日本アルプスに囲まれた長野県南部・伊那谷。とうもろこし畑を抜けた先に１軒の産直市場がある。売っているのは色とりどりの野菜はもちろん、キノコ類やイノシシ・シカといったジビエ肉、さらにイナゴ、ハチノコといった昆虫食まで。ここには多様な食文化が根づいている。地元の農家が品物を持ち込み、お客もまた地元の人が多い。命をいただくこととは何か。産直市場を通して見つめてみる。

日本アルプスに囲まれた長野県南部・伊那谷。とうもろこし畑を抜けた先に１軒の産直市場がある。売っているのは色とりどりの野菜はもちろん、キノコ類やイノシシ・シカといったジビエ肉、さらにイナゴ、ハチノコといった昆虫食まで。ここには多様な食文化が根づいている。地元の農家が品物を持ち込み、お客もまた地元の人が多い。命をいただくこととは何か。産直市場を通して見つめてみる。

Two sisters discover a strange object of alien origin.

Two sisters discover a strange object of alien origin.

陈界仁拍摄《加工厂》源于这样一个经历。“2003年我邀请偶然相识的联福制衣厂成衣女工，回到她们曾经工作了二十多年、如今已荒废的工厂。7年前资方在拒付退休金后恶性关厂，虽然当时发生了激烈的劳工抗争，但问题至今悬而未决，工厂继续处于荒废。”随着镜头缓慢而持续的推拉摇移，我们看见了女工拂去缝纫机上的灰尘，穿针引线，艰辛地进入现实，她们举起一件衣服，好像那就是抗议的旗帜。

陈界仁拍摄《加工厂》源于这样一个经历。“2003年我邀请偶然相识的联福制衣厂成衣女工，回到她们曾经工作了二十多年、如今已荒废的工厂。7年前资方在拒付退休金后恶性关厂，虽然当时发生了激烈的劳工抗争，但问题至今悬而未决，工厂继续处于荒废。”随着镜头缓慢而持续的推拉摇移，我们看见了女工拂去缝纫机上的灰尘，穿针引线，艰辛地进入现实，她们举起一件衣服，好像那就是抗议的旗帜。

改编自Camille DeAngelis所著同名小说， 讲述女主Maren Yearly踏上穿越全国的旅程，寻找素未谋面的父亲，想弄明白为什么她有杀死和吃掉爱她的人的冲动。…

The Peek Frean biscuit factory, Keeton's Road, Bermondsey, South London. 　　The boiler room generates the steam that runs the overall biscuit-making operation. Milk and flour is delivered and unloaded. The various ingredients are collected, weighed and mixed, and the resulting dough is rolled out onto trays. These are placed in the cutting machine to form the biscuit shapes, and then transferred to the ovens. After baking, women pack the biscuits into tins. 　　The factory workers undergo a fire drill (with appliances) in the yard and have a lunch break. Empty biscuit tins are washed, and full tins are weighed, labelled and soldered for export. The tins are packed into crates and boxes and loaded onto a conveyor belt. 　　Horse-drawn carts and vans are assembled and loaded. They transport the biscuits out of the factory for distribution to the outside world.

The Peek Frean biscuit factory, Keeton's Road, Bermondsey, South London. 　　The boiler room generates the steam that runs the overall biscuit-making operation. Milk and flour is delivered and unloaded. The various ingredients are collected, weighed and mixed, and the resulting dough is rolled out onto trays. These are placed in the cutting machine to form the biscuit shapes, and then transferred to the ovens. After baking, women pack the biscuits into tins. 　　The factory workers undergo a fire drill (with appliances) in the yard and have a lunch break. Empty biscuit tins are washed, and full tins are weighed, labelled and soldered for export. The tins are packed into crates and boxes and loaded onto a conveyor belt. 　　Horse-drawn carts and vans are assembled and loaded. They transport the biscuits out of the factory for distribution to the outside world.

Farocki's newest film portrays a brainstorming session about new concepts for mobile workstations which would grant employees a high degree of autonomy - and leave experts grappling for words. The product concept is bold, but intellectually flimsy, and best serves as a reflection of existing world order. Once again, colored markers and eye-catching graphics are used to disguise heartless capitalism. The cutesy branding of neoliberal market economics is grotesque... and fascinating.