The stories of ambitious career women working at the top of the best portal sites in the IT industry. Paved with wins and losses, their road to success takes a new turn when love comes along the way.

龙门七侠之六侠夜探昭庆寺被杀，七侠之首文素臣决心报仇。寺内主持空明和尚作恶多端，调戏木匠妹妹琴儿，且与奸臣勾结，合谋在观日亭杀害巡按林惕菴。 林惕菴一家误中机关堕海，幸获文素臣暗中保护，并在海中救回林惕菴的女儿红玉。林惕菴下令文素臣进攻昭庆寺取走谋反名单，于是文素臣潜入昭庆寺藏经阁与空明作最后一战。

上世纪九十年代末期, 挪威北部有了互联网, 这时也正好是⼗二岁的Mads性意识觉醒的时期。因为接触到了⾊情图片, 他与⽗母的生活开始变得复杂起来,家变成了步步惊⼼的雷场。 　　At the end of the 1990s the Internet comes to Northern Norway and coincides with the sexual awakening of 12-year-old Mads. The introduction of pornographic images into his life complicates his relationship to his parents, and their house becomes a minefield filled with uncomfortable interactions.

上世纪九十年代末期, 挪威北部有了互联网, 这时也正好是⼗二岁的Mads性意识觉醒的时期。因为接触到了⾊情图片, 他与⽗母的生活开始变得复杂起来,家变成了步步惊⼼的雷场。 　　At the end of the 1990s the Internet comes to Northern Norway and coincides with the sexual awakening of 12-year-old Mads. The introduction of pornographic images into his life complicates his relationship to his parents, and their house becomes a minefield filled with uncomfortable interactions.

龙门七侠之六侠夜探昭庆寺被杀，七侠之首文素臣决心报仇。寺内主持空明和尚作恶多端，调戏木匠妹妹琴儿，且与奸臣勾结，合谋在观日亭杀害巡按林惕菴。林一家误中机关堕海，幸获文暗中保护，并在海中救回林之女儿红玉。林下令文进攻昭庆寺取走谋反名单，于是文潜入昭庆寺藏经阁与空明作最后一战。

《物质》定位十分明确：如何记录一个正处在转型期的国家？如何组织这些松散的材料？1989年前的生活给我们留下了什么？未来有什么希望？应该怎样处理这些“剩下的”图片？ 　　没有平白的叙述，只有导演的只言片语和Charles Ives哀伤的挽歌。导演通过对过去二十年来自己以及其他人拍摄的素材的整理和剪辑，让这些影像自己说话。从最近柏林的骚乱到1989年底亚历山大的大型集会，这是一个群众无视当局的罕见时刻，让人感觉任何事都可能发生。从舞台导演Fritz Marquardt在使《海纳穆勒的日耳曼-死在柏林》登上舞台的联合项目中的初步谈判到今天共和国宫的毁坏。在这部影片中，Heise用他自己的方式回顾了德国历史。从二十世纪八十年起Thomas Heise就开始这项工作，将社会政治问题融合在探索历史的过程之中。以新旧辩证的眼光，Thomas Heise密切的观察，让事件自己说话，为历史创造了更多可能。 　　A slow pan shot sweeps over a piece of wasteland next to a ruin, with the laughter of children playing in the distance: providing the background of these three motifs – childhood, landscape and loss. Then an announcement follows: “Certain things remain as surplus, leftovers that are undeveloped, unfinished. It is the same with images waiting for a story”. These unedited images, the very substance of the film, were made in the margins of other films (his own or other people’s) or shot under the urgent pressure of events. They cover the last twenty years. 　　The space of his Material is precise and well-defined: how to document a country undergoing transformation, how to articulate this scattered material, what is left of Life before 1989 and of the hopes for the future? What should be done with these ‘left-over’ images? 　　Nothing is explained directly, apart from a few rare snatches of the director’s commentary and the elegiac, melancholic music of Charles Ives. Heise leaves these situations caught up in their own intensity: from a recent riot of hoodies in Berlin to the enormous rally in the Alexanderplatz at the end of 1989, showing the crowds defying the authorities in one of those rare moments when there is a feeling that anything could happen; from preliminary discussions with the stage director Fritz Marquardt on a joint project to stage Heiner Müller’s Germania – Death in Berlin, to what remains today of the gutted Palace of the Republic. 　　In Material , Heise has constructed a personal reflection on Germany’s history and on his own method. Thomas Heise has been ploughing this furrow ever since the 1980s in the GDR, weaving together socio-political issues in his exploration of History. In a dialectic of the Old and the New, closely observing faces and letting words deploy themselves, he pays the necessary attention to this gesture, which opens up the material of History itself and its possibilities. 　　Film material shot over a 20 year period, a visual diary, outtakes that just will not leave their creators alone. Put together in a poetic way, in which chronology takes a back seat to sense and atmosphere. History is not a linear sequence but a pile of events.

由于家境困难而开始在家庭餐厅打工的东田大辅。但那里却是有着料理白痴的外场主管、一切都以金钱衡量的服务员等等，没什么正经人的家庭餐厅……！？

东田大辅（中村悠一 配音）是一位平凡不起眼的男子，因为家境实在贫困，于是不得不来到一间家庭餐厅打工以维持生计。东田虽然其貌不扬，却有着十分认真踏实的性格，因此深受上司和后辈的信赖。然而没过多久，东田就发现，这间看似普通的餐厅，其实有着非常大的问题。 　　工作出色的女高中生领班宫越华（户松遥 配音）、活泼开朗的千金大小姐镰仓志保（雨宫天 配音）、浑身散发着魅力的轻浮男公关进藤祐太（小野贤章 配音）、沉默寡言拥有着超强灵能力的村主小百合（日笠阳子 配音），餐厅里唯一的正常人足立正广（内山昂辉 配音），在这些人的围绕下，东田会迎来怎样的打工生活呢？

Rachel doesn't realize she has grown up in captivity working for an advertising agency where her job is to assess Mommy 6.0 - her favorite pop star.

A porn actress decides to stop working in that industry to devote herself to conventional cinema. In her first non-pornographic shooting she faces a situation she did not expect... a sexual scene. Part of the '2000 Jeonju Digital Project'.