賽巴斯，三十歲單身漢，有一隻八歲的愛犬相伴。只要他不在，狗狗就會頻頻哀鳴，引起鄰居抱怨，他只好帶著狗去上班，卻因此被公司開除，只能靠打零工度日，過著流浪犬般的人生。當神祕隕石撞擊地球，空氣被污染，離地一百二十公分以上的人，得要靠呼吸器才能行走。幸好賽巴斯早就超前部署，「魯」到沒在怕！他的魯蛇人生會因此而有所轉機嗎？ 　　阿根廷導演安娜卡茲繼2007年成名作品《分手假期》後，再次以精準的影像語言、絕妙的台詞設計，施展冷調黑色幽默，結合末日感軟科幻，在黑白的荒唐人生中提煉一絲安慰。長達三年的拍攝期，正好遇上全球疫情，導演靈機一動，巧妙將大環境變動嵌入這則描繪青年無力感的哀歌，意外讓本片成為一則饒富深意的末世寓言。

賽巴斯，三十歲單身漢，有一隻八歲的愛犬相伴。只要他不在，狗狗就會頻頻哀鳴，引起鄰居抱怨，他只好帶著狗去上班，卻因此被公司開除，只能靠打零工度日，過著流浪犬般的人生。當神祕隕石撞擊地球，空氣被污染，離地一百二十公分以上的人，得要靠呼吸器才能行走。幸好賽巴斯早就超前部署，「魯」到沒在怕！他的魯蛇人生會因此而有所轉機嗎？ 　　阿根廷導演安娜卡茲繼2007年成名作品《分手假期》後，再次以精準的影像語言、絕妙的台詞設計，施展冷調黑色幽默，結合末日感軟科幻，在黑白的荒唐人生中提煉一絲安慰。長達三年的拍攝期，正好遇上全球疫情，導演靈機一動，巧妙將大環境變動嵌入這則描繪青年無力感的哀歌，意外讓本片成為一則饒富深意的末世寓言。

A Whodunit from the great! The investigation into the suicide of a young woman found dead at the bottom of a cliff uncovers many lovers of both sexes, including her Brother's sister and her psychiatrist, a weird tale of absolute power and love.

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... 　　 　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. 　　 　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. 　　 　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. 　　 　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

一位考古學家無意中發現了清朝小王爺的遺體而帶回中国台湾研究，但小王爺卻發生屍變成為殭屍，並和附近小朋友結成了好友，但大人們卻怕殭屍害人而請來法師镇邪，於是展開一連串的圍剿...…

三百年前，玄门大能元酒渡劫失败，陷入沉睡。再次苏醒时，昔日香火鼎盛的归元观早已破败，只剩徒孙南巢守着空观，还背负着三亿巨额债务。为还清债务、重修正道飞升，元酒收起老祖架子，凭借一身通天玄学本事，开启接单赚钱模式。

霍家是京市首富，长子霍启明因为没有接受苏家大小姐苏曼的追求，娶了无家族背景的真爱而被苏曼报复。擅长玄术的苏曼趁霍夫人产子之际，竟然想偷走她的孩子。却因为霍夫人怀的是双胎，时间紧迫，苏曼只能带走一个孩子，并且对还在霍夫人肚子里的第二个孩子下了恶毒的诅咒，咒这个孩子是灾星转世，只要有他在，霍家会家破人亡，不得安宁。而被苏曼带走丢弃的霍家大宝却因为机缘造化被太行山上的无极天尊捡到，带回太行山上抚养长大，并且因为资质过人，有了小圣尊的称号。但是因为霍大宝太过调皮，闹得太行山上无宁日，被师父丢下山修行化缘。而与此同时的霍家，霍家小少爷霍小宝认为自己是霉星，拖累了家人，离家出走，让霍家的老弱病残担心不已

林夏逆袭！母亲逝后得其故友相助，成商业大亨。归国隐匿锋芒，揭开母亲死因真相，智斗欧阳家，与顾锦熙携手步入幸福。

多年前，林夏被继母抛弃，扔到乡下自生自灭，总裁顾锦熙被人追杀，林夏救了男主，林夏喝水被下情毒，女主聪慧过人，两人第二天醒来，女主让男主带她回家，林夏此次回来的真正目的是复仇，调查当年母亲死亡真相，这过程中男主帮助女主一步步查询真相，两人也因此萌生情感，最后结婚幸福生活在一起。