阿根廷新浪潮电影大师托雷尼尔逊最好的作品之一，1961年嘎纳国际电影节费比西奖，60年代最重要的阿根廷新电影之一，喜欢Jean Cocteau或者Georges Franju的应该会同样喜欢这部影片吧。 　　Leopoldo Torre Nilsson was probably the best film director in Argentina. He was a man with a vision. He was the one that elevated the local cinema and put it on the map in the late 50s and early 60s. He almost always worked on screen plays based on his wife, Beatriz Guido's novels, as is the case here. 　　This gothic tale of hidden monsters and well kept secrets among the provincial bourgeoisie had more impact for me the first time I watched it. On second viewing what seemed so eerie before doesn't hold true any more. 　　The husband-and-wife team of Beatriz Guido and Leopoldo Torre-Nilsson once again write and direct, respectively, to create another drama about the lives of an upper middle-class segment of society. In this engaging story, a young woman, Laura (Elsa Daniel), comes back from boarding school to a home that has seen wealthy days but is now barely managing. She discovers that an aunt has locked herself up in the attic to spend the rest of her life mourning the loss of her one great love, a loss that occurred when the man jilted her on their wedding day. Laura decides to hunt the man down and bring him to meet her aunt, just to save the woman from herself. She succeeds in tracking him, and convinces him to visit her aunt, while she herself is very much taken with his charm and stunningly handsome looks. The entire scenario shifts after Laura's original objective is reached.

阿根廷新浪潮电影大师托雷尼尔逊最好的作品之一，1961年嘎纳国际电影节费比西奖，60年代最重要的阿根廷新电影之一，喜欢Jean Cocteau或者Georges Franju的应该会同样喜欢这部影片吧。 　　Leopoldo Torre Nilsson was probably the best film director in Argentina. He was a man with a vision. He was the one that elevated the local cinema and put it on the map in the late 50s and early 60s. He almost always worked on screen plays based on his wife, Beatriz Guido's novels, as is the case here. 　　This gothic tale of hidden monsters and well kept secrets among the provincial bourgeoisie had more impact for me the first time I watched it. On second viewing what seemed so eerie before doesn't hold true any more. 　　The husband-and-wife team of Beatriz Guido and Leopoldo Torre-Nilsson once again write and direct, respectively, to create another drama about the lives of an upper middle-class segment of society. In this engaging story, a young woman, Laura (Elsa Daniel), comes back from boarding school to a home that has seen wealthy days but is now barely managing. She discovers that an aunt has locked herself up in the attic to spend the rest of her life mourning the loss of her one great love, a loss that occurred when the man jilted her on their wedding day. Laura decides to hunt the man down and bring him to meet her aunt, just to save the woman from herself. She succeeds in tracking him, and convinces him to visit her aunt, while she herself is very much taken with his charm and stunningly handsome looks. The entire scenario shifts after Laura's original objective is reached.

「喜欢明星就学习不好」现在已经过时了！最喜欢的明星老师亲自上门一对一家教！不仅是教学，更给予学习动机！某天来到我房间的《家教》

乔许和罗汉小两口安排了一场周末度假，希望借机让双方父母见面，结果却意外发现他们租的地方居然栖息着一只拥有四百年历史的凶恶厉鬼。

此剧是采用多机切换、同期声拍摄的第一部国产长篇连续剧。

我一个连螺丝都卖不出去的玩具店废物老板，竟被鹰酱联合小日子等四十多个国家，万人血书将我评价为二十七世纪最危险人物，只因我觉醒了黑科技还原系统，只要是我制作的玩具模型，都会一比一还原成对应物体，甚至还会比原版更强！

盖伊（贾森·比格斯 Jason Biggs 饰）是一名建筑系毕业的研究生，在学校学习期间，他是一名标准的优等生，获得过很多的学术荣誉，每个人都坚信，他有着无比远大的前程。 　　如今，盖伊和美丽的妻子安妮（珍妮·莫伦 Jenny Mollen 饰）结了婚，两人共同抚养着刚刚出生的小婴儿，家庭生活可谓是幸福美满，但问题是，因为他所学的专业实在是太过高端冷门，导致盖伊直到现在都无法找到一个契合专业的工作。一天，安妮告诉盖伊，她为他找到了一份做司机的兼职，盖伊本以为只是送送外卖而已，哪知道他要负责运送的“外卖”，竟然是一群妓女。

盖伊（贾森·比格斯 Jason Biggs 饰）是一名建筑系毕业的研究生，在学校学习期间，他是一名标准的优等生，获得过很多的学术荣誉，每个人都坚信，他有着无比远大的前程。 　　如今，盖伊和美丽的妻子安妮（珍妮·莫伦 Jenny Mollen 饰）结了婚，两人共同抚养着刚刚出生的小婴儿，家庭生活可谓是幸福美满，但问题是，因为他所学的专业实在是太过高端冷门，导致盖伊直到现在都无法找到一个契合专业的工作。一天，安妮告诉盖伊，她为他找到了一份做司机的兼职，盖伊本以为只是送送外卖而已，哪知道他要负责运送的“外卖”，竟然是一群妓女。