Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. 　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. 　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

野骆驼观察站的环保者和追逐利益的淘金客，同时被一场突如其来的暴风雪困在阿尔金山无人区。面对生存绝境，双方都面对生死的一线之隔，原本对立冲突的双方，有人因渴求生存选择了恶，有人却为拯救他人的生命而牺牲。

野骆驼观察站的环保者和追逐利益的淘金客，同时被一场突如其来的暴风雪困在阿尔金山无人区。面对生存绝境，双方都面对生死的一线之隔，原本对立冲突的双方，有人因渴求生存选择了恶，有人却为拯救他人的生命而牺牲。

在御灵纪元，无异能者地位卑微，慕悠悠身无异能，为了逃离被养父母不公对待的命运，意外跑进天雷山，救下正在渡劫的雷家家主雷无劫，两人意外结缘，慕悠悠因此而怀有身孕，但因她的身份不得生子，陷入惨痛境地，幸而雷无劫及时出现，救下母子，但二人因此触怒肃泥司，引来滔天大祸，为了保护孩子，二人决定共同对抗命运，守护彼此。

昔日京城第一美人迪姐，天生痴傻，却被皇帝谢林州宠为皇后。曾经为他步步筹谋、牺牲一切的贵妃，却在儿子高烧时，连太医都求不到，最终眼睁睁看着孩子在怀中离世。她曾以真心换情深，换来的却是背叛与冷漠。如今，在失去挚爱之子后，她心如死灰，却也燃起了复仇的火焰。她将以贵妃之身，暗中理事，等待时机，让那些曾辜负她、害死她儿子的人，血债血偿。

郑佑南重生回到悲剧发生前，决心扭转命运。这一世，她不再盲从青梅竹马的虚伪夫君，而是选择守护曾被她误解的纪临川。她暗中助力纪临川摆脱陷害、勇夺状元，并巧妙设计让恶人自食其果。最终，她与纪临川携手前行，收获真挚感情，共同走向光明未来。

23歳の坂田アキ(小田かおる)は恋人のカズのために、部下の芳夫を連れてにサラ金の取りたてに行った。芳夫が男を殴りつけると、逃げそびれた男は窓から飛び降りてしまう。団地の主婦が集まり、パトカーも駆けつける中、アキは半開きになったドアから団地の一室にかけ込んだ。部屋の住人、ガードマンのヒロシ(酒井昭)が驚いて声を出そうとする前に、アキはヒロシの唇を唇でふさぐ。野獣のようなアキの目つきに魅了されたヒロシは、たまらずにアキを押し倒すと、中へ怒張を押し入れる。アキもゆきずりの情事に激しく感じるのだった。アキの恋人、カズにはもうひとり直美という女がいた。直美への嫉妬とカズへの当てつけから、アキはヒロシを呼び出し、二度目の関係を結ぶ。奔放なアキはヒロシの目前でカズとの情事を見せつけ、純情なヒロシにはそれはとても耐えられなかった。組から3千方円の取りたてをいいつかったカズは、集金のメドが立たず、アキに金の工面を頼む。アキはヒロシを誘い、彼が警備するスーパーを襲って売り上げ金の3千万円を奪う。芳夫の運転する車の後席で、二人は激しく唇を重ねた。盗んだ金を持って部屋に戻ると、カズは早くも指名手配を受けたヒロシを追い出そうとし、ヒロシをかばうアキを犯そうとする。ナイフを待ったカズとヒロシがもみ合いとなり、カズの方の腹にナイフが突き刺さり、そのまま息絶えてしまう。アキとヒロシは都内のアパートに隠れ住むが、息がつまるような潜伏生活に耐え切れず、アキはディスコに出かけ、知り合った男を部屋に連れ込み関係する。そんなアキに対してヒロシは強盗をした挙句、人まで殺してしまったとののしるようになる。そんな二人の部屋に芳夫がやってきた。アキは弟のような芳夫の涙を口でぬぐってやると、股間に顔をうずめ、口で怒張をなだめるのだった。芳夫は昔からアキに憧れていた。そんなアキの姿を見たヒロシはアキの背中にナイフを突き立てる。逃げまどう芳夫。息絶えていくアキの唇がふっと微笑む。ヒロシはいつまでもアキの頬を撫で続けていた。

23歳の坂田アキ(小田かおる)は恋人のカズのために、部下の芳夫を連れてにサラ金の取りたてに行った。芳夫が男を殴りつけると、逃げそびれた男は窓から飛び降りてしまう。団地の主婦が集まり、パトカーも駆けつける中、アキは半開きになったドアから団地の一室にかけ込んだ。部屋の住人、ガードマンのヒロシ(酒井昭)が驚いて声を出そうとする前に、アキはヒロシの唇を唇でふさぐ。野獣のようなアキの目つきに魅了されたヒロシは、たまらずにアキを押し倒すと、中へ怒張を押し入れる。アキもゆきずりの情事に激しく感じるのだった。アキの恋人、カズにはもうひとり直美という女がいた。直美への嫉妬とカズへの当てつけから、アキはヒロシを呼び出し、二度目の関係を結ぶ。奔放なアキはヒロシの目前でカズとの情事を見せつけ、純情なヒロシにはそれはとても耐えられなかった。組から3千方円の取りたてをいいつかったカズは、集金のメドが立たず、アキに金の工面を頼む。アキはヒロシを誘い、彼が警備するスーパーを襲って売り上げ金の3千万円を奪う。芳夫の運転する車の後席で、二人は激しく唇を重ねた。盗んだ金を持って部屋に戻ると、カズは早くも指名手配を受けたヒロシを追い出そうとし、ヒロシをかばうアキを犯そうとする。ナイフを待ったカズとヒロシがもみ合いとなり、カズの方の腹にナイフが突き刺さり、そのまま息絶えてしまう。アキとヒロシは都内のアパートに隠れ住むが、息がつまるような潜伏生活に耐え切れず、アキはディスコに出かけ、知り合った男を部屋に連れ込み関係する。そんなアキに対してヒロシは強盗をした挙句、人まで殺してしまったとののしるようになる。そんな二人の部屋に芳夫がやってきた。アキは弟のような芳夫の涙を口でぬぐってやると、股間に顔をうずめ、口で怒張をなだめるのだった。芳夫は昔からアキに憧れていた。そんなアキの姿を見たヒロシはアキの背中にナイフを突き立てる。逃げまどう芳夫。息絶えていくアキの唇がふっと微笑む。ヒロシはいつまでもアキの頬を撫で続けていた。