一位盲童歌手流落到曼谷街头，他必须用歌声将自己从控制他的帮派中解放出来。

《蘭父》，顾名思义，关于“兰花”，关于“父亲”或“父权”。影片主要通过简述十部与符号“兰花”相关的电影作品，重视“兰花”与多个主题间的联系与纠缠：性与情欲，神话与殖民想象，集体历史与个人记忆等。影片以“讲故事”的形式静静地穿梭在真实与谎言间，如同拟态的兰花般尝试捕获相遇者在内心所潜藏的欲望与羁绊。

A Gujarati housekeeping lady in the US allows ambition to get the better of her & gets involved in a world of crime. Simran is a racy, fun film with Kangana Ranaut playing the titular role.

物静かな女子高生、如月蘭。しかし、彼女の正体は古来より代々続く忍びの家系…如月家の十七代目当主だった。日々、どこのものかもわからない者達と戦い続ける毎日。そんなある日、幼馴染の翼と会っているとただならぬ気配を感じる。そこへ正体不明の者達が現れ…。

Growing up under a strict father and the even stricter tutelage of his fundamentalist Muslim teachers, Tariq enters college questioning his faith, values, and identity. With the encouragement of his sister, his friends, and a sympathetic world-religions professor, he reluctantly searches for answers. When the sudden cataclysm of 9/11 inflames anti-Muslim fervor on campus, Tariq is forced to make a stand one way or the other.

有月亮的夜晚，秋风瑟瑟；群情激愤的村民，火把照亮夜空，心莲和志华被绑在木架上，要被私刑烧死，心莲的婆婆素霞赶至，大声喊冤，叔公表示除非…

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.