A storyteller, an ethnic Korean from China living in Japan, revisits fragmented memories, blurring the line between fiction and reality.

90년대 한국 사회를 뒤흔든 그러나 지금은 잊혀진 지존파 사건을 되짚으면서 우리 사회를 들여보게 하는 영화. 지존파에서 출발해 성수대교 붕괴, 삼풍 백화점 붕괴, 5.18 주모자 처벌 문제 등으로 유연하게 흘러가는 영화는 픽션 보다 더 픽션 같은 논픽션 이야기를 품은 한국 사회를 ‘기록’한다. 　　What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow. Director Jung Yoonsuk’s Non-fiction Diary “records” the records by summoning forgotten incidents, utilizing interviews and the media’s data screens. This record is a “report”on contemporary society as well as a “record of the remembrance”. (HONG Hyosook) 　　18th Busan International Film Festival Documentary Competition

90년대 한국 사회를 뒤흔든 그러나 지금은 잊혀진 지존파 사건을 되짚으면서 우리 사회를 들여보게 하는 영화. 지존파에서 출발해 성수대교 붕괴, 삼풍 백화점 붕괴, 5.18 주모자 처벌 문제 등으로 유연하게 흘러가는 영화는 픽션 보다 더 픽션 같은 논픽션 이야기를 품은 한국 사회를 ‘기록’한다. 　　What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow. Director Jung Yoonsuk’s Non-fiction Diary “records” the records by summoning forgotten incidents, utilizing interviews and the media’s data screens. This record is a “report”on contemporary society as well as a “record of the remembrance”. (HONG Hyosook) 　　18th Busan International Film Festival Documentary Competition

玛格丽特·杜拉斯 谈论她的作品“写作”，纪录片，时长43分钟，彩色，video。

玛格丽特·杜拉斯 谈论她的作品“写作”，纪录片，时长43分钟，彩色，video。

一个偶然的午后，于亮平遇到了一个叫“扳手”的神秘女子，此后他们以及于亮平的妻子，余妮三个人的关系产生了微妙的变化

一个偶然的午后，于亮平遇到了一个叫“扳手”的神秘女子，此后他们以及于亮平的妻子，余妮三个人的关系产生了微妙的变化

1984 PISMAK / WRITE AND FIGHT (screenplay by Wladyslaw Terlecki based on his own novel) - Set in a prison during World War I, the film centers on a journalist who aspires to be a writer and is imprisoned with a safe-robber and a monk. His cellmates appear to him to be the perfect topic for a novel. Critic Jan Slodowki described the film as "a study in isolation told through the three voices of three people condemned to be with each other; among them, the writer, a maturing artist, his gaze fixed on himself, proves the central figure."

“Continued explorations of automatism as a practical guide to negotiating the mysterious zone where light and no-light flutter in a fecund equipoise. A homemade rocket to realms unknown to any movie camera or photo lens. In the end, perhaps nothing more than a search for an experience of continuity, a kind of sanity. Failing sanity, a wild ride at least.”

《树木写作颂》是由Jessye Wdowin-McGregor创作的“视频诗”，与著名诗人、小说家、学者、编辑和翻译家欧阳昱（Ouyang Yu）合作完成。该作品反思了欧阳昱长期以来在澳大利亚墨尔本东北郊的布杜拉公园（Bundoora Park）树干和树叶上写诗的日常实践。布杜拉公园是一个大型开放的公园，是欧阳昱近三十年来不断回访的灵感来源地。 　　该作品是在2023年“Correspondences”（墨尔本，澳大利亚）的合作艺术家驻地项目期间创作的，该项目由Emma Thomson策展。视频中所朗读和书写的诗歌均来自欧阳昱，除了两首古代中国诗歌——分别是王之涣的《登鹳雀楼》和李白的《静夜思》。王之涣的诗《登鹳雀楼》/“White Sun”出现在树上，欧阳昱朗读李白的诗《静夜思》/“Thoughts on a Still Night”。注：上述诗歌的标题由欧阳昱翻译。