这是一部关于伊利诺斯州乡下农民约翰·皮特森的个人纪录片，他不仅是个农场主，还是个艺术家，革命性的新新思想家。导演Taggart Siegel纪录了约翰二十年中对他农场重新定义的挣扎努力，见证了约翰色彩斑斓的戏剧化的生活。照片、七十年代的家庭录影同时出现在今天的电影胶片中。 　　随着60年代末父亲的去世，约翰开始了他自己的农场转变成艺术和农业的试验，一个嬉皮士、激进分子和艺术家的避难所。这部电影展现了这个乌托邦时期的终结：八十年代债务危机最终导致了农场破产的悲剧。 　　随着复杂交织农村事物的爆发，约翰成了本地恶意谣言的替罪羊，人们谴责他是撒旦崇拜者和毒品贩子。死亡的威胁，家宅被烧焚，约翰放弃了他的农场。他徘徊在中美洲的古老大地上。他的疑问神秘的将他引导返回对他饱含敌意的家乡。挑战一切可能性，他逐渐的把他的土地转变成了一处具有革命性的农场社区。 　　在电影的结束，皮特森的家庭农场已经成为了全美最大的社区化农场之一。在单一的农业之外约翰还在田地伸展的乡村建立了天使般的制度。在那里，人和艺术都可以在田地旁茁壮的成长。

在蛮荒的美国西部，夕阳的尽头缓缓行驶着一辆牛车。最前方的是主人公小懒狗德鲁比，他骑着灵巧的小马，肩膀上扛着猎枪匆匆赶路。牛车上坐着德鲁比的太太，太太怀中抱着刚出生不久的小婴儿。有时候小家伙饿的哇哇大哭，德鲁比便从后面的奶牛那里挤来一些奶喂养宝宝。天色渐晚，他们会把车听到大篷车休息站，遇到河流阻道，的路毕业能想出灵巧的办法过河。遇到印第安的时候，德鲁比也能化险为夷。经过一路奔波，他们一家人总算来到一处适合定居的地点，然后开始有条不紊地盖房子。 　　这个消息很快传到坏心眼的老狼的耳朵里，他决不允许德鲁比一家住在自己的地盘之上……

Nearing the 15th anniversary of Laci Peterson's disappearance, A&E Networks takes a fresh look at the case. A definitive factual account by those who lived and breathed it every day.

艺伎，字面上的含意为"以艺术为生"。每个艺伎都要经过严格的训练，学习茶道、书法、乐器、舞蹈、礼节等等。男人们用餐时，她们跪在旁边斟酒上菜，微笑着和他们聊天。待到酒过三旬后，艺伎开始表演以活跃气氛，不论是弹奏乐器或是演唱情歌。最令人称赞的是艺伎的谈话艺术，无论是国际新闻，还是花边消息，她们都了若指掌。 但是艺伎这一古老的文化行业，是否能够在现今充满竞争、科技日新月异的现代日本社会保存下来？十九世纪20年代是艺伎行业的全盛期，有将近80,000名的艺伎，而今却剩下不到1,000名。 　　艺伎的世界始终保持着一种神秘感。她们浓妆的脸上几乎看不出喜怒哀乐，她们是日本文化与艺术的缩影，这也是她们为之骄傲的。艺伎一生就是为了服侍日本上流社会中的达官显贵、富商阔佬，人们只能在那些豪华的茶店酒楼和隐密的日本料亭中看到她们的身影。所以基于上述的种种原因，艺伎一直被笼罩在一层神秘的面纱之下…… 　　 　　Dismissed by Western society as little more than high-priced call girls, the Japanese women known as Geisha are part of a centuries-old tradition that made them a vital part of that country's society. See how they were trained from childhood in music, the arts, conversation and "massaging the male ego," and visit with modern-day Geisha, in this revealing program.

"Grow：INFINITE的真实青春生活" 是一部讲述了无限在世巡期间那些爱豆之名之下的苦衷和鲜为人知的故事，真实展现了成员们成长之痛的青春影片。 　　虽然总爱开玩笑很调皮，但比任何人都照顾队伍的气氛制造者成烈，有着闪耀的能力并对作曲有强烈热情的优贤，在世巡期间对拍照甚是关心的东雨，还有无论在任一领域都全身心投入甚至会忘记自己爱豆身分的，在美国有名的舞蹈学院努力练舞的HOYA，在成为明星前他们那些热血的并闪闪发光的20代青春，无异于平凡人的那些普通的样子将走近观众的视线。还有每次登台前都会紧张的圣圭，经历着第二次青春期的成种，还有演技，摄影，一个都不落， 在世巡期间最忙的L的样子。至今为止哪里都看不到的真实的故事将毫无保留展现给观众们。 　　不仅这样，甜美而低沉的嗓音的拥有者郑烨作为担任旁白的音乐家前辈传达了温暖的鼓励的话，送来了暖烘烘的气氛。不是单纯的公演的 实况，七位成员在世界巡演中感受到的苦恼和矛盾，首次以成员们成长的样子拍摄的电视剧的“Grow：INFINITE的真实青春生活”在观众热切的期待中即将上映。 　　另外，“Grow：INFINITE的真实青春生活”的个人宣传海报是以成员们暖烘烘的个人镜头组成。虽然大家统一穿着黑色服装，但是展现出了自己和其他成员不同的魅力的INFINITE七位成员，通过意味深长的眼神展现了各自不同的形象，更加吸引了大家的视线。音乐...明星... 此后那样灿烂的名字，青春！”展现这个词的偶像，包含并强调了平凡的20代的青年的真实的故事的影片。

Documentary providing a rare insight into the world of high-class call girls. The UK's sex industry is booming, and more women are turning to prostitution than ever before. 　　Many ply their trade via personal websites in hope of attracting a certain type of client. The programme features interviews with prostitutes from all walks of life including a glamorous twenty-something, an ex-city banker, a married mother of four and a university student.

一群熊孩子私下打探老师们的生活，并把老师们的各种私生活秘密放上网站，结果……

一群熊孩子私下打探老师们的生活，并把老师们的各种私生活秘密放上网站，结果……

ABOUT THE FILM 　　Greek Pete was filmed for over a year with guys working within and around the sex industry and the story is a representation of their world. The process blurs the boundary between fiction and documentary, giving an authentic and intimate insight into the boys’ lives. Honest, non-judgmental, and sometimes explicit, the film offers a portrait of a sub-culture hidden from view. 　　Shot for less than £10,000 and with a crew of 2, the film has secured distribution in the UK, receiving both a cinema and dvd release in September 2009. It has also secured distribution in USA, Germany and France. 　　DIRECTOR’S NOTES 　　The life of a rent-boy is often depicted as either sexy and glamorous or blighted with abuse and drugs. I wanted to try and get closer to the reality and focus on the everyday nature of things, the nuts and bolts of the job, the real personalities behind the online profiles and magazine adverts. I didn’t want to pander to what people expected from this kind of film or water it down for a more mainstream audience. I also decided early on that the project would be worthless unless I worked with people with knowledge of the sex industry. It wasn’t until after casting that a rough narrative took shape, changing and developing as the shooting progressed, but always based on real experiences. There was never a script as such, only a story framework, on which all of the scenes were improvised. The blurring of documentary and fiction came very much out of this process, using elements of each to best suit the needs of the story. I wanted the film to be truly authentic, but that did not mean that everything had to be completely real. After all, the life of an escort is filled with variations of the truth, a mixture of reality and fantasy, and I wanted to explore this in the very nature of the film’s construction. 　　DIRECTOR’S BIOGRAPHY 　　After working in editing for many years with credits on a diverse range of films from Ridley Scott’s Gladiator to Harmony Korine’s Mister Lonely, Andrew has concentrated on writing and directing. He has made four short films, the last of which, entitled Five Miles Out and starring Dakota Blue Richards premiered at the Berlin International Film Festival in Feb 2009. Greek Pete is his first feature and premiered at the London Lesbian and Gay Film Festival in March 2009. In 2008 he was named as one of Screen International’s ‘Stars of Tomorrow’ and has a number of feature projects in development. 　　Link to DIRECTOR’S WEBSITE 　　CREDITS 　　Produced and Directed / Camera, Sound & Edit: Andrew Haigh 　　Co-producer: Dmitri Vigneswaren 　　Music: James Edward Barker 　　Re-recording Mixer: Matthew Gough 　　Colourist: Monica Rubio 　　CAST 　　GreekPete; Peter Pittaros 　　LondonboyKaI: Lewis Wallis 　　Barbara Bush: Tristan Field 　　Hotblond84: Liam Thompson 　　Fitfuck86: Barry Robinson 　　Youngandcutelad: Robert Day 　　Hugecockfromthenorth: Craig Wilson 　　Tightass91: Steve Turner 　　Rachel: Rachel Whitbread 　　Client 1: Richard Rosetti 　　Client 2: Glen Anderson