Dr James Fox has never really got conceptual art. And he's not alone. Conceptual art has been treated with suspicion and incredulity by virtually everyone outside the art world for nearly a hundred years. Ever since Marcel Duchamp first displayed a signed urinal and claimed it was art in 1917. So was he taking the piss? Or was he on to something, creating a whole new approach to art that has now lasted a century? 　　Dr Fox embarks on an open-minded guide for the perplexed and asks 'What is conceptual art?' 'How should we approach it?' and crucially, 'Why should we care?'. Roaming between the past, present and future he examines a mind-bending selection of the most influential conceptual ideas and artworks, alongside meeting the leading movers and shakers of today. And who knows? In the end, Dr Fox might find himself unexpectedly seduced by this trickiest of art forms.

Dr James Fox has never really got conceptual art. And he's not alone. Conceptual art has been treated with suspicion and incredulity by virtually everyone outside the art world for nearly a hundred years. Ever since Marcel Duchamp first displayed a signed urinal and claimed it was art in 1917. So was he taking the piss? Or was he on to something, creating a whole new approach to art that has now lasted a century? 　　Dr Fox embarks on an open-minded guide for the perplexed and asks 'What is conceptual art?' 'How should we approach it?' and crucially, 'Why should we care?'. Roaming between the past, present and future he examines a mind-bending selection of the most influential conceptual ideas and artworks, alongside meeting the leading movers and shakers of today. And who knows? In the end, Dr Fox might find himself unexpectedly seduced by this trickiest of art forms.

2014年冬季 フジテレビ 深夜剧 　　集合住宅を舞台に繰り広げられる恐怖のオムニバスドラマ。

2014年冬季 フジテレビ 深夜剧 　　集合住宅を舞台に繰り広げられる恐怖のオムニバスドラマ。

在二零零四年的十月和十一月，P.K.14乐队开始了他们第一次全国巡演。经过一个多月的拍摄，这部记录了这次巡演过程的作品最终成为一扇窗口，带领我们进入到这支来自南京的后朋克乐队的奇异世界中。 　　在跟随着乐队转辗于火车，汽车，卡车，货车，出租车，手推车的同时，戴维.哈里斯也引领着我们进入中国的现在，穿过城市和乡村，进入到现实生活中。我们将会看到乐队在各种场所各种情形下表演他们的音乐，我们也将会看到他们是如何在今天中国纷乱吵杂的众多声音中找到自己的位置的。 　　(特别收录P.K.14乐队音乐录像《他们》，乐队二零零五年欧洲巡演照片，歌曲现场版，以及更多影像花絮。) 　　屏幕比例16:9和4:3，彩色，片长55分钟。 　　简体中文和英文字幕。 　　摩登天空出品

在二零零四年的十月和十一月，P.K.14乐队开始了他们第一次全国巡演。经过一个多月的拍摄，这部记录了这次巡演过程的作品最终成为一扇窗口，带领我们进入到这支来自南京的后朋克乐队的奇异世界中。 　　在跟随着乐队转辗于火车，汽车，卡车，货车，出租车，手推车的同时，戴维.哈里斯也引领着我们进入中国的现在，穿过城市和乡村，进入到现实生活中。我们将会看到乐队在各种场所各种情形下表演他们的音乐，我们也将会看到他们是如何在今天中国纷乱吵杂的众多声音中找到自己的位置的。 　　(特别收录P.K.14乐队音乐录像《他们》，乐队二零零五年欧洲巡演照片，歌曲现场版，以及更多影像花絮。) 　　屏幕比例16:9和4:3，彩色，片长55分钟。 　　简体中文和英文字幕。 　　摩登天空出品

Feature film inspired by the pranks performed by the comedy troupe The Janoskians.

2006年6月在Annecy国际动画电影节上评选出的“动画的世纪·100部作品”第39名。

Within the human struggle to live and work on a changing planet, questions of value, extraction, and adaptation echo across seemingly disparate worlds. A Common Sequence examines shifts of life and labor through a critically-endangered salamander and plant patents in the apple industry. Weaving the stories of Dominican nuns running a conservation lab, a group of fishermen attempting to live off of a depleting lake, engineers developing AI-driven harvesting machines, and an indigenous biomedical researcher resisting the commodification of human DNA, the film becomes a meditation on the shifting border between the natural and unnatural world, and the dynamics of power at play. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1269/14984

2006年6月在Annecy国际动画电影节上评选出的“动画的世纪·100部作品”第39名。