纹身是一种富有层次的表现手法，由不同艺术世家将历久不衰的独特技艺代代相传。我们的旅程将会带领我们去往日本的不同地区，进入纹身大师工作室的秘密后台，见证在人类皮肤上创造出真正艺术画作的精细工程。

Feature film inspired by the pranks performed by the comedy troupe The Janoskians.

Within the human struggle to live and work on a changing planet, questions of value, extraction, and adaptation echo across seemingly disparate worlds. A Common Sequence examines shifts of life and labor through a critically-endangered salamander and plant patents in the apple industry. Weaving the stories of Dominican nuns running a conservation lab, a group of fishermen attempting to live off of a depleting lake, engineers developing AI-driven harvesting machines, and an indigenous biomedical researcher resisting the commodification of human DNA, the film becomes a meditation on the shifting border between the natural and unnatural world, and the dynamics of power at play. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1269/14984

2006年6月在Annecy国际动画电影节上评选出的“动画的世纪·100部作品”第39名。

The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. 　　The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. 　　The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

在时长约31分钟的该片中，所记录下的公共场所包括：一个郊区小火车站深夜的候车室、一个矿区附近黄昏时分的汽车站、一辆不知开往何方向的公共汽车、一个由废弃公共汽车改造成的小餐馆和一个长途汽车站的候车室（兼具台球厅、舞厅等多种功能）。 　　此外，影片还记录下了在这些公共空间里来来往往的人们某些时间段的行为：一个穿军大衣的中年男子一直在等待，终于等来一个年纪相仿的女人提着一袋沉甸甸的面粉从走下火车；一个老人在铁栏后极其耐心地拉好上衣的拉链，汽车把老人带走，却落下一个气喘吁吁的年轻女子，在她百无聊赖地等待下一辆汽车到来时，矿区的天空下响起钟声；如此，等等。

姜哲中是一个我行我素的刑警，他经常收受贿赂，私放罪犯，至于敲诈勒索，白吃白喝则是家常便饭。他受到纪律检查部门立案调查，没想到他的拍档在此时饮弹自戕，一批数目巨大的毒品不知去向。检查部门去搜查哲中的家，却一无所获，他的过分清贫倒引起上级的怀疑。一个雨夜，哲中在一个狭窄的小巷执勤时与一个穿着雨衣的神秘男人擦身而过，他照例耍起了威风想吓唬对方，不料那人也非善类，操起手中的利刀向他猛刺后迅速逃跑，在哲中脸上留下深深的伤口。哲中拣起那人掉下的猎刀，发誓要抓住他狠狠的报复……

Bad bosses, wild nights, and the semi-true story of two girls in love.

姜哲中是一个我行我素的刑警，他经常收受贿赂，私放罪犯，至于敲诈勒索，白吃白喝则是家常便饭。他受到纪律检查部门立案调查，没想到他的拍档在此时饮弹自戕，一批数目巨大的毒品不知去向。检查部门去搜查哲中的家，却一无所获，他的过分清贫倒引起上级的怀疑。一个雨夜，哲中在一个狭窄的小巷执勤时与一个穿着雨衣的神秘男人擦身而过，他照例耍起了威风想吓唬对方，不料那人也非善类，操起手中的利刀向他猛刺后迅速逃跑，在哲中脸上留下深深的伤口。哲中拣起那人掉下的猎刀，发誓要抓住他狠狠的报复……