20世纪90年代，巴西首都里约热内卢绑架案频发。政府安保部门命令警察解救这座城市。然而，威胁不仅来自犯罪集团，更来自警察系统。生与死的较量，将在这座上帝之城一触即发。

20世纪90年代，巴西首都里约热内卢绑架案频发。政府安保部门命令警察解救这座城市。然而，威胁不仅来自犯罪集团，更来自警察系统。生与死的较量，将在这座上帝之城一触即发。

曾执导《死侍2》和《极寒之城》的大卫·雷奇被指将担任即将上映的《全境封锁》电影版导演。该片由杰西卡·查斯坦和杰克·吉伦哈尔主演。《全境封锁》的故事背景设定在纽约市，黑色星期五纸币交易引发的病毒感染席卷了整座城市。随着圣诞节的临近，城市陷入一片混乱。一群训练有素的市民挺身而出，应对这场危机，拯救城市。

《全境封锁》是根据动作射击类游戏 （Tom Clancy's The Division）改编的电影 。《全境封锁》电影的故事设定在致命疫情爆发后的近未来纽约，通过纸币传播的病毒让数百万人丧生，城市在圣诞节前夕陷入混乱，一群受过专业训练的人展开行动，试图拯救市民和整个城市 。

由育碧软件公司开发的大热游戏《全境封锁》将被搬上大银幕，男主已锁定杰克·吉伦哈尔。吉伦哈尔还将担任该片制片。故事设定在致命疫情爆发后的纽约，病…

A devastating pandemic sweeps through New York City on Black Friday, and one by one, basic services fail. Within weeks, society collapses into chaos, and the government activates The Division, a classified unit of self-supporting agents. Leading seemingly ordinary lives among us, Division agents are trained to operate independently of command when all else fails. In Tom Clancy's The DivisionTM: Agent Origins, four newly activated agents must serve as civilization's last line of defense after a man-made virus devastates New York City. Based on the video game by Ubisoft®, this action-packed film introduces the world of The Division to fans of Tom Clancy movies.

设定在新冠疫情封城期间，讲述一对日常争吵不断的夫妻琳达和帕克斯顿休战，计划去完成一场高风险的抢劫——在世界上最高档的百货公司之一哈罗德搜刮珠宝。

设定在新冠疫情封城期间，讲述一对日常争吵不断的夫妻琳达和帕克斯顿休战，计划去完成一场高风险的抢劫——在世界上最高档的百货公司之一哈罗德搜刮珠宝。

伊斯坦布尔受到政治暴力的控制。 Hamza, 是一名高级政治官员，他从监狱里释放了 Kadir，条件是Kadir要在垃圾收集器的新情报单位工作。Kadir 答应了，开始从贫民窟收集垃圾，并检查它是否包含制造炸弹的材料。可Kadir 发现他的弟弟Ahmet身在其中，Ahm et 在市政当局工作，并负责一件清除流浪汉的行动……

The Siege of Leningrad which endured a little short of 900 days and nights under the Nazi blockade during World War Two has long been of interest to me. I have viewed extensive footage over the years and was greatly looking forward to seeing this 'new approach with never-before seen archival footage'. This is how it was billed at the 2007 Sydney Film Festival. While it may be true that this actual camera footage may not have been shown before, the subject of the shots are not new. Nevertheless, the power of the film lies in its minimalist ambient approach. No Narrator telling you what the film-maker wants you to know. No dramatic music to overlay the images. One could say that the greatest technical contribution came from the Foley artists and their effective application of natural effects. Furthermore, the long lasting shots with very little editor's intrusion, capture the tedium of everyday survival. This is a true Socialist film in that it gives centre stage to the 'common people' going about their daily lives in degenerating circumstances. The great disappointment for me is its brief length of 52 minutes covering only four seasons, and not the ten seasons of the siege. Sadly, this worthy film, with its style exemplifying minimalism and UNsensationalism at its best, shot itself in the foot by not following through with the full magnitude of the event, and pulled its punches by excluding certain horrendous aspects committed by some of the starving citizens. The film-maker's 'distant' approach assumed the viewer's familiarity with the subject . Those of us who are familiar with the subject felt short-changed. Those not familiar were confused. But still worth seeing.