浩然（马浚伟 饰）出国留学多年，学成归来之后遵循父亲的意愿进入了酒店工作，然而，常年浸淫在外国文化之中的浩然并不知道，在这里，经营人际关系甚至比经营事业更为重要。果不其然，心直口快的浩然初来乍到便得罪了上司，更牵连同事美琪（陈松伶 饰）惨遭降职。 　　美琪的身世十分坎坷，母亲要外出工作，妹妹尚未懂事，家庭中的负担便落在了美琪的肩上。在发现相恋多年已经谈婚论嫁的男友出轨之后，美琪毅然选择了离开。如今，将一切寄托在工作上的美琪却又遇见了“扫把星”浩然，这令其打呼倒霉。然而，在吵吵闹闹之中，美琪和浩然之间竟然产生了十分微妙的感情。

浩然（马浚伟 饰）出国留学多年，学成归来之后遵循父亲的意愿进入了酒店工作，然而，常年浸淫在外国文化之中的浩然并不知道，在这里，经营人际关系甚至比经营事业更为重要。果不其然，心直口快的浩然初来乍到便得罪了上司，更牵连同事美琪（陈松伶 饰）惨遭降职。 　　美琪的身世十分坎坷，母亲要外出工作，妹妹尚未懂事，家庭中的负担便落在了美琪的肩上。在发现相恋多年已经谈婚论嫁的男友出轨之后，美琪毅然选择了离开。如今，将一切寄托在工作上的美琪却又遇见了“扫把星”浩然，这令其打呼倒霉。然而，在吵吵闹闹之中，美琪和浩然之间竟然产生了十分微妙的感情。

情色小说作家Cox对她正在创作的最新小说进行了深入研究。

情色小说作家Cox对她正在创作的最新小说进行了深入研究。

故事主线讲述一名开通的爷爷张通，因儿子及媳妇突于飞机失事，他遂负起照顾男孙子辉，孙女佩玲、佩丽、佩珊的责任。一家人相亲相爱，却又常因各人性格不同，产生不少拗撬，发生很多事故。子辉毕业后，进入广告公司工作。故事会从子辉这个人物，带出办公室政治，将其中种种矛盾之处，以嬉笑怒骂的方式加以讽刺，令人会心微笑。

ETHNIC NOTIONS is Marlon Riggs' Emmy-winning documentary that takes viewers on a disturbing voyage through American history, tracing for the first time the deep-rooted stereotypes which have fueled anti-black prejudice. Through these images we can begin to understand the evolution of racial consciousness in America. Loyal Toms, carefree Sambos, faithful Mammies, grinning Coons, savage Brutes, and wide-eyed Pickaninnies roll across the screen in cartoons, feature films, popular songs, minstrel shows, advertisements, folklore, household artifacts, even children's rhymes. These dehumanizing caricatures permeated popular culture from the 1820s to the Civil Rights period and implanted themselves deep in the American psyche. Narration by Esther Rolle and commentary by respected scholars shed light on the origins and devastating consequences of this 150 yearlong parade of bigotry. ETHNIC NOTIONS situates each stereotype historically in white society's shifting needs to justify racist oppression from slavery to the present day. The insidious images exacted a devastating toll on black Americans and continue to undermine race relations. ETHNIC NOTIONS has quickly become a mainstay of university, high school, and public library collections. It is a basic audio visual text for American History, Sociology, Black Studies, Anthropology, Social Psychology, Media Studies, and any training program concerned with stereotyping and cross-cultural understanding. Approaching a complex and delicate subject with great sensitivity, ETHNIC NOTIONS equips viewers to view media and other cultural representations with a more critical eye. It's a direct challenge to those who say, "It was just a joke."

ETHNIC NOTIONS is Marlon Riggs' Emmy-winning documentary that takes viewers on a disturbing voyage through American history, tracing for the first time the deep-rooted stereotypes which have fueled anti-black prejudice. Through these images we can begin to understand the evolution of racial consciousness in America. Loyal Toms, carefree Sambos, faithful Mammies, grinning Coons, savage Brutes, and wide-eyed Pickaninnies roll across the screen in cartoons, feature films, popular songs, minstrel shows, advertisements, folklore, household artifacts, even children's rhymes. These dehumanizing caricatures permeated popular culture from the 1820s to the Civil Rights period and implanted themselves deep in the American psyche. Narration by Esther Rolle and commentary by respected scholars shed light on the origins and devastating consequences of this 150 yearlong parade of bigotry. ETHNIC NOTIONS situates each stereotype historically in white society's shifting needs to justify racist oppression from slavery to the present day. The insidious images exacted a devastating toll on black Americans and continue to undermine race relations. ETHNIC NOTIONS has quickly become a mainstay of university, high school, and public library collections. It is a basic audio visual text for American History, Sociology, Black Studies, Anthropology, Social Psychology, Media Studies, and any training program concerned with stereotyping and cross-cultural understanding. Approaching a complex and delicate subject with great sensitivity, ETHNIC NOTIONS equips viewers to view media and other cultural representations with a more critical eye. It's a direct challenge to those who say, "It was just a joke."

Dr James Fox has never really got conceptual art. And he's not alone. Conceptual art has been treated with suspicion and incredulity by virtually everyone outside the art world for nearly a hundred years. Ever since Marcel Duchamp first displayed a signed urinal and claimed it was art in 1917. So was he taking the piss? Or was he on to something, creating a whole new approach to art that has now lasted a century? 　　Dr Fox embarks on an open-minded guide for the perplexed and asks 'What is conceptual art?' 'How should we approach it?' and crucially, 'Why should we care?'. Roaming between the past, present and future he examines a mind-bending selection of the most influential conceptual ideas and artworks, alongside meeting the leading movers and shakers of today. And who knows? In the end, Dr Fox might find himself unexpectedly seduced by this trickiest of art forms.

Dr James Fox has never really got conceptual art. And he's not alone. Conceptual art has been treated with suspicion and incredulity by virtually everyone outside the art world for nearly a hundred years. Ever since Marcel Duchamp first displayed a signed urinal and claimed it was art in 1917. So was he taking the piss? Or was he on to something, creating a whole new approach to art that has now lasted a century? 　　Dr Fox embarks on an open-minded guide for the perplexed and asks 'What is conceptual art?' 'How should we approach it?' and crucially, 'Why should we care?'. Roaming between the past, present and future he examines a mind-bending selection of the most influential conceptual ideas and artworks, alongside meeting the leading movers and shakers of today. And who knows? In the end, Dr Fox might find himself unexpectedly seduced by this trickiest of art forms.

妓女之子冲田勇（菅原文太 饰）自母亲死后堕入黑道，经过多年摸爬滚打，成为川崎黑帮泷川组重要人物。冲田因刺杀对立帮派头目入狱5年，出狱后恰逢日本战后经济复苏时期，社会乃至黑帮组织形式变化巨大。泷川组与矢头组合作共同掌管川崎。被组织抛弃的冲田重新集结当年的伙伴，向泷川组发动进攻，但很快招来无情报复。 　　另一方面，静观事态发展的矢头俊介（安藤升 饰）将受创的冲田众人招至麾下创立樱花会，同时借此良机联合关西最大帮派大和会摧毁泷川组。大和会势力由此渗入川崎地区。伤愈后的冲田不满矢头之行径，公开反抗大和会。大和会逼迫矢头铲除樱花会，为求自保，矢头无奈将枪口朝向冲田等人……