冢本晋也在《野火》之后，再度深入挖掘日本战败时期的故事。他借助男孩的足迹与视角，串联起两个带有伤痛印记的短篇故事。第一个故事里，有个女人守着空空如也的小酒屋，一个士兵常来找她，只为满足最原始的生理需求，还总说明天会带钱来。独来独往的男孩让她有了片刻对家庭的向往。第二个故事中，一名退伍士兵踏上一段路程去完成一个任务，男孩一路相伴，目睹他手臂残废、身心俱疲。三个成年人都在苦苦挣扎，不知能否走出战争的阴影，而男孩却默默地四处寻找活子，最后找到了一把枪。冢本晋也以简明直接的叙事方式，在“豚与军舰”尚未到来之际，洞察人们心底那尚存的微弱希望之火。

拍摄于2022年7-8月。 塚本晋也監督が、「斬、」（18）以降4年ぶりになる新作映画を始動。塚本監督が運営する制作会社・海獣シアターが、スタッフと出演者を募集している。終戦直後を生きる人々の姿を描く物語で、「野火」（15）、「斬、」の流れを汲む作品となる予定だ。 ▼塚本晋也監督メッセージ 新作を始動します。小さな映画ですが、今の時代に投げかける大切な作品にしたいと思います。 スタッフは、一部大きな撮影がありますが、全体、少数精鋭で、静かに丁寧にものづくりのできる仲間を募集します。 キャストの若い復員兵は、いわゆる軍人タイプの人でなく、柔らかな印象の方がありがたいです。多様な演技をお願いすることになります。

Mr. Brenner makes a down payment on a house. The house's owners, Cissie and Johanna Enright say that they don't want to sell. He threatens them with a lawsuit, but is poisoned. He collapses and the sisters discuss what they should do. Joanna wants to finish him off more poison while Cissie prefers a gun. Brenner revives and pitches on sister against the other. He gets the gun from Cissie and shoots Johanna. Cissie gives Brenner more poison whilst he phones the police, telling them that Johanna poisoned him and that he shot her. Finally, the poison kills him and the house is all hers.

A beautiful sexy DJ is forced to run when she stumbles on a stash of cash. Can she keep the money, conquer her demons, AND get the girl?

一对养羊的夫妇每天在城市周围放羊，政府为了盖楼房想把他们从平房赶走；一个修车的大爷每天在路边放disco，周围的居民投诉他扰民；一个男人养 了一只羊做宠物；一个打扮成羊模样的男子在城市周围游荡。几条线索相互交错，勾勒出一幅荒诞的城乡结合部图景。 　　A shepherd couple herd sheep around the city every day, while the government is trying to demolish their house in order to build new constructions.A bicycle repair man plays disco music on the street every day, while his neighborhood find him so disturbing. A man keeps a lamb as his pet. A man who dressed like a sheep wanders around the city. Several clues are interlaced to sketch a view of an absurd area.

A journey through Mongolia, Japan, China and South Korea, narrated by the journals of Finnish linguist, diplomat and journeyman G.J. Ramstedt (1873-1950).

暂无剧情简介

After the beginning of the full-scale invasion of Ukraine on February 24, 2022 many people started to dream about Putin. And they shared these dreams in the media. Over 1000 dreams about Putin are documented. This film is an essay about the unconscious, nightmares and hopes of many Russians. It is an attempt to reflect on the theme of repression through the prism of art.

A microchip engineer explains something both familiar and unknown, but what exactly? His voice is soothing and distant in equal measure. As we go deeper inside a factory, the object is revealed: a smart contact lens. Though only a prototype for now, this lens corrects vision, displays a screen, and analyzes tears. Are we in Belgium, where the narrator is? Or Taiwan, where the factory is. In this fusion of prototype and place, what does it mean to create knowledge from tears? Or is knowledge ‘in tears’; grieving as it reproduces itself in a factory where the labor is half-automated and the end-user asleep.

这部幽默的影像日志引我们去发现一幅画作和一个无法形容的国家。这幅画作是勃鲁盖尔1555年前后所作《伊卡鲁斯坠海图》，这个国家是比利时。它们之间是哲学家、导演、精神分析学家、政治家、失业的人们……还有一位首相自问，“何谓‘看’？”——这部有着复杂脉络的影片即是作者给出的答案。