落魄的神仙钟馗，隐藏自己的身份在人类小镇经营着杂货铺苟且度日，虽然蕴含不凡的能力，却早已没有年少时的斗志，生活一团糟。不但众叛亲离，眼见连房租也交不上了。因缘际会下，狐妖胡儿的闯入改变了他的生活轨迹，这两个同样被边缘化的人被迫暂寄同一屋檐下，完全不同的价值观让二人冲突不断。围绕着杂货铺，各种光怪陆离的怪物陆续登场......

落魄的神仙钟馗，隐藏自己的身份在人类小镇经营着杂货铺苟且度日，虽然蕴含不凡的能力，却早已没有年少时的斗志，生活一团糟。不但众叛亲离，眼见连房租也交不上了。因缘际会下，狐妖胡儿的闯入改变了他的生活轨迹，这两个同样被边缘化的人被迫暂寄同一屋檐下，完全不同的价值观让二人冲突不断。围绕着杂货铺，各种光怪陆离的怪物陆续登场......

来到蛮荒远古的兽世大陆，成为稀有雌性。她不想沦为兽人的生育工具，拼命逃亡，却无意间开启了位面交易系统，她用兽世的特产跟各个位面商人兑换东西，现代位面的米面粮油、日用百货，星际位面的机甲战舰，修真位面的仙丹灵药……她发挥生存技能，制盐、盖房、制作打猎的工具、编织衣服……却没想到引来了更多的雄性兽人争相抢夺——人前嗜血残杀，人后变身热情黏人大狗狗的白虎少主“浅浅她打我，她心里有我！”

涂伊穿越成兽人文里的恶毒雌性兔伊，小说里，原主虐待三个养子小兽人，还对自己的雄性蛇烈不闻不问，导致蛇烈断腿后惨死，最后被小兽人虐杀。涂伊穿越而来，决定改变命运，先是治好了蛇烈的断腿，然后找来食物，让蛇烈和小兽人们都能活下去。又为兽人部落带来了盐和火种，解决了各种难题，并挫败了原部落族长的阴谋，带着部落走向了更好的生活，并和蛇烈相爱，幸福地在一起。

灵沐沐从末世穿到远古兽世，成部落讨厌的胖丑圣雌候选人。系统告知她有五个黑化兽夫，任一黑化值满即被抹杀，攻略成功则有丰厚奖励。为物资和活命，她决心一搏。

在一次跨境长途大巴的行窃过程中，因为意外拿错了箱子，8岁的“扒手”丹拓被赵真领走，而养父桑普意外得到了国宝佛首。桑普将佛首拿去市场询价，得知了佛首的价值。另一边，赵真带着丹拓返回老挝，试图找回失落的佛首。在寻找佛首的过程中，两人逐渐产生了如父如子的信赖感。

在一次跨境长途大巴的行窃过程中，因为意外拿错了箱子，8岁的“扒手”丹拓被赵真领走，而养父桑普意外得到了国宝佛首。桑普将佛首拿去市场询价，得知了佛首的价值。另一边，赵真带着丹拓返回老挝，试图找回失落的佛首。在寻找佛首的过程中，两人逐渐产生了如父如子的信赖感。

黑山导演Zivko Nikolic的超现实主义电影代表作之一，Zivko Nikolic也属于前南“黑浪潮”电影运动。这部寓言式的影片充满着象征含义和对黑山地区人们传统乡村生活的真实描写。 　　This is a dark, surreal story of life and imminence of death,directed by the masterful hand of Zivko Nikolic. This is also a harsh political satire about absence of a clear vision and goal in the former Yugoslavia, expressed in the allegory of a floating island and its doomed inhabitants.Although made in 1977, its message is universal and can be applied to many contemporary events. A beautiful woman arrives on a god forsaken island and brings excitement and breath of fresh air in the lives of the locals. She awakes suppressed passion, hatred, love and fear,turning upside-down otherwise boring and monotonous island routine. The film is an intelligent and well crafted story about human soul, placed in an unidentified Adriatic island with Montenegrin schmeck.

黑山导演Zivko Nikolic的超现实主义电影代表作之一，Zivko Nikolic也属于前南“黑浪潮”电影运动。这部寓言式的影片充满着象征含义和对黑山地区人们传统乡村生活的真实描写。 　　This is a dark, surreal story of life and imminence of death,directed by the masterful hand of Zivko Nikolic. This is also a harsh political satire about absence of a clear vision and goal in the former Yugoslavia, expressed in the allegory of a floating island and its doomed inhabitants.Although made in 1977, its message is universal and can be applied to many contemporary events. A beautiful woman arrives on a god forsaken island and brings excitement and breath of fresh air in the lives of the locals. She awakes suppressed passion, hatred, love and fear,turning upside-down otherwise boring and monotonous island routine. The film is an intelligent and well crafted story about human soul, placed in an unidentified Adriatic island with Montenegrin schmeck.

Vincent has a secret that forces him to stay away from the people he loves. But when he meets Gustav, love strikes Vincent. As their love grows, so does his fear of letting his secret destroy his new lover.