts that Inuit has made for sustainable development.

Inuk是一个生活这格林兰岛北部的一个16岁的男孩，他的父母亲经常酗酒，他的梦想和现实相差太多，于是他决定离开家。他到了格林兰岛的南部，被一个老师收养，在他的身上他学会了更多的知识，变得很有智慧，但同时他自己的内心也在慢慢发生变化，他不愿意主动接受其他人的关心…

Melvyn Bragg explores the relationship, from 1911 to 2011, between class and culture.

Perception changes ambiguously between moving images and sound. 　　I went on a journey by water. I had been gazing at the calm sea for hours on the back deck. Before my eyes was endless sky, the nearly leaning sea horizon, strong sunlight shining on the surface of the water, and trails on the sea traced by the ship. The sound were of the engine and waves, vibrations propagated through the ship hull, and a pleasant breeze. I’m trying to sense every moment. I am here to watch the sea. Thinking this, I will daydream even before I know it. Occasional whistles make the scene in front of me clear.

Art historian James Fox explores how the power of images has transformed the modern world.

《图像研究》是一部桌面录屏作品，一幅罗兰·巴特抽烟的照片窗口缩小后，旋即弹出的窗口中是一段由电脑的前置摄像头所拍摄下的卷烟教学视频。与“如何去卷一根完美的香烟”同时出现在电脑桌面上的，是“如何去制作一副完美的图像，在这个窗口中，艺术家挪用了不同影像中的“教学片段”：从 Youtube上的 Photoshop教学，到哈伦・法罗基所拍摄下的《花花公子》杂志封面的制作过程，再到电影《放大》中商业影棚的拍摄场景……与这些不同的“如何去……”所对应的，是艺术家本人在作品中所做出的声明：“我，除非在万不得已的情况下，才会使用摄影机”，他的意思大概是在景观社会永远在场的现今，我们已无需生产出更多新的图像去制作一部影片。（OCAT 上海馆）