After the death of her adopted parent's Lacy Graham tries to build a relationship with her natural mother Samantha, this is made difficult by Samantha's struggle with mental health. Just as they start to bond the unthinkable happens, Samantha is kidnapped, who can she trust, a strange ex copper, her weird friends or has a distant relative set his sights on revenge for her father's actions?

影片以两对母子为故事主线，一对求生、一对向死，在偶然的时间交汇出一段悲欢离合的故事。

After the death of her adopted parent's Lacy Graham tries to build a relationship with her natural mother Samantha, this is made difficult by Samantha's struggle with mental health. Just as they start to bond the unthinkable happens, Samantha is kidnapped, who can she trust, a strange ex copper, her weird friends or has a distant relative set his sights on revenge for her father's actions?

托比是个小男孩，妈妈去世后父亲忙于工作，无暇照顾他，不得已把他送回奶奶家暂住。托比的奶奶是个表面上严肃古板的老太太，整日忙于自己的社交生活。孤独的小托比在老房子里发现了一个魔法阁楼，里面发现了很多破旧的玩具。意外的，他在里面找到一只妈妈留给他的绒布小兔子，托比终于找到了一个小玩伴，并且全心全意的爱着这只小兔子，把对妈妈的思念都寄托在这只小兔子身上，无论到哪都带着它。托比终日在自己所想象的世界里和小兔子，天鹅和小马玩耍，直到托比感染了猩红热病毒，卧病在床。医生说他所有的玩具都要烧掉，小兔子面临被烧毁的命运。但爱让世界变得真实，由于小男孩对它的爱，它竟然变成了一只真的兔子，让那个家喻户晓的童话故事成真。

托比是个小男孩，妈妈去世后父亲忙于工作，无暇照顾他，不得已把他送回奶奶家暂住。托比的奶奶是个表面上严肃古板的老太太，整日忙于自己的社交生活。孤独的小托比在老房子里发现了一个魔法阁楼，里面发现了很多破旧的玩具。意外的，他在里面找到一只妈妈留给他的绒布小兔子，托比终于找到了一个小玩伴，并且全心全意的爱着这只小兔子，把对妈妈的思念都寄托在这只小兔子身上，无论到哪都带着它。托比终日在自己所想象的世界里和小兔子，天鹅和小马玩耍，直到托比感染了猩红热病毒，卧病在床。医生说他所有的玩具都要烧掉，小兔子面临被烧毁的命运。但爱让世界变得真实，由于小男孩对它的爱，它竟然变成了一只真的兔子，让那个家喻户晓的童话故事成真。

传说中，在一个青翠碧绿的山谷，复活节的兔子们便居住于此。他们一整年都在忙碌，齐心协力准备复活节的彩蛋。兔子们分工明确，一丝不苟，有的专门负责熬制巧克力，有的负责扣模，有的则为巧克力装点上色。他们中还有一些是出色雕塑家，经其之手，巧克力被雕成了活灵活现的兔子形状。另一边，母鸡军团也分外忙碌，她们生出的鸡蛋经特殊管道分发给上色的兔子们，这群小家伙心灵手巧，用彩虹滴下的色彩调浆，各呈其能，绘制出一枚枚好看的彩蛋。兔子王国的小家伙们通过辛苦的努力，为世界各地的小朋友送上最好的复活节礼物。 　　本片荣获1934年威尼斯电影节最佳动画片奖。

传说中，在一个青翠碧绿的山谷，复活节的兔子们便居住于此。他们一整年都在忙碌，齐心协力准备复活节的彩蛋。兔子们分工明确，一丝不苟，有的专门负责熬制巧克力，有的负责扣模，有的则为巧克力装点上色。他们中还有一些是出色雕塑家，经其之手，巧克力被雕成了活灵活现的兔子形状。另一边，母鸡军团也分外忙碌，她们生出的鸡蛋经特殊管道分发给上色的兔子们，这群小家伙心灵手巧，用彩虹滴下的色彩调浆，各呈其能，绘制出一枚枚好看的彩蛋。兔子王国的小家伙们通过辛苦的努力，为世界各地的小朋友送上最好的复活节礼物。 　　本片荣获1934年威尼斯电影节最佳动画片奖。

Documentary focuses on 'Sona', the daughter of the director's brother who moved to North Korea from Japan in the early 1970s. Through Sona, the film shows the generation that migrated from Japan to North Korea and their offspring who were born and raised in North Korea. Sona's upbringing is quite normal, but the special aspects within North Korean society make their presence known in a subtle way. By showing the process of the migratory people establishing their identities within North Korean society, North Korea becomes a region that shows a universal view of human society in general and not just a closed society. This approach is a special feature of Yang. She adds normalcy through her depiction of a family to 'North Korea'; a name that we have come to regard as something quite special.

哲明の祖父、戦争のころ来日した韓国人の松江勇吉（劉忠植）。その祖父の最期の言葉は「哲明バカヤロー！」だった… 　　祖父、そして家族が歩んできた歴史を、孫（在日三世）の視点でたどる笑いと涙の記録。

Documentary focuses on 'Sona', the daughter of the director's brother who moved to North Korea from Japan in the early 1970s. Through Sona, the film shows the generation that migrated from Japan to North Korea and their offspring who were born and raised in North Korea. Sona's upbringing is quite normal, but the special aspects within North Korean society make their presence known in a subtle way. By showing the process of the migratory people establishing their identities within North Korean society, North Korea becomes a region that shows a universal view of human society in general and not just a closed society. This approach is a special feature of Yang. She adds normalcy through her depiction of a family to 'North Korea'; a name that we have come to regard as something quite special.