2008年的一场金融风暴席卷了全球。地处中国西部的一个省份有一家名声显赫的房地产公司——建太地产公司。公司的老总郝建军在资金上发生困难的时候仍然执迷不悟，赶上了公海的一艘赌轮，妄想舍命一博赚回已经输掉的几千万。谁知血本无归又欠下了700万赌债，无奈之下，他再次开口向自己老婆徐丽莎的朋友、香港宇龙集团的老总黄向明借款。

2008年的一场金融风暴席卷了全球。地处中国西部的一个省份有一家名声显赫的房地产公司——建太地产公司。公司的老总郝建军在资金上发生困难的时候仍然执迷不悟，赶上了公海的一艘赌轮，妄想舍命一博赚回已经输掉的几千万。谁知血本无归又欠下了700万赌债，无奈之下，他再次开口向自己老婆徐丽莎的朋友、香港宇龙集团的老总黄向明借款。

《典当商》改编自Edward Lewis Wallant同名小说，主人公是一名犹太人典当商，从纳粹集中营逃出后在纽约哈莱姆经营当铺时维持生计，男主角罗德·斯泰格尔由此获得了当年奥斯卡影帝的提名。

Go inside the colorful world of the pawn business. At the Gold & Silver Pawn Shop on the outskirts of Las Vegas, generations of the Harrison family run the family business, and there’s clashing and camaraderie every step of the way.

北京城内有两家相邻的典当行，一家叫金顺祥，一家叫银汇通。两家典当行的行长金鑫（陈宝国 饰）和阴通山（王刚 饰）是同门师兄弟。金鑫号称“金一眼”，以鉴定文玩字画从不打眼闻名圈内外，在商业竞争上，金顺祥屡屡占得先机。阴通山的儿子阴光明（牛子藩 饰）自从英国留学回来后就去了金顺祥工作，并对金鑫的女儿金格格（吴昱瑶 饰）爱的死去活来，这令阴通山极为不满。在阴通山的小舅子窦天德（曹力 饰）的密谋下，一场至金顺祥于死地的较量即将展开。正在此时，律师黄豆豆（周知 饰）出现在了金顺祥......

北京城内有两家相邻的典当行，一家叫金顺祥，一家叫银汇通。两家典当行的行长金鑫（陈宝国 饰）和阴通山（王刚 饰）是同门师兄弟。金鑫号称“金一眼”，以鉴定文玩字画从不打眼闻名圈内外，在商业竞争上，金顺祥屡屡占得先机。阴通山的儿子阴光明（牛子藩 饰）自从英国留学回来后就去了金顺祥工作，并对金鑫的女儿金格格（吴昱瑶 饰）爱的死去活来，这令阴通山极为不满。在阴通山的小舅子窦天德（曹力 饰）的密谋下，一场至金顺祥于死地的较量即将展开。正在此时，律师黄豆豆（周知 饰）出现在了金顺祥......

典当铺的看板娘美寻，和平常没什么两样的一天，头和爱犬强烈地撞了一下，失去了意识，醒来以后，到了一个不可思议的世界。还没搞清状况就被强行告知必须要在「动物典当铺」干活的美寻，以返回原来的世界为目标，开店啦！

在我们生活的世界之外，在宇宙的深处，有一个与我们生活相平行的空间，在这个空间里，有一个与你同命相连的人，但也许他比你生活的更加成功，于是他利用…

7日7频道栏目的基本构架是以故事化的选题为主导，辅以生活服务类资讯信息。2012年停播。

Lord of the Frames: Kurt Kren 　　by Peter Tscherkassky 　　Translation: Elisabeth Frank-Großebner 　　reprinted from exhibition catalog, Kurt Kren at Wiener Secession, 1996 　　In 1964, "Wien Film" refused to print 6/64 Mama und Papa. When Kurt Kren handed in the original, the film grader said with an undertone of sympathy that, given the many cuts, one would not be able to make out anything, anyway. His worries were groundless: when Kren came to pick up the print, some people with flushed faces left the projection room, telling him to get out and never to come back again. A few months later, a similar scene took place at "Listo", where 9/64 O Tannenbaum was not accepted. Kren ultimately found a place that took his films, based on actions by Otto Muhl and Gunter Brus: a house on Peter Kaiser Gasse in Jedlersdorf, a neighborhood in the East of Vienna, on the other side of the river Danube. There, in the 21st district, on the most remote outskirts of town, films were developed and printed in self-made contraptions reminiscent of washing-machine drums. The man who ran the business single-handedly intimated that he was used to explicit images owing to customers from the blue movie scene. The facts that the credits in a few Kren works from those days are slightly out of place and that the name "Kren" next to the copyright sign goes beyond the edge of the frame can be explained in this context. On request, credits were in-house productions, but they were made with a camera that had no view finder, for which reason slipped boards were none too unusual. There were no objections to the films' content, formal and creative issues played a secondary role. 　　Be that as it may - the "© Kren" jutting out over the frame can easily be understood as a metaphor of the avant-garde and a harbinger of cinema outside the screen - Expanded Cinema. It is precisely during the "Jedlersdorf period" in his oeuvre that Kurt Kren demonstrates some of its best knacks to modern cinematography. 　　(Source: http://www.hi-beam.net/mkr/kk/kk-bio.... 　　http://www.ubu.com/film/kren.html