Documentary focuses on 'Sona', the daughter of the director's brother who moved to North Korea from Japan in the early 1970s. Through Sona, the film shows the generation that migrated from Japan to North Korea and their offspring who were born and raised in North Korea. Sona's upbringing is quite normal, but the special aspects within North Korean society make their presence known in a subtle way. By showing the process of the migratory people establishing their identities within North Korean society, North Korea becomes a region that shows a universal view of human society in general and not just a closed society. This approach is a special feature of Yang. She adds normalcy through her depiction of a family to 'North Korea'; a name that we have come to regard as something quite special.

哲明の祖父、戦争のころ来日した韓国人の松江勇吉（劉忠植）。その祖父の最期の言葉は「哲明バカヤロー！」だった… 　　祖父、そして家族が歩んできた歴史を、孫（在日三世）の視点でたどる笑いと涙の記録。

Documentary focuses on 'Sona', the daughter of the director's brother who moved to North Korea from Japan in the early 1970s. Through Sona, the film shows the generation that migrated from Japan to North Korea and their offspring who were born and raised in North Korea. Sona's upbringing is quite normal, but the special aspects within North Korean society make their presence known in a subtle way. By showing the process of the migratory people establishing their identities within North Korean society, North Korea becomes a region that shows a universal view of human society in general and not just a closed society. This approach is a special feature of Yang. She adds normalcy through her depiction of a family to 'North Korea'; a name that we have come to regard as something quite special.

哲明の祖父、戦争のころ来日した韓国人の松江勇吉（劉忠植）。その祖父の最期の言葉は「哲明バカヤロー！」だった… 　　祖父、そして家族が歩んできた歴史を、孫（在日三世）の視点でたどる笑いと涙の記録。

長年漂泊在外的男子，搭上一列返鄉的火車，再次踏上熟悉的街道。即將被查封的老舊眷村，獨自居住在空蕩祖厝的弟弟，塵封已久的回億漸漸顯影。本片不只描繪男子疏遠親故的愧疚之情，也銘記著某片走入歷史的風景。

伊丽莎白·“李”·米勒身份众多，1920年代她遇上出版大亨康泰·纳仕，成为《Vogue》的模特、封面女郎和时尚界宠儿，后去往巴黎拜师超现实主义艺术家曼·雷，并与他开启了一段师生恋，她的时装摄影圈朋友们包括毕加索、胡安·米罗、保罗·艾吕雅等大师。二战爆发后，米勒作为战地摄影师&记者奔赴前线，将纳粹对难民的折磨曝光给大众，报道了伦敦大轰炸和解放巴黎等事件。归家后她遭受严重的PTSD，随后继续任时尚摄影师，作品有强烈的超现实主义风格。 该片将聚焦米勒在二战期间和之后的人生，丽兹·汉娜(《华盛顿邮报》《心灵猎人》)写剧本，改编自米勒的儿子Anthony Penrose所著传记书《The Lives of Lee Miller》，米勒遗产委员会也已授权该片使用她的档案资料，包括其所有照片和日记。温斯莱特也担任制片人，汉娜执行制作。

伊丽莎白·“李”·米勒身份众多，1920年代她遇上出版大亨康泰·纳仕，成为《Vogue》的模特、封面女郎和时尚界宠儿，后去往巴黎拜师超现实主义艺术家曼·雷，并与他开启了一段师生恋，她的时装摄影圈朋友们包括毕加索、胡安·米罗、保罗·艾吕雅等大师。二战爆发后，米勒作为战地摄影师&记者奔赴前线，将纳粹对难民的折磨曝光给大众，报道了伦敦大轰炸和解放巴黎等事件。归家后她遭受严重的PTSD，随后继续任时尚摄影师，作品有强烈的超现实主义风格。 该片将聚焦米勒在二战期间和之后的人生，丽兹·汉娜(《华盛顿邮报》《心灵猎人》)写剧本，改编自米勒的儿子Anthony Penrose所著传记书《The Lives of Lee Miller》，米勒遗产委员会也已授权该片使用她的档案资料，包括其所有照片和日记。温斯莱特也担任制片人，汉娜执行制作。

原明莉（藤原纪香 饰）是一名在白鸟宝石精品店里工作的店员，和店里的会计师迅人正在交往中。原明莉和迅人都暂时没有想要结婚的念头，同时原明莉自己知道，她对于这家店来说，只不过是一个随时都可以被替代的花瓶而已。已经29岁的原明莉，无论是爱情还是事业，都陷入了深深的迷惘之中。 　　在同学会上，原明莉意外的邂逅了曾经的恋人阿兰（大泽隆夫 饰）。此时的阿兰已经结婚成家，他幸福的样子令原明莉的心里很不是滋味。当原明莉得知阿兰虽然已为人夫，但是和妻子并没有小孩后，竟然萌生了将阿兰抢回自己身边的念头。