[谍影重重]系列导演保罗·格林格拉斯有望执导，描述美国禁酒探员埃利奥特·尼斯新片[尼斯](Ness，暂译)。尼斯曾把臭名昭著黑手党阿尔·卡朋绳之以法，影史经典[铁面无私]便改编于此。“绿草”版本将由[洛城机密]编剧布莱恩·海尔格兰德执笔剧本，讲述后卡朋时期尼斯负责的一起连环杀人案。

[谍影重重]系列导演保罗·格林格拉斯有望执导，描述美国禁酒探员埃利奥特·尼斯新片[尼斯](Ness，暂译)。尼斯曾把臭名昭著黑手党阿尔·卡朋绳之以法，影史经典[铁面无私]便改编于此。“绿草”版本将由[洛城机密]编剧布莱恩·海尔格兰德执笔剧本，讲述后卡朋时期尼斯负责的一起连环杀人案。

该剧设定在竞争激烈的名人公关世界里，美国危机公关策略师罗宾居住在伦敦，是这一行业的专家，她的工作节奏很快，为行为不端的知名人士提供咨询，但一涉及到自身生活，罗宾就会成为一个自我破坏者。

安娜·帕奎因主演新剧《公关危机》(Flack)发布首款预告，第一视角有点意思。设定在竞争激烈的名人公关世界里，美国危机公关策略师罗宾居住在伦敦，是这一行业的专家，她的工作节奏很快，为行为不端的知名人士提供咨询，但一涉及到自身生活，罗宾就会成为一个自我破坏者。 　　该剧由Oliver Lansley(《名厨怀特》)打造，帕奎因和丈夫史蒂芬·莫耶担任执行制作人，彼得·卡坦纽(《光猪六壮士》《烦恼的牧师》)执导，索菲·奥克妮多(《卢旺达饭店》)、马克·沃伦(《兄弟连》《神秘博士》)、瑞贝卡·本森(《权力的游戏》)等参演，第一季共6集，明年2月21日在Pop TV播出。

Paris, 1315. The Tour de Nesle, a guard tower on the banks of the Seine, has become a symbol of mystery and fear. Each morning, at its base, the bodies of handsome young aristocrats are found floating in the river, all butchered by sword or arrow. One evening, two noblemen, Buridan and Philippe d'Aulnay, find themselves in the infamous tower, lured there on the expectation of a night of unbridled passion. Little do they realise that they are to be the next victims of a woman who is determined to take revenge against all men - Margaret of Burgundy, the present Queen of France. Although Philippe is killed, Buridan escapes, and intends to blackmail the Queen. Unless she makes him her prime minister, he will expose her crimes to Philippe's brother and her husband, King Louis X. When she moves to eliminate Burdan, Margaret makes a terrible discovery... 　　In the twilight years of his long and pretty uneven career, the great avant-garde film director Abel Gance made a number of films which, whilst not as grand and artistically inspired as his early silent masterpieces (La Roue (1923), Napoléon (1927)), still compared very favourably with the work of his contemporaries. 　　Of these, La Tour de Nesle is a film that still stands up remarkably well today - an ambitious historical drama based on the famous 1832 play by Alexandre Dumas. It makes a nice companion piece to Gance's subsequent historical romp, Cyrano et d'Artagnan (1964). 　　 　　Needless to say, the film isn't to be commended on its historical accuracy. As any historian will tell you, the Alexandre Dumas version of French history is wildly fanciful, to say the least. However, this doesn't prevent La Tour de Nesle from being an entertaining and, at times, highly poignant, piece of cinema. 　　Whilst the characterisation and dialogue leave much to be desired, the plot (a murky tale of cruel revenge and political intrigue) is gripping, and the film's artistic design is exceptional for a film of this period. Gance brings a strangely expressionistic touch to his use of colour and shade, something which adds to the darkly sinister nature of the plot, whilst imbuing the film with a striking sense of historical realism. A propos, Gance's assistant director Nelly Kaplan makes her screen début in a small role, shortly before she herself embarked on a successful film making career.

因三年前对一场空难的错误报道，林中硕（ 黄晓明 饰）放弃了自己风光无限的媒体人生涯，并阴差阳错转行公关行业就任于知名公关公司际格。上任之后的林中硕才知道自己被请来是为了帮公司对抗自己的大学同学——方励 （ 张博 饰）。两人在危机重重的公关行业上演了一出出尔虞我诈的好戏。在危机公关的过程中，林中硕认识了许雯雯 （ 蔡文静 饰），不打不相识的两人渐生暧昧。林中硕不知道爱人的真实身份，却与前女友袁未 （ 谭卓 饰）经常在工作中有交集。工作上的输赢，情感上的纠葛，三年前的心结这一切都时时缠绕着他，林中硕机智处理危机公关，最终走出自我的迷雾。

三年前，林中硕因对一场空难进行错误报道，放弃了风光无限的媒体人生，阴差阳错转行进入知名公关公司际格。上任后他才发现，自己被招来是为了帮公司对付前任员工、自己的大学同学方励。在危机四伏的公关行业里，两人展开了一系列明争暗斗。危机公关过程中，林中硕结识了自媒体新闻人许雯雯，两人一开始处处作对，后来不打不相识，渐生暧昧，而林中硕却不知爱人的真实身份。与此同时，林中硕的前女友、律师袁未也常因工作与他碰面。工作上的胜负、情感上的纠缠，加上三年前的心结，时刻困扰着他。林中硕该如何应对危机公关，又能否走出自我的迷雾呢……

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses